Peter Hammill ‎– In Camera

Label:
Charisma ‎– CAS 1089
Format:
Vinyl, LP, Album
Country:
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Tracklist Hide Credits

A1 Ferret And Featherbird 3:43
A2 (No More) The Sub-Mariner 5:47
A3 Tapeworm 4:20
A4 Again 3:44
A5 Faint-Heart And The Sermon 6:42
B1 The Comet, The Course, The Tail 6:00
B2 Gog; Magog (In Bromine Chambers)
Cymbal, Drums [Drum], Cello, Percussion – Paul WhiteheadPerformer [Liguaphone, Minikit], Percussion, Voice [Choral] – Chris Judge Smith*
17:21

Companies, etc.

Credits

  • DrumsGuy Evans (tracks: A3, B2)
  • Engineer [Trident], Programmed By [Arp], Other [Sound Wizardry]David Hentschel
  • Photography By [Inner Photography]O.D.*
  • Photography By [Outer Photography]Mike Van der Vord*
  • Written-By, Arranged By, Recorded By, Producer, Performer, Composed ByPeter Hammill

Notes

Comes in a single sleeve with an inner bag with lyrics and credits.

In Camera by Peter Hammill, who wrote, arranged, recorded, performed and produced the music on this album between December 1973 and April 1974 (Track A1 was written in 1969, track A3 in August 1971).
Guitars, bass, piano, harmonium and oddments were recorded at Sofa Sound, Sussex.
Voice, synthesiser, Mellotron + Guy / Reduction: Trident Studios.
Thanks also to:
Hugh for the loans of bass and piano
Mr. Higgs for tuning the latter
David for the loan of his wah-wah pedal
Nick for tape ops.+pan-pots
John for haulage
Alice for coping with the chaos

Gordianisation: Troeller

These recordings are dedicated to my brother Andrew.

Barcode and Other Identifiers

  • Matrix / Runout (A side [stamped]): CAS 1089 A-2U
  • Matrix / Runout (B side [stamped]): CAS 1089 B-1U
  • Matrix / Runout (B side [etched]): PECKO
  • Matrix / Runout (Label Side A): †CAS 1089-A†
  • Matrix / Runout (Label Side B): †CAS 1089-B†

Other Versions (5 of 16) View All

Cat# Artist Title (Format) Label Cat# Country Year
CASCDR 1089, 0946 3 70512 2 1 Peter Hammill In Camera(CD, Album, RE, RM) Charisma, Virgin CASCDR 1089, 0946 3 70512 2 1 Europe 2006 Sell This Version
VJD-28081 Peter Hammill In Camera(CD, Album) Charisma, Virgin Japan VJD-28081 Japan 1988 Sell This Version
CASCDR 1089, 00946 370512 2 1 Peter Hammill In Camera(CD, Album, RE, RM, RP, Unofficial) Charisma Records (2), Virgin (2) CASCDR 1089, 00946 370512 2 1 Russia Unknown Sell This Version
CASCDR 1089, 00946 370512 2 1, 00946 3 70512 2 1 Peter Hammill In Camera(CD, Album, RE, RM, RP) Charisma, Virgin, Virgin CASCDR 1089, 00946 370512 2 1, 00946 3 70512 2 1 Europe Unknown Sell This Version
9198 770 Peter Hammill In Camera(LP, Album) Charisma 9198 770 Netherlands 1974 Sell This Version

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progfan97402

progfan97402

September 22, 2011
edited about 1 year ago
This is probably Hammill's best solo album. On this album he gets help with synth programming from David Hentschel (future Genesis producer, and Trident studio engineer), drums from Guy Evans, and while Paul Whitehead (Genesis and VdGG album cover artist) gets credit from percussion, he was unaware he even appeared on the album (the fact he moved to the United States at this time has a lot to do with it). Peter Hammill plays many of the keyboards including the ARP synthesizer, piano and even Mellotron. While I can't be sure what ARP is being used (most sources state the ARP 2600, but I doubt it, even the original LP, which I own simply states "ARP synthesizer"), I suspect it's David Hentschel's ARP 2500 (which was used on Elton John's Funeral for a Friend), as many of the sounds I hear sound like it's beyond the ARP 2600's capability. Plus the fact Hammill's previous album, The Silent Corner and the Empty Stage, and following, Nadir's Big Chance, features no ARP whatsoever. "Ferret and Featherbird" is a nice acoustic piece, a piece written in the late '60s, so it probably wouldn't be out of place on The Aerosol Grey Machine. "No More (The Sub-Mariner)" is a great, sinister piece with that pulsing synth. "Tapeworm" really rocks out, and if David Jackson was present, could easily pass for VdGG. "Faint-Heart and the Sermon" is a dramatic piece, but I really dig those Mellotron passages, in fact there's more Mellotron on this album than all the VdGG albums put together (he also used tron on The Silent Corner and the Empty Stage, as well as Chameleon in the Shadow of the Night, and there's only a small amount on Pawn Hearts and Still Life, perhaps World Record). "The Comet, The Course, The Tail" is another great acoustic piece, that leads up to "Gog Magog (In Bromine Chambers)", another sinister, a dramatic piece with harmonium that eventually leads up to lots of distortion and feedback. A lot of people really have a hard time with this part, I guarantee you it's not an easy listen.

Ran out of VdGG albums? I guarantee you won't be disappointed with In Camera!