Portishead ‎– Roseland NYC Live

Label:
Go! Beat ‎– 559 424-1
Format:
2 × Vinyl, LP, Album, Repress
Country:
Released:
Genre:
Style:

Companies, etc.

Notes

Includes foldout poster but unlike the original issue this variation has no printed inner sleeves.

Some of the pressings came with wrongly centered labels on both sides of the first record.
On the B-side the label comes over the last part of the last song.

℗ 1998 Go Beat
© 1998 Go Beat
The copyright in this sound recording is owned by Go Beat under exclusive license to Polydor Ltd. (UK)

Barcode and Other Identifiers

  • Barcode (Text): 7 31455 94241 5
  • Barcode (Scanned): 7313455942415
  • Label Code: LC 07142
  • Matrix / Runout (Runout side A machine stamped): D33 559 598-1 S1 320
  • Matrix / Runout (Runout side B machine stamped): D33 559 598-1 S2 320
  • Matrix / Runout (Runout side C machine stamped): D33 559 599-1 S1 320
  • Matrix / Runout (Runout side D machine stamped): D33 559 599-1 S2 320
  • Matrix / Runout (Label side A/B): 559 598-1
  • Matrix / Runout (Label side C/D): 559 599-1
  • Distribution Code: PY 281
  • Rights Society: BIEM/MCPS

Other Versions (5 of 49) View All

Cat# Artist Title (Format) Label Cat# Country Year
559 424-1 Portishead Roseland NYC Live(2xLP, Album) Go! Beat 559 424-1 UK & Europe 1998 Sell This Version
559 424-2 Portishead Roseland NYC Live(CD, Album, RP) Go! Beat 559 424-2 UK & Europe 1999 Sell This Version
none Portishead Roseland NYC Live(Cass, Album, Unofficial) Riders On The Storm none Bulgaria 1998 Sell This Version
314-559 424-2 Portishead Roseland NYC Live(CD, Album, RE, RP, UML) Go! Beat, London Records 314-559 424-2 US Unknown Sell This Version
559 424-4 Portishead Roseland NYC Live(Cass, Album) Polygram Russia 559 424-4 Russia 1998 Sell This Version

Recommendations

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Nicode70

Nicode70

February 2, 2018
My copy is mislabeled. Side D has a side A label. does anyone has the same "problem"?
chronophobia

chronophobia

October 22, 2014
Though it's a live recording of previously issued songs, this release should really be considered Portishead's third album. The group themselves obviously disagree, as they titled their next record "Third." But the songs on Roseland NYC Live are so significantly transformed both by the orchestral accompaniment and other changes in style and mood that it often feels like you're listening to completely original material, or at least something that could (and does) easily stand on its own, without the usual caveats about a live session. It's a seriously good album.