Prince ‎– Graffiti Bridge

Label:
Paisley Park ‎– 1-27493, Warner Bros. Records ‎– 1-27493, Paisley Park ‎– 9 27493-1, Warner Bros. Records ‎– 9 27493-1
Format:
2 × Vinyl, LP, Album
Country:
Released:
Genre:
Style:

Tracklist Hide Credits

A1 Prince Can't Stop This Feeling I Got
Mixed By – Michael KoppelmanRecorded By – David Friedlander*, Michael Koppelman, Tom Garneau
4:24
A2 Prince New Power Generation
Backing Vocals – Rosie Gaines, The New Power GenerationDrums – Morris DayMixed By – Michael Koppelman, Tom GarneauProgrammed By [Distortion Samples] – Levi Seacer, Jr.*Recorded By – Michael Koppelman, Tom Garneau
3:39
A3 The Time Release It
Arranged By – Levi Seacer, Jr.*, PrinceComposed By – Levi Seacer, Jr.*Mixed By – Femi Jiya, Tom GarneauProducer – Levi Seacer, Jr.*, PrinceRecorded By – Femi Jiya, Tom GarneauSaxophone – Candy Dulfer
3:54
A4 Prince The Question Of U
Engineer – Eddie GarciaMixed By – Tom GarneauRecorded By – Tom Garneau
3:59
B1 Prince Elephants & Flowers
Mixed By – Michael Koppelman, Tom GarneauRecorded By – Michael Koppelman, Tom Garneau
3:54
B2 Tevin Campbell Round And Round
Backing Vocals – PrinceEngineer [Programmer] – Mark PlatiMixed By – Junior VasquezProducer [Post-production] – Junior VasquezRecorded By – Michael Koppelman, Tom GarneauVocals – Tevin Campbell
3:55
B3 Prince and George Clinton We Can Funk
Backing Vocals – Joseph Fiddler*, Belita Woods, Garry Shider, Mike Harris (24), Pat Lewis, Sandra Dance*, Steve Boyd, Tracey Lewis, William PayneComposed By – George ClintonKeyboards [Additional] – Joseph "Amp" Fiddler*Mixed By – David Z.Recorded By – David Friedlander*, Michael KoppelmanRecorded By [Overdubs] – Larry FergusonSaxophone – Eric LeedsTrumpet – Atlanta Bliss
5:28
B4 Prince Joy In Repetition
Engineer [Assistant] – Coke JohnsonMixed By – Susan RogersRecorded By – Susan Rogers
4:53
C1 The Time Love Machine
Arranged By – Levi Seacer, Jr.*Backing Vocals – Jerome Benton, Morris DayComposed By – Levi Seacer, Jr.*, Morris DayMixed By – David Friedlander*, Elisa*, Tom GarneauProducer – Levi Seacer, Jr.*Recorded By – David Friedlander*, Levi Seacer, Jr.*, Tom GarneauSaxophone – Candy DulferVocals – Elisa Fiorillo
3:34
C2 Prince Tick, Tick, Bang
Mixed By – David Friedlander*, Michael Koppelman, Tom GarneauRecorded By – David Friedlander*, Michael Koppelman, Tom Garneau
3:31
C3 The Time Shake!
Backing Vocals – Jana AndersonMixed By – Femi JiyaRecorded By – Femi Jiya
4:01
C4 Prince Thieves In The Temple
Mixed By – PrinceRecorded By – Michael Koppelman, Tom Garneau
3:19
D1 The Time with Prince The Latest Fashion
Arranged By – The TimeBacking Vocals [Crowd Noise] – Jerome Benton, Michael Koppelman, Robin Power, Tom GarneauMixed By – Femi Jiya, Michael Koppelman, Tom GarneauProducer – The TimeRecorded By – Femi Jiya, Michael Koppelman, Tom GarneauSaxophone – Candy Dulfer
4:02
D2 Mavis Staples Melody Cool
Backing Vocals – The SteelesMixed By – Keith CohenRecorded By – Michael Koppelman, Tom Garneau
3:39
D3 Prince Still Would Stand All Time
Choir – The SteelesMixed By – Femi Jiya, PrinceMixed By [Choir] – Levi Seacer, Jr.*, Tom GarneauRecorded By – Femi Jiya, Tom Garneau
5:23
D4 Prince Graffiti Bridge
Arranged By [Orchestra] – Clare FischerBacking Vocals – Boni Boyer, Levi Seacer, Jr.*, Sheila E.Bass – Levi Seacer, Jr.*Drums – Sheila E.Featuring – Mavis Staples, Tevin CampbellOrgan – Boni BoyerRecorded By – Dave Friedlander, Michael Koppelman, Tom GarneauRecorded By [Orchestra] – Arne Frager
3:51
D5 Prince New Power Generation (Pt. II)
Featuring – Mavis Staples, Robin Power, T.C. Ellis, Tevin Campbell
2:57

Companies, etc.

Credits

Notes

Soundtrack to the 1990 Prince movie "Graffiti Bridge."

Recorded and mixed at Paisley Park except:
"We Can Funk," overdubs recorded at United Sound in Detroit, Michigan
"Joy in Repetition," recorded and mixed at Sunset Sound, Los Angeles, California
"Graffiti Bridge," orchestra arranged and recorded at Mad Hatter Studios in Los Angeles, California
Mastered at Masterdisk, New York.

Catalog # on vinyl labels: 1-27493
Catalog # on spine: 9 27493-1

℗ 1990 Warner Bros. Records Inc. for the U.S.

Barcode and Other Identifiers

  • Barcode (Printed Lower Left Rear of Sleeve): 0 7599-27493-1 2
  • Matrix / Runout (Side 1 - Hand Etched): Variation 1: Masterdisk DMM
  • Barcode (Side 2,3 Hand Etched): Variation 1: Masterdisk
  • Matrix / Runout (Side 1 - Hand Etched): Variation 1: 1-27493-A-SR1 DMM SP 1-1
  • Barcode (Side 2 - Hand Etched): Variation 1: 1-27493-B-SR1 DMM SP 1-2
  • Barcode (Side 3 - Hand Etched): Variation 1: 1-27493-C-SR1-DMM SP 1-1
  • Barcode (Side 4 - Hand Etched): Variation 1: 1-27493-D-SR1 DMM SP 1-1
  • Matrix / Runout (Sides 1,2,3,4 - Hand Etched): Variation 2: Masterdisk
  • Matrix / Runout (Side 1 - Hand Etched): Variation 2: 1-24793-A-SR3-DMM SP1-2
  • Matrix / Runout (Side 2 - Hand Etched): Variation 2: 1-24793-B-SR1 DMM SP1-1
  • Matrix / Runout (Side 3 - Hand Etched): Variation 2: 1-24793-C-SR1 DMM SP1-1
  • Matrix / Runout (Side 4 - Hand Etched): Variation 2: 1-24793-D-SR1 DMM SP1-1

Other Versions (5 of 53) View All

Cat# Artist Title (Format) Label Cat# Country Year
MKL 37465 Prince Graffiti Bridge(Cass, Album) Gong MKL 37465 Hungary 1990 Sell This Version
MG0246 Prince Graffiti Bridge(Cass, Unofficial) MG Records (2) MG0246 Poland 1990 Sell This Version
7599-27498-4, 27498-4 Prince Graffiti Bridge(Cass, Album) Warner Bros. Records, Paisley Park 7599-27498-4, 27498-4 1990 Sell This Version
W4 27493 Prince Graffiti Bridge(Cass, Club) Warner Bros. Records W4 27493 Canada 1990 Sell This Version
WPCR-75114 Prince Graffiti Bridge(CD, Album, RE) Paisley Park WPCR-75114 Japan 2005 Sell This Version

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buffalopower83

buffalopower83

May 22, 2016


Repressing coming November !!!!! Don't pay these people $79 for it. They didn't make the art, Prince did. They don't deserve to profit off his death.

Some of the albums in this particular batch fall in the era when CD sales took over the industry, and Warners and the other big record companies made little to no vinyl editions of the records. These new pressings will feature the albums in their original format (no bonus tracks). Here’s the full list of what’s to come:

June 21st: “Around the World in A Day” (1985)
July 19th: “Parade (Under the Cherry Moon soundtrack)” (1986)
August 23rd: “Sign o’ the Times”(1987)
September 20th: “The Black Album”(1987 recorded; 1994 released)
October 18th: “Lovesexy” (1988) and “Batman” soundtrack (1989)
November 22nd: “Graffiti Bridge” soundtrack (1990) and “Diamonds and Pearls” (1991)
December 13th: “The Love Symbol” (1992)
isaacmusicman

isaacmusicman

January 11, 2015
Even though the movie positivily sucked!!!!!, Graffiti Bridge is not that bad of an album. Actually it's really good! With "Thieves In The Temple"(the best song), "New Power Generation", and "The Question Of U", this album ran rings around "Batman!" It also was helpful to have The Time (Shake), Tevin Campbell (Round and Round), and Mavis Staples (Melody Cool) on this set. I think if the movie didn't suck eggs so bad, this album would have done better, but oh well, it's not "Purple Rain!" We can be so glad that P's movie career stopped here, but keep the music commin' P!!!!!!!!
Risingson

Risingson

January 26, 2012
What, no one has an opinion of this? Ok, Graffiti Bridge is not Prince finest hour, though it survived the tremendous flop that was the movie. This soundtrack to the movie you will never see has a mix of the classic Prince funky jams, some of the new jack swing Prince already suggested in the Batman songs, and some collaboration of artists he supported. Individually there are great songs all along the album, either from Prince or any of his friends , but among them, clear standouts: "The question of U", a ballad that could only be composed by Prince (and which seems like a second part of "Under the cherry Moon") with an amazing guitar solo, and the amazingly funky (and pure new jack swing delight) "Round and Round" sang by a 13 year old Tevin Campbell. The rest? Up to your choice. Prince still had its touch and one cannot deny that there is a lot of care behind this songs, but unfortunately his best ideas were abandoning him and his audience was already being alienated.