Tracklist Hide Credits
Anton Bruckner | ||
Symphony No.7 In E MajorComposed By – Anton BrucknerOrchestra – Radio-Symphonie-Orchester Berlin |
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1-1 | I Allegro Moderato | 22:45 |
1-2 | II Adagio: Sehr Feirlich Und Sehr Langsam | 22:48 |
1-3 | III Scherzo: Sehr Schnell - Trio: Etwas Langsamer | 9:58 |
1-4 | IV Finale: Bewegt, Doch Nicht Zu Schnell | 13:22 |
Peter Ilyich Tchaikovsky | ||
2-1 |
Romeo & Juliet, Fantasy OvertureComposed By – Peter Ilyich Tchaikovsky*Orchestra – Cleveland Orchestra* |
19:36 |
2-2 |
Francesca Da Rimini, Symphonic FantasyComposed By – Peter Ilyich Tchaikovsky*Orchestra – Cleveland Orchestra* |
22:54 |
Symphony No.5 In E Minor, Op. 64Composed By – Peter Ilyich Tchaikovsky*Orchestra – Wiener Philharmoniker |
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3-1 | I Andante - Allegro Con Anima | 14:32 |
3-2 | II Andante Cantabile, Con Alcuna Licenza | 13:32 |
3-3 | III Valse. Allegro Moderato | 5:47 |
3-4 | IV Finale. Andante Maestoso - Allegro Vivace | 11:38 |
Antonín Dvořák | ||
4-1 |
Carnival Overture, Op. 92Composed By – Antonín DvořákOrchestra – Royal Concertgebouw Orchestra* |
9:15 |
Symphony No.9 In E Minor, Op. 95 From The New World = Dal Nuovo MondoComposed By – Antonín DvořákOrchestra – Royal Concertgebouw Orchestra* |
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4-2 | I Adagio - Allegro Molto | 12:36 |
4-3 | II Largo | 13:22 |
4-4 | III Scherzo: Molto Vivace | 7:58 |
4-5 | IV Allegro Con Fuoco | 11:56 |
Felix Mendelssohn | ||
Symphony No.3 In A Minor, Op. 56 "Scottish" = "Scozzese" (London Version, 1842)Composed By – Felix Mendelssohn*Orchestra – Gewandhausorchester*Score Editor – Thomas Schmidt-Beste |
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5-1 | I Andante Con Moto - Allegro Un Poco Agitato - Assai Animato - Andante Come Prima - | 14:35 |
5-2 | II Vivace Non Troppo - | 4:11 |
5-3 | III Adagio - | 8:34 |
5-4 | IV Allegro Vivacissimo - Allegro Maestoso Assai | 9:02 |
5-5 |
Opening Sketch Of "Scottish" Symphony (1829/30)Composed By – Felix Mendelssohn*Orchestra – Gewandhausorchester*Orchestrated By – Christian Voss* |
0:55 |
Piano Concerto No.3 In E Minor (1842/44)Composed By – Felix Mendelssohn*Composed By [Completed By], Score Editor [Reconstructed By] – Marcello BufaliniOrchestra – Gewandhausorchester*Piano – Roberto Prosseda |
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5-6 | I Allegro | 10:04 |
5-7 | II Andante | 6:06 |
5-8 | III Allegro Brillante | 4:48 |
5-9 |
Overture "The Hebrides" = "Le Ebridi", Op. 26 ("Fingal's Cave" = "La Grotta Di Fingal") (Rome Version, 1830)Composed By – Felix Mendelssohn*Orchestra – Gewandhausorchester*Score Editor – Christopher Hogwood |
11:25 |
Gioachino Rossini | ||
10 Overtures | ||
6-1 |
Guillaume TellCello [Solo] – Giuseppe LaffranchiniComposed By – Gioacchino RossiniOrchestra – Orchestra Filarmonica Della Scala*Score Editor [Rossini Critical Edition] – Clifford Bartlett |
11:31 |
6-2 |
Il Signor BruschinoComposed By – Gioacchino RossiniOrchestra – Orchestra Filarmonica Della Scala*Score Editor [Rossini Critical Edition] – Guarnieri* |
4:26 |
6-3 |
Bianca E FallieroComposed By – Gioacchino RossiniOrchestra – Orchestra Filarmonica Della Scala*Score Editor [Rossini Critical Edition] – G. Dotto |
6:17 |
6-4 |
Il Barbiere Di SivigliaComposed By – Gioacchino RossiniOrchestra – Orchestra Filarmonica Della Scala*Score Editor [Rossini Critical Edition] – Alberto Zedda |
6:47 |
6-5 |
ArmidaComposed By – Gioacchino RossiniOrchestra – Orchestra Filarmonica Della Scala*Score Editor [Rossini Critical Edition] – C.S. Brauner*, P.B. Brauner* |
5:35 |
6-6 |
SemiramideComposed By – Gioacchino RossiniOrchestra – Orchestra Filarmonica Della Scala*Score Editor [Rossini Critical Edition] – Alberto Zedda, Philip Gossett |
11:20 |
6-7 |
L'Inganno FeliceComposed By – Gioacchino RossiniOrchestra – Orchestra Filarmonica Della Scala*Score Editor [Rossini Critical Edition] – Dino Menichetti |
5:32 |
6-8 |
Matilde Di ShabranComposed By – Gioacchino RossiniOrchestra – Orchestra Filarmonica Della Scala*Score Editor [Rossini Critical Edition] – Mark Andreae* |
8:51 |
6-9 |
Demetrio E PolibioComposed By – Gioacchino RossiniOrchestra – Orchestra Filarmonica Della Scala*Score Editor [Rossini Critical Edition] – B. Rigacci* |
5:41 |
6-10 |
La Gazza LadraComposed By – Gioacchino RossiniOrchestra – Orchestra Filarmonica Della Scala*Score Editor [Rossini Critical Edition] – Alberto Zedda |
9:04 |
Béla Bartók | ||
Concerto For Orchestra (Sz 116, BB 123)Composed By – Béla BartókOrchestra – Royal Concertgebouw Orchestra* |
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7-1 | I Introduzione: Andante Non Troppo - Allegro Vivace | 9:56 |
7-2 | II Giuoco Delle Coppie: Allegretto Scherzando | 6:13 |
7-3 | III Elegia: Andante Non Troppo | 8:03 |
7-4 | IV Intermezzo Interrotto: Allegretto | 4:36 |
7-5 | V Finale: Pesante - Presto | 10:01 |
The Miraculous Mandarin = Il Mandarino Meraviglioso, Op. 19 (Sz 73, BB 82) (Pantomime In One Act)Chorus – Laurenscantorij Chor*Composed By – Béla BartókOrchestra – Royal Concertgebouw Orchestra*Text By – Menyhért Lengyel |
(31:36) | |
7-6 | Allegro (Introduction): A Bustling City Street | |
7-7 | The Curtain Rises On A Shabby Room In The Slums, Where Three Penniless Tramps Force A Girl To Lure In Prospective Victims From The Street. 2:22 10 Second Decoy Game. | |
7-8 | First Decoy Game | |
7-9 | The Shabby Old Rake Enters And Makes Comic Gestures Of Love To The Girl Until The Tramps Throw Him Out | |
7-10 | Second Decoy Game. | |
7-11 | The Shy Young Man Appears In The Door, And The Girl Dances - At First Hesitantly, Then Faster And More Passionately - Until The Tramps Throw Him Out | |
7-12 | Third Decoy Game | |
7-13 | Horrified, They See A Weird Figure Int He Street, And The Tramps Hide As They Hear Him Coming Up The Stairs | |
7-14 | The Mandarin Enters And Standds Immobile In The Doorway; The Girl Flees Terrified To The Other End Of The Room | |
7-15 | General Consternation. The Girl Overcomes Her Repugnance And Slowly Entices The Mandarin To Come Closer And Finally Sit In A Chair | |
7-16 | At Last She Overcomes Her Reluctance And Begins A Hesistant Dance, Which Gradually Enlivens To A Pitch Of Erotic Frenzy, As The Mandarin Stares At Her Impassively | |
7-17 | The Girl Sinks Down To Embrace Him; He Begins To Tremble In Feverish Excitement | |
7-18 | She Flees From Him, And He Chases Her More And More Wildly | |
7-19 | The Mandarin Catches The Girl, And They Fight | |
7-20 | The Tramps Leap Out, Tear The Mandarin Away From The Girl, And Seize His Jewelry And Money | |
7-21 | "We Must Kill Him, Stifle Him Under The Pillows On The Bed", The Tramps Decide | |
7-22 | They Think He Is Dead, But Suddenly The Mandarin's Head Appears Between The Pillows And He Looks Longingly At The Girl; The Four Shudder And Stand Aghast | |
7-23 | At Last The Three Tramps Master Their Horror. They Drag The Mandarin Out And Grip Him Firmly While One Stabs Him Three Times With A Rusty Sword | |
7-24 | Suddenly He Draws Himself Up And Leaps At The Girl. The Tramps Stop Him And Hold Him Fast Again. While They Hold Him, The Mandarin Looks Longingly At The Girl | |
7-25 | They Drag The Resisting Mandarin To The Centre Of The Room And Hang Him On The Lamp Hook | |
7-26 | The Lamp Falls To The Floor, And The Body Of The Mandarin Begins To Glow With A Greenish Blue Light. His Eyes Remain Fixed On The Girl | |
7-27 | At Her Insistence, The Tramps Take Him Down. The Mandarin Falls On The Floor And At Once Leaps At The Girl. She Resists No Longer, And They Embrace | |
7-28 | The Mandarin's Longing Is Now Stilled, His Woundds Begin To Bleed, And He Dies After A Short Struggle | |
George Gershwin | ||
8-1 |
Rhapsody In Blue (For Two Pianos And Orchestra)Composed By – George GershwinOrchestra – Cleveland Orchestra*Piano – Katia Labèque, Marielle Labèque |
16:03 |
8-2 |
Lullaby (For String Orchestra)Composed By – George GershwinOrchestra – Cleveland Orchestra* |
7:56 |
8-3 |
An American In ParisComposed By – George GershwinOrchestra – Cleveland Orchestra* |
17:41 |
8-4 |
Cuban OvertureComposed By – George GershwinOrchestra – Cleveland Orchestra* |
10:36 |
Gustav Mahler | ||
Symphony No.5 In C Sharp MinorComposed By – Gustav MahlerOrchestra – Royal Concertgebouw Orchestra* |
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9-1 |
Part I: I Trauermarsch: In Gemessenem Schritt. Streng. Wie Ein Kondukt Trumpet – Peter Masseurs |
12:52 |
9-2 | Part I: II Stürmisch Bewegt: Mit Größter Vehemenz | 14:58 |
9-3 |
Part II: III Scherzo: Kräftig, Nicht Zu SchnellHorn – Jacob Slagter |
17:45 |
9-4 | Part III: IV Adagietto: Sehr Langsam | 10:16 |
9-5 | Part III: V Rondo-Finale: Allegro | 15:14 |
Maurice Ravel | ||
10-1 |
BoléroComposed By – Maurice RavelOrchestra – Royal Concertgebouw Orchestra* |
14:28 |
Claude Debussy | ||
10-2 |
SarabandeComposed By – Claude DebussyOrchestra – Royal Concertgebouw Orchestra*Orchestrated By – Maurice Ravel |
5:15 |
10-3 |
DanseComposed By – Claude DebussyOrchestra – Royal Concertgebouw Orchestra*Orchestrated By – Maurice Ravel |
5:11 |
Modest Mussorgsky | ||
Pictures At An Exhibition = Quadri Di Un'EsposizioneComposed By – Modest MussorgskyOrchestra – Royal Concertgebouw Orchestra*Orchestrated By – Maurice Ravel |
(33:03) | |
10-4 | Promenade - Gnomus | |
10-5 | Promenade - Il Vecchio Castello | |
10-6 | Promenade - Tuileries | |
10-7 | Bydlo - Promenade | |
10-8 | Ballet Of The Unhatched Chicks | |
10-9 | Samuel Goldenberg And Schmuyle | |
10-10 | Limoges: Le Marché | |
10-11 | Catacombae - Cum Mortuis In Lingua Mortua | |
10-12 | The Hut On Hen's Legs (Baba Yaga) | |
10-13 | The Great Gate Of Kiev | |
Arnold Schönberg | ||
11-1 |
Verklärte Nach = Notte TrasfigurataComposed By – Arnold Schönberg*Orchestra – Radio-Symphonie-Orchester Berlin |
29:57 |
5 Orchesterstücke = 5 Pezzi Orchestrali, Op. 16 (1949 Version)Composed By – Arnold Schönberg*Orchestra – Royal Concertgebouw Orchestra* |
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11-2 | Vorgefühle. Sehr Rasch | 2:11 |
11-3 | Vergangenes. Mässige Viertel | 5:23 |
11-4 | Farben. Mässige Viertel | 3:24 |
11-5 | Peripetie. Sehr Rasch | 2:03 |
11-6 | Das Obligate Rezitativ. Bewegte Achtel | 3:21 |
Anton Webern | ||
11-7 |
Passacaglia, Op. 1Composed By – Anton WebernOrchestra – Royal Concertgebouw Orchestra* |
11:37 |
Alban Berg | ||
11-8 |
Sonata, Op. 1 - Mässige BewegtComposed By – Alban BergOrchestra – Royal Concertgebouw Orchestra*Orchestrated By – Theo Verbey |
12:19 |
Igor Stravinsky | ||
Petrushka (1947 Version) (Burlesque In Four Scenes)Composed By – Igor StravinskyFlute – Jacques ZoonOrchestra – Royal Concertgebouw Orchestra*Piano – Ruud van den BrinkTrumpet – Peter Masseurs |
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12-1 | Tableau I: The Shrove - Tide Fair | 6:52 |
12-2 | Tableau I: Danse Russe | 2:48 |
12-3 | Tableau II: Petrushka | 4:30 |
12-4 | Tableau III: The Blackmoor | 3:20 |
12-5 | Tableau III: Valse | 3:21 |
12-6 | Tableau IV: The Shrove - Tide Fair | 1:13 |
12-7 | Tableau IV: Wet-Nurses' Dance | 2:38 |
12-8 | Tableau IV: Peasant With Bear | 1:31 |
12-9 | Tableau IV: Gypsies And A Rake Vendor | 1:09 |
12-10 | Tableau IV: Dance Of The Coachmen | 2:02 |
12-11 | Tableau IV: Masqueraders | 1:38 |
12-12 | Tableau IV: The Scuffle | 0:48 |
12-13 | Tableau IV: The Death Of Petrushka | 0:59 |
12-14 | Tableau IV: Police And The Juggler | 1:16 |
12-15 | Tableau IV: Apparition Of Petrushka's Double | 0:44 |
Pulcinella (Ballet In One Act)Bass Vocals – William ShimellBassoon [Concertino Player] – J. Terwey*, C. Olthuis*Cello [Concertino Player] – J. Decroos*Composed By – Igor StravinskyDouble Bass [Concertino Player] – J. Wolfs*Flute [Concertino Player] – C. Oomes*, P. Verhey*Horn [Concertino Player] – J. Studebaker*, P. Weierink*Oboe [Concertino Player] – C. Ravelli*, J. Spronk*Orchestra – Royal Concertgebouw Orchestra*Soprano Vocals – Anna Caterina AntonacciTenor Vocals – Pietro BalloTrombone [Concertino Player] – C. Blokker*, J. Banens*Trumpet [Concertino Player] – P. Masseurs*Tuba [Concertino Player] – D. Blakeslee*Viola [Concertino Player] – K. Hakii*Violin [Concertino Player] – C. Strumphler*, Jaap van Zweden |
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12-16 | Ouverture: Allegro Moderato | 1:55 |
12-17 | Serenata: Larghetto 'Mentre L'Erbetta' (Tenor) | 2:35 |
12-18 | Scherzino: Allegro | 1:53 |
12-19 | Allegro | 1:02 |
12-20 | Andantino | 1:12 |
12-21 | Allegro | 1:44 |
12-22 | Ancora Poco Meno: 'Contento Forse Vivere' (Soprano) | 1:54 |
12-23 | Allegro Assai | 1:46 |
12-24 | Allegro - Alla Breve: 'Con Queste Paroline' (Bass) | 2:17 |
12-25 | Andante: 'Sento Dire No'ncè Pace' (Soprano / Tenor / Bass) | 4:07 |
12-26 | Allegro: 'Nce Sta Quaccuna Po' (Soprano) - 'Una Te Fa La Zemprece' (Tenor) | 0:27 |
12-27 | Presto: 'Una Te Fa La Zemprece' (Tenor) | 1:38 |
12-28 | Allegro - Alla Breve | 1:12 |
12-29 | Tarantella | 1:11 |
12-30 | Andantino: 'Se Tu M'ami' (Soprano) | 2:17 |
12-31 | Allegro | 0:51 |
12-32 | Gavotta Con Due Variazioni | 4:08 |
12-33 | Vivo | 1:30 |
12-34 | Tempo Di Minuetto: 'Pupilette, Fiammette D'amore' (Soprano / Tenot / Bass) | 2:24 |
12-35 | Allegro Assai | 2:01 |
Edgard Varèse | ||
13-1 |
Tuning UpComposed By – Edgard VarèseOrchestra – Royal Concertgebouw Orchestra*Score Editor [Reconstruction And Editing By, Jointly Commissioned By RCOA, Casa Ricordi & Decca Music Group Limited] – Chou Wen-chung |
8:00 |
13-2 |
Amériques (Original Version)Composed By – Edgard VarèseOrchestra – Royal Concertgebouw Orchestra*Score Editor [Performing Edition Prepared From The Original Manuscript By] – Chou Wen-chung |
24:38 |
13-3 |
Poème ÉlectroniqueComposed By – Edgard VarèseOrchestra – Royal Concertgebouw Orchestra*Transferred By [Transfer From The Original Master By (Institute Of Sonology, Royal Conservatory, The Hague, The Netherlands (C) 1998)] – Kees Tazelaar, Konrad Boehmer |
8:02 |
13-4 |
ArcanaComposed By – Edgard VarèseOrchestra – Royal Concertgebouw Orchestra*Score Editor [Edited By], Composed By [Completed By] – Chou Wen-chung |
18:22 |
13-5 |
NocturnalChorus – Men Of The Prague Philharmonic Choir*Composed By – Edgard VarèseOrchestra – Royal Concertgebouw Orchestra*Score Editor [Edited By], Composed By [Completed By] – Chou Wen-chungSoprano Vocals – Sarah Leonard |
10:25 |
13-6 |
Un Grand Sommeil NoirCommissioned By – Riccardo ChaillyComposed By – Edgard VarèseOrchestra – Royal Concertgebouw Orchestra*Orchestrated By [Commissioned By Riccardo Chailly And RCOA] – Antony BeaumontSoprano Vocals – Mireille Delunsch |
4:08 |
Luciano Berio | ||
Orchestral Transcriptions = Trascrizioni Orchestrali | ||
14-1 |
The Modification And Instrumentation Of A Famous Hornpipe As A Merry And Altogether Sincere Homage To Uncle AlfredComposed By – Henry PurcellOrchestra – Orchestra Sinfonica Di Milano Giuseppe VerdiTranscription By – Luciano Berio |
1:02 |
14-2 |
Contrapunctus XIX (Die Kunst Der Fuge)Composed By – Johann Sebastian BachOrchestra – Orchestra Sinfonica Di Milano Giuseppe VerdiTranscription By – Luciano Berio |
8:34 |
14-3 |
Quattro Versioni Originali Della "Ritirata Notturna Di Madrid" (Sovrapposte E Transcritte Per Orchestra)Composed By – Luigi BoccheriniOrchestra – Orchestra Sinfonica Di Milano Giuseppe VerdiTranscription By – Luciano Berio |
6:28 |
14-4 |
Variations On The Papageno's Aria "Ein Mädchen Oder Weibchen" (Divertimento Per Mozart)Composed By – Wolfgang Amadeus MozartOrchestra – Orchestra Sinfonica Di Milano Giuseppe VerdiTranscription By – Luciano Berio |
2:34 |
Rendering For OrchestraComposed By – Franz SchubertOrchestra – Orchestra Sinfonica Di Milano Giuseppe VerdiTranscription By – Luciano Berio |
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14-5 | Allegro | 9:47 |
14-6 | Andante | 11:06 |
14-7 | Allegro | 11:53 |
Sonata For Clarinet And Orchestra In F Minor, Op. 120 N. 1Clarinet – Fausto GhiazzaComposed By – Johannes BrahmsOrchestra – Orchestra Sinfonica Di Milano Giuseppe VerdiTranscription By – Luciano Berio |
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14-8 | Allegro Appassionato | 7:48 |
14-9 | Andante Un Poco Adagio | 5:27 |
14-10 | Allegretto Grazioso | 4:18 |
14-11 | Vivace | 5:12 |
Olivier Messiaen | ||
Turangalîla-Symphonie (For Piano Solo And Large Orchestra) (1946-48)Composed By – Olivier MessiaenOndes Martenot – Takashi HaradaOrchestra – Royal Concertgebouw Orchestra*Piano – Jean-Yves Thibaudet |
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15-1 | I Introduction (Modéré, Un Peu Vif) | 6:20 |
15-2 | II Chant D'Amour 1 (Modéré, Lourd) | 7:59 |
15-3 | III Turangalîla 1 (Presque Lent, Rêveur) | 5:56 |
15-4 | IV Chant D'Amour 2 (Bien Modéré) | 11:11 |
15-5 | V Joie Du Sang Des Étoiles (vif, Passioné, Avec Joie) | 6:19 |
15-6 | VI Jardin Du Sommeil D'Amour (Très Modéré, Très Tendre) | 11:41 |
15-7 | VII Turangalîla 2 (Un Peu Vif) | 3:45 |
15-8 | VIII Développement De L'Amour (Bien Modéré) | 10:44 |
15-9 | IX Turangalîla 3 (Bien Modéré) | 5:18 |
15-10 | X Final (Modéré, Presque Vif, Avec Une Grande Joie) | 6:47 |
Dmitri Shostakovich | ||
Moscow-Cheryomushki (Suite From The Operetta, Op. 105)Composed By – Dmitri ShostakovichConcertmaster, Violin [Solo] – Erez OferOrchestra – The Philadelphia OrchestraScore Editor – Andrew Cornall |
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16-1 | I A Spin Through Moscow | 3:31 |
16-2 | II Waltz | 5:10 |
16-3 | III Dances (Polka - Galop) | 5:05 |
16-4 | IV Ballet | 6:01 |
The Bolt = Il Bullone (Suite From The Ballet, Op. 27a) (1934 Version)Composed By – Dmitri ShostakovichConcertmaster, Violin [Solo] – Erez OferOrchestra – The Philadelphia Orchestra |
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16-5 | I Introduction | 5:21 |
16-6 | II Polka | 2:43 |
16-7 | III Variations | 1:39 |
16-8 | IV Tango | 5:26 |
16-9 | V Intermezzo | 3:36 |
16-10 | VI Finale | 2:16 |
The Gadfly = Il Tafano (Excerpts From The Film Music, Op. 97) (Original Orchestration)Composed By – Dmitri ShostakovichConcertmaster, Violin [Solo] – Erez OferOrchestra – The Philadelphia Orchestra |
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16-11 | I Overture | 2:53 |
16-12 | II The Cliff | 1:57 |
16-13 | III Youth (Romance) | 2:57 |
16-14 | VII The Slap In The Face | 2:34 |
16-15 | IX Barrel Organ | 1:06 |
16-16 | XIII Contredanse | 1:37 |
16-17 | XIV Galop | 2:13 |
16-18 | XVI The Market Place | 2:35 |
16-19 | XVII Escape | 2:32 |
16-20 | XVIII Montanelli | 2:10 |
16-21 | XIV Finale | 2:00 |
16-22 | XX The Austrians | 3:18 |
16-23 | XXIII Gemma's Room | 3:19 |
Companies, etc.
- Phonographic Copyright (p) – Decca Music Group Limited
- Phonographic Copyright (p) – Universal Music Italia s.r.l.
- Copyright (c) – Universal Music Italia s.r.l.
- Record Company – Universal Classics & Jazz
- Recorded At – Jesus-Christus-Kirche, Berlin
- Recorded At – Concertgebouw, Amsterdam
- Recorded At – Gewandhaus
- Recorded At – Chiesa Della Pace, Milan
- Recorded At – Masonic Auditorium, Cleveland
- Recorded At – Auditorium di Milano
- Recorded At – Giandomenico Studios, Collingswood, New Jersey
- Published By – Breitkopf & Härtel
- Published By – Copyright Control
- Published By – Casa Ricordi
- Published By – Bärenreiter-Verlag
- Published By – Edition Peters
- Published By – Edizioni Carish
- Published By – Edizioni Musicali Otos, Firenze
- Published By – Boosey & Hawkes Music Publishers Ltd
- Published By – Universal Edition AG
- Published By – Warner/Chappell Music
- Published By – MCPS Ltd.
- Published By – C.F. Peters Corp.
- Published By – Édition Russe De Musique
- Published By – Boosey & Hawkes, Inc.
- Published By – Éditions Salabert
- Published By – Durand & Cie.
- Published By – Hans Sikorski Musikverlag
- Pressed By – EDC, Germany
Credits
- Artwork By – Punto E Virgola
- Conductor – Riccardo Chailly
- Edited By – Ian Watson (3) (tracks: 5-1 to 5-9), Jenni Whiteside (tracks: 5-1 to 5-9, 11-7, 11-8), Sally Drew (tracks: 11-2 to 11-6)
- Edited By [Recording Editor] – Caroline Haigh (tracks: 12-1 to 12-35), Ian Watson (3) (tracks: 7-1 to 7-28, 9-1 to 9-5, 13-1 to 13-6), Jenni Whiteside (tracks: 7-1 to 7-28, 13-1 to 13-6), Martin Atkinson (tracks: 13-1 to 13-6), Matthew Hutchinson (2) (tracks: 6-1 to 6-10, 13-1 to 13-6), Sally Drew (tracks: 6-1 to 6-10, 12-1 to 13-6), Timothy Bull (tracks: 16-1 to 16-23)
- Engineer – John Dunkerley (tracks: 11-2 to 11-6), Stanley Goodall (tracks: 4-1 to 4-5, 11-1, 11-7)
- Engineer [Assistant] – Eike Boehm (tracks: 5-1 to 5-9), Thomas Haendel (tracks: 5-1 to 5-9)
- Engineer [Balance] – John Dunkerley (tracks: 7-6 to 7-28, 13-1 to 13-6), John Pellowe (tracks: 7-1 to 7-5, 11-8), Jonathan Stokes (tracks: 9-1 to 9-5), Neil Hutchinson (tracks: 13-1, 13-3, 13-6), Simon Eadon (tracks: 16-1 to 16-23)
- Engineer [Location Engineer] – Duncan Mitchell (tracks: 13-1 to 13-6), Graham Meek (tracks: 9-1 to 9-5, 13-1 to 13-6), Krzysztof Jarosz (tracks: 16-1 to 16-23), Martin Atkinson (tracks: 13-1 to 13-6), Michael Mailes (tracks: 11-8), Michael Stuart (2) (tracks: 13-1 to 13-6)
- Engineer [Recording] – Colin Moorfoot (tracks: 2-1, 2-2, 6-1 to 6-10, 8-1 to 8-4), John Dunkerley (tracks: 10-1 to 10-13, 15-1 to 15-10), Jonathan Stokes (tracks: 6-1 to 6-10), Chris Jarosz* (tracks: 12-16 to 12-35), Michael Mailes (tracks: 6-1 to 6-10, 12-1 to 12-15), Philip Siney (tracks: 5-1 to 5-9), Simon Eadon (tracks: 5-9, 12-1 to 12-15), Stanley Goodall (tracks: 1-1 to 1-4, 12-16 to 12-35)
- Engineer [Sound] – Jonathan Stokes (tracks: 14-1 to 14-11), Simon Eadon (tracks: 3-1 to 3-4)
- Engineer [Technical Engineer] – Michael Mailes (tracks: 7-1 to 7-5), Michael Stuart (2) (tracks: 7-6 to 7-28)
- Executive-Producer – Andrew Cornall (tracks: 7-1 to 7-28), Oliver Wazola (tracks: 5-1 to 5-9)
- Liner Notes – Mauro Balestrazzi
- Photography By [Cover] – Gert Mothes
- Producer – Andrew Cornall (tracks: 2-1, 2-2, 4-1 to 4-2, 6-1 to 6-10, 9-1 to 9-5, 11-2 to 11-8, 12-1 to 12-15, 14-1 to 16-23), Christopher Raeburn (tracks: 10-1 to 10-13), Michael Haas (3) (tracks: 1-1 to 1-4), Michael Woolcock (tracks: 12-16 to 12-35), Paul Myers (2) (tracks: 8-1 to 8-4, 11-1)
- Producer [Recording] – Andrew Cornall (tracks: 5-1 to 5-9, 7-1 to 7-28), Christopher Raeburn (tracks: 3-1 to 3-4)
Notes
CD1: Recording: Jesus-Christus-Kirche, Berlin, June 1984; (P) 1985 Decca Music Group Limited.
CD2: (P) 1985 Decca Music Group Limited.
CD3: (P) 1981 Decca Music Group Limited.
CD4: Recording: Concertgebouw, Amsterdam, January 1987; (P) 1988 Decca Music Group Limited.
CD5: Live Recording: Gewandhaus zu Leipzig, September 2006 (Overture), January 2009.
Publishers: Breitkopf & Haertel, Wiesbaden (Symphony), Copyright Control (Sketch), Casa Ricordi, Milano (Concerto), Bärenreiter Edition, Kassel (Overture).
(P) 2009 Decca Music Group Limited.
CD6: Recording: Chiesa della Pace, Milano, February 1995.
Publishers: Casa Ricordi, Milano (1, 3-6, 10), Edition Peters (8), Carish, Milano (2), Edizioni Musicali otos, Firenze (7, 9).
(P) 1996 Decca Music Group Limited.
CD7: Recording: Grotezaal Concertgebouw, Amsterdam, May 1995 (Concerto), May 1997 (Mandarin).
Publishers: Boosey & Hawkes Music Publishers (Concerto), Universal Editions AG, Vienna (Mandarin).
(P) 2001 Decca Music Group Limited.
CD8: Recording: Masonic Auditorium, Cleveland, Ohio, November 1985.
Publishers: Warner/Chappel Music.
(P) 1987 Decca Music Group Limited.
CD9: Recording: Grotezaal, Concertgebouw, Amsterdam, October 1997; (P) 1998 Decca Music Group Limited.
CD10: Recording: Concertgebouw, Amsterdam, August 1986.
Publishers: MCPS (Ravel, Debussy), MCPS/Boosey & Wawkes Music Publishers Ltd. (Mussorgsky).
(P) 1987 Decca Music Group Limited.
CD11: Recording: Jesus-hristus-Kirche, Berlin, April 1987 (1), Grotezaal, Concertgebouw, Amsterdam, December 1990 (2-6), January 1992 (7), May 1995 (8).
Publishers: Universal Edition AG, Wien (7, 8), C.F. Peters Corp. (2-6).
(P) 1987 (1), 1994 (2-7), 1996 (8) Decca Music Group Limited.
CD12: Recording: Grotezaal, Concertgebouw, Amsterdam, October 1992 (Pulcinella), October 1993 (Petrushka).
Publishers: Edition Russe de Musique (Pulcinella), Boosey & Hawkes Inc. (Petrushka).
(P) 1995 Decca Music Group Limited.
CD13: Recording: Concertgebouw, Grotezaal, Amsterdam, April 1992 (Arcana), December 1996 (Amériques, Nocturnal), May 1998 (Turning Up, Un Grand Sommeil Noir).
Publishers: Casa Ricordi, Milano; Editions Salabert, SA (Un Grand Sommeil Noir)
Editions used: Casa Ricordi, Milano; Editions Salabert, SA (Un Grand Sommeil Nori, Orchestral transcription (C) Antony Beaumont).
(P) 1994, 1998 Decca Music Group Limited.
CD14: Recording: Auditorium di Milano, August 2004; Publishing: Casa Ricordi, Milano; (P) 2004 Universal Music Italia srl.
CD15: Recording: Grotezaal, Concertgebouw, Amsterdam, March 1992; Publisher: Durand & Cie, Paris; (P) 1993 Decca Music Group Limited.
CD16: Recording: Giandomenico Studios, Collinswod, New Jersey, December 1995.
Publishers: Boosey & Hawkes Music Publishers ltd (Cheryomushki); Hans Sirorski Musikverlag (Bolt, Gadfly).
(P) 1996 Decca Music Group Limited.
On box:
This product (P) 1981, 1985, 1987, 1988, 1993, 1994, 1995, 1996, 1998, 2001, 2009 Decca Msusic Group Limited
(P) 2004 Universal Music Italia srl.
(C) 2012 Universal Music Italia srl.
Booklet:
Universal Classics & Jazz
A division of Universal Music Italia srl
(P) and (C) 2012 Universal Music Italia srl.
Made in the E.U.
Cardboard box contains the CDs in separate, same artwork, wallets and a 40-page booklet in English and Italian.
CD2: (P) 1985 Decca Music Group Limited.
CD3: (P) 1981 Decca Music Group Limited.
CD4: Recording: Concertgebouw, Amsterdam, January 1987; (P) 1988 Decca Music Group Limited.
CD5: Live Recording: Gewandhaus zu Leipzig, September 2006 (Overture), January 2009.
Publishers: Breitkopf & Haertel, Wiesbaden (Symphony), Copyright Control (Sketch), Casa Ricordi, Milano (Concerto), Bärenreiter Edition, Kassel (Overture).
(P) 2009 Decca Music Group Limited.
CD6: Recording: Chiesa della Pace, Milano, February 1995.
Publishers: Casa Ricordi, Milano (1, 3-6, 10), Edition Peters (8), Carish, Milano (2), Edizioni Musicali otos, Firenze (7, 9).
(P) 1996 Decca Music Group Limited.
CD7: Recording: Grotezaal Concertgebouw, Amsterdam, May 1995 (Concerto), May 1997 (Mandarin).
Publishers: Boosey & Hawkes Music Publishers (Concerto), Universal Editions AG, Vienna (Mandarin).
(P) 2001 Decca Music Group Limited.
CD8: Recording: Masonic Auditorium, Cleveland, Ohio, November 1985.
Publishers: Warner/Chappel Music.
(P) 1987 Decca Music Group Limited.
CD9: Recording: Grotezaal, Concertgebouw, Amsterdam, October 1997; (P) 1998 Decca Music Group Limited.
CD10: Recording: Concertgebouw, Amsterdam, August 1986.
Publishers: MCPS (Ravel, Debussy), MCPS/Boosey & Wawkes Music Publishers Ltd. (Mussorgsky).
(P) 1987 Decca Music Group Limited.
CD11: Recording: Jesus-hristus-Kirche, Berlin, April 1987 (1), Grotezaal, Concertgebouw, Amsterdam, December 1990 (2-6), January 1992 (7), May 1995 (8).
Publishers: Universal Edition AG, Wien (7, 8), C.F. Peters Corp. (2-6).
(P) 1987 (1), 1994 (2-7), 1996 (8) Decca Music Group Limited.
CD12: Recording: Grotezaal, Concertgebouw, Amsterdam, October 1992 (Pulcinella), October 1993 (Petrushka).
Publishers: Edition Russe de Musique (Pulcinella), Boosey & Hawkes Inc. (Petrushka).
(P) 1995 Decca Music Group Limited.
CD13: Recording: Concertgebouw, Grotezaal, Amsterdam, April 1992 (Arcana), December 1996 (Amériques, Nocturnal), May 1998 (Turning Up, Un Grand Sommeil Noir).
Publishers: Casa Ricordi, Milano; Editions Salabert, SA (Un Grand Sommeil Noir)
Editions used: Casa Ricordi, Milano; Editions Salabert, SA (Un Grand Sommeil Nori, Orchestral transcription (C) Antony Beaumont).
(P) 1994, 1998 Decca Music Group Limited.
CD14: Recording: Auditorium di Milano, August 2004; Publishing: Casa Ricordi, Milano; (P) 2004 Universal Music Italia srl.
CD15: Recording: Grotezaal, Concertgebouw, Amsterdam, March 1992; Publisher: Durand & Cie, Paris; (P) 1993 Decca Music Group Limited.
CD16: Recording: Giandomenico Studios, Collinswod, New Jersey, December 1995.
Publishers: Boosey & Hawkes Music Publishers ltd (Cheryomushki); Hans Sirorski Musikverlag (Bolt, Gadfly).
(P) 1996 Decca Music Group Limited.
On box:
This product (P) 1981, 1985, 1987, 1988, 1993, 1994, 1995, 1996, 1998, 2001, 2009 Decca Msusic Group Limited
(P) 2004 Universal Music Italia srl.
(C) 2012 Universal Music Italia srl.
Booklet:
Universal Classics & Jazz
A division of Universal Music Italia srl
(P) and (C) 2012 Universal Music Italia srl.
Made in the E.U.
Cardboard box contains the CDs in separate, same artwork, wallets and a 40-page booklet in English and Italian.