Sean Deason ‎– Allegory & Metaphor

Label:
Intuit-Solar ‎– ITU 1006, Intuit-Solar ‎– ITU-1006
Format:
CD, Album
Country:
Released:
Genre:
Style:

Tracklist Hide Credits

1 Creation 5:55
2 Phunk 6:10
3 Allegory & Metaphor 6:51
4 2030 AD 7:00
5 Ambience 5:34
6 Interlude 2:07
7 Zig
Written-By, Producer, Arranged By – Claude Young
10:28
8 Psybadek One 5:39
9 My World 7:26
10 Hiphoptrak 7:48
11 Another Interlude 2:19
12 Allegory & Metaphor (Revisited) 6:43

Companies, etc.

Credits

Notes

Recorded at Matrix:Detroit. Mastered at NSC.

(c) 2000 Unit-Solar / Matrix Recordings (p) 2000 inuit-Solar published by Computerworld-BMI and I Solar Music-BMI. A Never Records Group Experience distributed by Proper Sales + Distribution
Made in USA via Detroit.

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Incidental info:
Comes in a standard jewel case with a transparent tray and a 4 page booklet. The CD has an orange inner plastic hub with the artist name and the album name printed on it.

Barcode and Other Identifiers

  • Barcode (Printed): 6 00704 40442 7
  • Barcode (String): 600704404427
  • Matrix / Runout: ITU 1006 ✳✳01✳✳
  • Mastering SID Code: IFPI L794
  • Mould SID Code: IFPI 2D45

Recommendations

Reviews Show All 6 Reviews

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antonydaly

antonydaly

May 24, 2017
edited about 1 month ago
i wouldn't buy the music of someone who saw the murder of 22 people in manchester on 22.05.17, as a joke.
shadow187

shadow187

November 22, 2013
absolutely a great listen from beginning to end. As everyone else states horribly under appreciated. Glad to see so many comments. Sean you must re-issue this on 2LP!
patientot

patientot

March 24, 2010

Another under-appreciated Detroit gem here. Basically its sounds like early to mid 90s ambient techno filtered through the lens of Detroit. The beats are there, a little more prominent than I expected, but there are reduced, and the pace is slowed way down to the make them less obtrusive. The feel is very smooth, with gliding synths and sequencer patterns that make me think of things like Kraftwerk's Man Machine and Carl Craig's Landcruising. Very much a nighttime driving album. There are some stylistic change ups such as some hip hop beats and even a drum and bass track but it all fits together very cohesively. If there is one slight knock against this album that keeps me from giving it a full 5 star rating, it's that a couple tracks have synth melodies that are almost a little too repetitive or simplistic. Given how unique and enjoyable this album is in the framework of Detroit Techno, I'd still highly recommend it.

For whatever reason, this album didn't become very popular so now it's possible to buy it very cheaply. I think I paid about a dollar for mine on Amazon Marketplace.
hard-trance

hard-trance

June 2, 2009
Sometimes the beat isn't what hypnotizes us. Detroit techno has proven that over and over again, especially in recent years with albums from Urban Tribe and Detroit Escalator Company. The latest attempt to "wrest control" from the dancefloor comes from Sean Deason, who has composed an amazing album of slowed tempos and alternate constructions for techno.

Gliding into one another almost as if they were slivers of a mix-CD, the first two songs ("Creation" and "Phunk") move abstracted beats in and around chords, which set the stage for the rest of the album. The next cut is arguably the most impressive: the title track "Allegory & Metaphor." Deason captures one of those elusive mid-range moods that are at the core of Detroit techno--the song's wailing melodies juxtaposed against hip-hop beats and wandering pianos. The title itself even suggests that techno is an ultimate reflection of life's emotional spectrum.

The next cut is "2030 AD." With a title like that you know Deason has something momentous in mind: Is it a hymn to the famous techno landmark--or is he already looking forward to life as a sexagenarian? Or maybe there's both: this subtle track seems to be wistful and forward-thinking simultaneously.

Just about every cut continues or supports the album's ethereal themes, and the only possible "exception" is actually more of an extension: "Zig," featuring Claude Young. Approaching a kind of Detroit/London/Vienna edginess, a raw and elastic bassline is an immediate and contrasting clue that opens "Zig" up for more aggressive mixes. This version never quite achieves this, but you can hear echoes of an intense techno battery throughout (Perhaps there's a mixable twin? Can we expect "Zag" on a Claude Young album?).

One can easily trace Deason's artistic development on this release--especially when "Psybadek One" and "Hiphoptrak" are cued up. Besides having one of the coolest "Amen Break" cut-ups since the theme to Pi, the former starts connecting all of the different threads and approaches Deason has experimented with before on Razorback (!K7) and Eleven Phases (Sublime). Now he's coalesced them all into a distinctive sound, we should all keep an eye on Deason and the rest of Detroit's so-called "third wave." The coming months and year are sure to be theirs.
GENRE

GENRE

June 19, 2006
edited over 11 years ago

This is a very consistent album despite switching from techno , through to house, drum and bass and some early trance that reminded me of early Robert Leiner. The various themes are bonded together with a Detroit sensibility and space which must place this alongside some of the better detroit albums of the last 10 years. As above great listening and not to be overlooked.
zthrockm

zthrockm

August 26, 2004
edited over 12 years ago

Sean Deason's "Allegory & Metaphor" has to be one of the most overlooked & underrated albums to come out of Detroit. This CD is, from start to finish, a true work of art that appeals to aficionados of good music, not just techheads.

It's hard to describe the sonic breadth of "Allegory & Metaphor". Deason masterfully weaves diverse sounds, from drum n bass style percussion, to more Detroit Techno inspired soul, even with a hint of hip hop on a few of the tracks. The melodies never get cheesy, stale, or redundant, thanks to both a wide range of synthesizers and subtle effects processing (along the less is more line of thought). Deason takes a nod from producers as diverse as Carl Craig to William Orbit to LTJ Bukem, and the result is fantastic - and entirely original.

I've found this is an especially good driving CD; it hasn't left my car in well over a year (an accolade not many CDs receive). This is midtempo, listening electronic music at its finest!