Severed Heads ‎– Dead Eyes Opened

Label:
Ink Records ‎– INK 122
Format:
Vinyl, 12", 45 RPM, Reprint
Country:
Released:
Genre:
Style:

Tracklist Hide Credits

A Dead Eyes Opened
Voice [Words Spoken] – Edgar Lustgarten
6:35
B1 Bullett
B2 Mount

Companies, etc.

Credits

Notes

[Side A:]
Edgar Lustgarten is reading from "Death on the Crumbles (1924)", from the BBC Radio show Scales of Justice.
Ivan Berg Associates (Audio Publishing Ltd)

[Both sides:]
Red Flame Music/Virgin Music Ltd
℗ + © INK Records 1984

Made in England

This is the second Issue with reprinted, corrected song title on the back cover (first issue of this release comes with wrong spelling, "Bullett" is written with one T only). Also, credits for photographer, model, make-up, etc. are not mentioned on the back cover.

Duration for the B-side tracks no mentioned on label.

Barcode and Other Identifiers

  • Matrix / Runout (Runout, hand etchings side A): MPO INK 122 A¹
  • Matrix / Runout (Runout, hand etchings side B): MPO INK 122 B¹

Other Versions (5 of 17) View All

Cat# Artist Title (Format) Label Cat# Country Year
88561-5007-4 Severed Heads Dead Eyes Opened(Cass, MiniAlbum) Nettwerk 88561-5007-4 US 1986 Sell This Version
DE-070 Severed Heads Dead Eyes Opened(12", RE, RM) Dark Entries DE-070 US 2014 Sell This Version
S-RAYA 010 Severed Heads Dead Eyes Opened(7") Raya Records S-RAYA 010 Spain 1987 Sell This Version
17 NTWK 12 Severed Heads Dead Eyes Opened(12", MiniAlbum) Nettwerk 17 NTWK 12 Canada 1986 Sell This Version
RAYA-010, RAYA 010 Severed Heads Dead Eyes Opened(12", Maxi) Raya Records, Raya Records RAYA-010, RAYA 010 Spain 1987 Sell This Version

Recommendations

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whiteawakening

whiteawakening

August 21, 2015
:'( if only bullet and mount were longer.
d.teil

d.teil

October 14, 2013

a pure classic. like Section 25's looking from a hilltop. and never getting old.
baj

baj

November 9, 2012

This one requires a proper introduction. Over my long love affair with dance music I can only think of a handful of tracks that own me like this one. It takes hold. It's a possession, a religious experience. It offers the transcendence a lot of us long for. It has simple elements that combine in the right way to make something to last forever. If I were commissioned to put together an alien capsule to represent Earth to a distant planet and had to choose a handful of records to show another world about human music, this would probably be one of those records. I think I'll have a listen right now.