Shimon & Andy C* ‎– Body Rock

Ram Records ‎– RAMM34, Ram Records ‎– Ramm34
Vinyl, 12", 45 RPM


A Body Rock 6:28
B Orient Express 7:02

Companies, etc.



Made in England. Track A samples dialogue from the film 'Starship Troopers'.

Barcode and Other Identifiers

  • Matrix / Runout: RAMM-34
  • Barcode: 5024441990343
  • Barcode (Text): 5 024441 990343

Other Versions (5 of 6) View All

Cat# Artist Title (Format) Label Cat# Country Year
RAMM34CD Shimon & Andy C* Body Rock(CD, Single) RAM Records RAMM34CD UK 2001 Sell This Version
RAMM34C Shimon & Andy C* Body Rock / Orient Express(12", Ltd, Cle) RAM Records RAMM34C UK 2007 Sell This Version
RAMM 34 Shimon & Andy C* Body Rock / Orient Express(12", W/Lbl, Promo, Sti) RAM Records RAMM 34 UK 2001 Sell This Version
none Shimon And Andy C* Body Rock(CDr, Promo) RAM Records none UK 2001 Sell This Version
RAMM34, Ramm34 Shimon & Andy C* Body Rock(12", RP) Ram Records, Ram Records RAMM34, Ramm34 UK 2012 Sell This Version


Reviews Show All 24 Reviews

Add Review



July 26, 2017
It's just funny to listen to isn't it? a bit of a joke really.


January 9, 2017
This isn't you're average wicked tune kinda drum & bass track and the beats aren't exactly brilliant so if you are looking for a dark, jump up style kinda tune or a heavyweight tune or typical drum & bass gem then avoid this. I rate "Body Rock" probably 3/10... Heard better tunes from the Ram records stable. This is cheese from Andy C.


January 9, 2017
Never liked "Body Rock" but heard it recently and I think it's actually not that bad considering there are worser d&b tunes so I hope Andy C will forgive me.


January 7, 2017

Cheers dude. Hope it was helpful in some way or another!


August 20, 2016
If you are going thru the comments section, you probably already figured out that this is THE love / hate track of drum and bass.

I think it is funny or even absurd that this was the "hot shit" track of 2001 - in the era of Bad Company, Kemal & Rob Data, Universal Project, a very strong Hardware lineup and alike...even after almost 15 years, this just does not make any sense, but I was not there, so I would not know...


January 10, 2016
Totally ridiculous but we all bought it and went mad to it at raves. Not sure its aged that well and I certainly don't play it these days. I think it got about a million rewinds the first night i heard it. Still not sure whether I love it or hate it.


August 12, 2015
Rave was always about progression, not standing still pushing musical boundaries,
Sometimes they got it wrong but mostly they got it spot on. What a lot of later D'n'B so called fans who take it far too serious forget that RAVING whatever stlye of dance music you follow is about having FUN!! , so embrace the sillieness dance like a nuttah and forget the bulls**t attitude that made so many oldskool junglists turn away from D'n'B, . P.L.U.R. To all ravers who know the score!.


August 5, 2014

I remember this track clearing the dancefloor on every occasion. Over hyped garbage. A real low point in dnb for me


December 29, 2011
edited 7 months ago

I have never, ever known a track to have as much buzz about it as "Body Rock" did.

I remember specifically the first time I heard it – probably the first time Andy C ever played it – at Movement at Bar Rumba, as the last tune [confirmed by Andy C on his 2017 Beats 1 radio show]. The build up with the flanged, filtered drum loop, it had the dance floor captivated. We knew something special was about to go down. And when it dropped it got the biggest reaction I have ever seen from a drum & bass tune.

It was all in the swing beat of course, never ever used before in a hardcore/jungle/d&b tune. They achieved the beat using what's known as the "Beat Munger" processing effect in the E-MU sampler. The swing gives the beat a very special rhythm that crowds can connect with.

Roni Size once said "Body Rock" got rewound EIGHT times at a summer festival – it was that big. There's also a rumour that it was rewound 17 times at fabric by Grooverider, although I find this hard to believe. "Body Rock" got to No. 28 in the UK Top 40 without a music video. Shimon once said to me that if one of his tracks ever was that successful he would "never go up on stage" to keep his credibility, and he kept his word.

"Body Rock" is not to everyone's taste, as you can see from some comments below. Most criticisms about "Body Rock" are not of the track itself but of the influence it had on other producers. DJ 808 calls the beat "negative" which seems to be a comment stemming from his frustration with the drum & bass scene in general, not the actual track. The beat is in no way "negative" in and of itself, in fact, it's positively upbeat. To recap – "Body Rock" got the biggest reaction of any drum & bass tune in history, and at the time it felt like some kind of revolution. It was controversial back then too. People were divided over how good "Body Rock" really was, with half the people saying it was the start of a new era, and the rest thinking it was throwaway. For me, I thought it would bring in a revolution and a new splinter genre, such were the reactions it was getting.

The revolution never happened, and the "gimmick" got old fast. "Body Rock" spawned other swing beat tracks, easily made without a "Beat Munger", using a sequencer's quantise functions, like "Space Hopper" by Fresh (amazing), and "Lazy Bones" by Moving Fusion (a big track in its day). The swing beat style pioneered by "Body Rock" found its way into Pendulum's breakthrough "Vault" track (on a brief drum edit after the tune dropped that sent the crowd nuts and caused instant rewinds), and later on their ridiculous "Another Planet" anthem during the mid-section. More recently Sub Focus and other newer artists have used swing beats in their productions blatantly influenced by the one that started it all; specifically in tracks re-imagined from the minimal and tech-house world.

"Body Rock" was basically the peak of Andy C's production career, before records stopped selling and making money and he turned to the more lucrative DJing full time, later falling out with Ant Miles and Shimon. For me, it was an irresistible dance-floor track – a circus ride on stereo. I don't think it is "clown step". I think the original tracks that kick-started "clown step" were all quality, and "clown step" was created by the sheep mentality of the D&B scene, where producers tried en masse to imitate these original tracks. [Another track that could have created "clown step" is the excellent heavyweight "Twist 'Em Out" by Dillinja.]

Unknown fact: After hearing this at Bar Rumba for the first time, I went to Ram Records at The End club the next day to catch another Andy C set. I caught a glimpse of the dub-plate of "Body Rock". What was written on the white label? The word "Triplets". I wish they would have kept this name; I thought this was the perfect name for the track. With hindsight it was a reference to the rhythmic pattern but at the time I thought it was a reference to three identical kids, which I think would have been a weird and wonderful name especially in comparison to the generic title "Body Rock".


June 26, 2010
I remember being at Legends of the Dark Black when Andy C dropped this-----the reaction of everyone (I have goosebumps while writing this and remembering), and I mean everyone, was like no other dnb tune I have known since. This did something that was so different in sound as to what everyone else was making that it just blew the crowd's mind. You can say what you like about it, and there is no denying that anyone who knows nothing about dnb loves this tune, but even if you don't like hearing it on it's own, it can still be mixed with quite a lot of records to make something quite astounding.