Skream ‎– Midnight Request Line / I

Tempa ‎– Tempa.014
Vinyl, 12", 45 RPM


A Midnight Request Line 5:04
AA I 4:14

Companies, etc.



Big up Youngsta and all FWD>> crew. Made in the United Kingdom.
Copyright of this recording is owned by Tempa Recordings, England.

Barcode and Other Identifiers

  • Matrix / Runout (Side A, etched): TEMPA 14 A TRANSITION
  • Matrix / Runout (Side AA, etched): TEMPA 14 AA DUB-PlaTeS.CO.UK

Other Versions (5 of 5) View All

Cat# Artist Title (Format) Label Cat# Country Year
TEMPA 014 Skream Midnight Request Line / I(2xFile, MP3, 320) Tempa TEMPA 014 UK Unknown
Tempa.014 Skream Midnight Request Line / I(12", RE) Tempa Tempa.014 UK 2011 Sell This Version
TEMPA014 Skream Midnight Request Line / I(2xFile, WAV, Single) Tempa TEMPA014 UK 2005
TEMPA 014 Skream Late Night Request Line / I(12", W/Lbl, Promo) Tempa TEMPA 014 UK 2005 Sell This Version
TEMPA 014 Skream Midnight Request Line / I(2xFile, FLAC) Tempa TEMPA 014 UK Unknown


Reviews Show All 10 Reviews

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May 31, 2016
I see what you mean... it was used as a clash Instrumental at Sidewinder 2008 for Roll Deep vs SLK


February 26, 2016

Is it dub step or grime hmmmm , I'd say it's still pretty grimey. It's more grime sounding than dub step if it came out today.


January 28, 2015
edited about 1 year ago
Willing to trade my copy of Tempa014 for $13 plus two copies of medi04, plus a samba or bongo drum, a gameboy colour with pokemon red version and an expensive smoothie maker.


December 23, 2014

I is a very unusual track, a very creative track from Skream here with its dark vibes, bass and awesome synth. A great track from Skream, however the Loefah Refix is even better.

Midnight Request Line is the track that put dubstep on the map, an absolute masterpiece with its awesome grimey feel and sub bass and awesome synths, however Mala's Remix is even better.

Overall this is a great release from Skream.


September 20, 2012
Tempa014 Mastered by Jason@Transition Mastering


July 23, 2010

Bass. Trigger. Gunshots. Drop.

Dubstep. This was my introduction. It was my equivalent of the moment when dancers first heard House in Chicago, or those who heard the first Jungle beats coming from the UK. It was something different. A sound with which people didn’t know how to react. A sound which created a new way of dancing; the two-step dance with a head-nod.

If I wanted to explain to somebody the Dubstep sound in 2005, I played them Skream’s "Midnight Request Line”. The movement had already begun two years before with releases from Kode 9, Hatcha, Loefah and co. but hadn’t quite found an anthem.

This for me was (and still is) the defining Dubstep tune. Ominous melody accompanied by gunshots. A synchronised beat which leaves enough space to put you on edge. He even throws in a key change halfway through the song to add to the tension. It’s a sound from London; dark, lonely and gloomy. But also a sound that brought together people who didn’t know each other. Like all good music, Dubstep united people, and continues to due so now. This tune brought Dubstep into the mainstream, so should be celebrated but then again will be criticised as Dubstep is a genre that needs to remain in the Dark, and catchy tunes like these aren’t going to help.