Steve Reich ‎– Early Works

Label:
Elektra Nonesuch ‎– 9 79169-1
Format:
Vinyl, LP
Country:
Released:
Genre:
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Tracklist Hide Credits

A1 Come Out
Loops – Steve ReichVoice – Daniel Hamm
12:54
A2 Piano Phase
Piano – Double Edge, Edmund Niemann, Nurit Tilles
20:26
B1 Clapping Music
Handclaps – Russ Hartenberger, Steve Reich
4:39
B2 It’s Gonna Rain
Loops – Steve ReichVoice – Brother Walter
17:31

Companies, etc.

Credits

Notes

Come Out (1966)
Piano Phase (1967) recorded May 1986 at RCA Studio A, New York City
Clapping Music (1972) recorded May 1987 at RCA Studio A, New York City
It’s Gonna Rain (January 1965)

℗© 1987 Elektra/Asylum/Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States.

Barcode and Other Identifiers

  • Barcode: 0 7559-79169-1 1
  • Rights Society: BMI

Other Versions (5 of 10) View All

Cat# Artist Title (Format) Label Cat# Country Year
9 79169-2 Steve Reich Early Works(CD, Comp, RE) Elektra Nonesuch 9 79169-2 US Unknown Sell This Version
979 169-2 Steve Reich Early Works(CD, Comp) Nonesuch 979 169-2 Germany 1987 Sell This Version
9 79169-1 Steve Reich Early Works(LP, Promo) Elektra Nonesuch 9 79169-1 US 1987 Sell This Version
9 79169-4 Steve Reich Early Works(Cass, Comp) Elektra Nonesuch 9 79169-4 US 1987 Sell This Version
979 169-1 Steve Reich Early Works(LP) Nonesuch 979 169-1 Europe 1987 Sell This Version

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Bradx

Bradx

November 8, 2014
edited over 2 years ago

This is it - the greatest of the early minimal works of Steve Reich. Conceptual experiments with out-of-phase tape recorders on the enigmatic It's Gonna Rain and Come Out (the influence of this track even permeates into the work of Capt Beefheart).
If it's minimal you want - how more mimimal can you get than Clapping Music? Just human hands clapping, gradually phasing in and out of time. Sheer genius. This is the record you could find cheap in HMV sales back in the 1980s... I think mine cost me £2.99.

In my opinion the first 15 years (up to Octet) contain the best and most challenging pieces that Reich composed.
Maybe he was chasing sales or acclaim but, for me, the later, more elaborately orchestrated works become less interesting, with more concessions to accessibility and 'the market'.

I was lucky to see Steve Reich and Musicians at the Queen Elizabeth Hall in London in 1981 where they performed Clapping, Drumming and Octet, a great night that has stuck in my memory.