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Tracklist Hide Credits
| 1-1 | Come Out | 12:59 |
| 1-2 |
Piano PhaseFeaturing – Double EdgePiano – Edmund Niemann, Nurit Tilles |
20:37 |
| It's Gonna Rain | (17:56) | |
| 1-3 | Part I | 8:00 |
| 1-4 | Part II | 9:56 |
| 1-5 |
Four OrgansFeaturing – Bang On A CanKeyboards – Evan Ziporyn, Lisa Moore, Mark Stewart (4), Michael Gordon (2)Maracas – James Preiss |
15:53 |
DrummingDrums [Tuned Drums], Marimba, Glockenspiel – Ben Harms, Bob Becker, Garry Kvistad, Gary Schall, Glen Velez, James Preiss, Russel Hartenberger*, Steve Reich, Thad WheelerFeaturing – Steve Reich And MusiciansPiccolo Flute – Mort SilverVoice – Jay Clayton, Pamela Wood AmbushWhistling – Steve Reich |
(56:44) | |
| 2-1 | Part I | 17:30 |
| 2-2 | Part II | 18:11 |
| 2-3 | Part III | 11:13 |
| 2-4 | Part IV | 9:50 |
| 3-1 |
Music For Mallet Instruments, Voices And OrganElectric Organ – Nurit TillesFeaturing – Steve Reich And MusiciansGlockenspiel – Garry Kvistad, Thad WheelerMarimba – Bob Becker, Russell Hartenberger*, Steve Reich, Tim Ferchen*Vibraphone – James PreissVoice [Long Tones] – Pamela Wood Ambush, Rebecca ArmstrongVoice [Melodic Patterns] – Jay Clayton |
16:59 |
| 3-2 |
Clapping MusicHandclaps [Clapping] – Russell Hartenberger*, Steve Reich |
4:48 |
| 3-3 |
Six MarimbasFeaturing – Steve Reich And Musicians, The Manhattan Marimba QuartetMarimba – Bill Ruyle, Bob Becker, James Preiss, Kory Grossman, Russell Hartenberger*, William Trigg |
16:19 |
Music For 18 MusiciansAlto Vocals, Piano – Jay ClaytonCello – Jeanne LeBlancClarinet, Bass Clarinet – Evan Ziporyn, Leslie ScottFeaturing – Steve Reich And MusiciansMarimba, Maracas – Thad WheelerMarimba, Piano – Steve ReichMarimba, Xylophone – Bob Becker, Russell Hartenberger*, Tim Ferchen*Marimba, Xylophone, Piano – Garry KvistadPiano – Edmund Niemann, Nurit TillesPiano, Maracas – Philip BushSoprano Vocals – Cheryl Bensman Rowe, Marion Beckenstein, Rebecca ArmstrongVibraphone, Piano – James PreissViolin – Elizabeth Lim |
(67:44) | |
| 4-1 | Pulses | 5:27 |
| 4-2 | Section I | 3:59 |
| 4-3 | Section II | 5:13 |
| 4-4 | Section IIIA | 3:55 |
| 4-5 | Section IIIB | 3:46 |
| 4-6 | Section IV | 6:37 |
| 4-7 | Section V | 6:49 |
| 4-8 | Section VI | 4:54 |
| 4-9 | Section VII | 4:19 |
| 4-10 | Section VIII | 3:35 |
| 4-11 | Section IX | 5:24 |
| 4-12 | Section X | 1:51 |
| 4-13 | Section XI | 5:44 |
| 4-14 | Pulses | 6:11 |
| 5-1 |
Eight Lines (Octet)Cello – Greg Passelink*, Mark Stewart (4)Clarinet, Bass Clarinet – Evan Ziporyn, Michael LowensternConductor – Bradley Lubman*Featuring – Bang On A CanFlute, Piccolo Flute – David Fedele, Patti MonsonPiano – Edmund Niemann, Nurit TillesViola – Martha Mook*, Ron LawrenceViolin – Gregor Kitzis, Jaqueline Carrasco*, Elizabeth Knowles*, Todd Reynolds |
17:36 |
Tehillim For Voices And EnsembleConductor – Reinbert de LeeuwFeaturing – Schönberg EnsembleFeaturing [With] – Percussion Group The Hague*Mezzo-soprano Vocals – Ananda Goud, Yvonne BenschopSoprano Vocals – Barbara Borden, Tannie Willemstijn |
(30:31) | |
| 5-2 | Part I: Fast | 11:46 |
| 5-3 | Part II: Fast | 6:02 |
| 5-4 | Part III: Slow | 6:19 |
| 5-5 | Part IV: Fast | 6:24 |
The Desert MusicConductor – Michael Tilson ThomasContractor [Choral], Soprano Vocals – Cheryl Bensman*Featuring – Colorado Quartet, Steve Reich And MusiciansFeaturing [With] – Members Of The Brooklyn Philharmonic And Chorus*, Members Of The Brooklyn Philharmonic And Chorus*Percussion [Principal] – Bob Becker, Garry Kvistad, Glen Velez, Russell Hartenberger*Strings [Principal], Bass – Donald PalmaStrings [Principal], Cello – Sharon PraterStrings [Principal], Concertmistress – Julie RosenfeldStrings [Principal], Viola – Francesca MartinStrings [Principal], Violin [Second] – Deborah ReddingText By – William Carlos Williams |
(48:05) | |
| 6-1 | First Movement (Fast) | 7:54 |
| 6-2 | Second Movement (Moderate) | 6:59 |
| 6-3 | Third Movement, Part One (Slow) | 7:00 |
| 6-4 | Third Movement, Part Two (Moderate) | 5:54 |
| 6-5 | Third Movement, Part Three (Slow) | 5:55 |
| 6-6 | Fourth Movement (Moderate) | 3:35 |
| 6-7 | Fifth Movement (Fast) | 10:48 |
New York CounterpointClarinet – Evan Ziporyn |
(11:27) | |
| 7-1 | Fast | 5:03 |
| 7-2 | Slow | 2:44 |
| 7-3 | Fast | 3:40 |
SextetFeaturing – Steve Reich And MusiciansFeaturing [With Members Of] – Nexus (18)Marimba, Vibraphone, Bass Drum, Crotales, Tam-tam, Percussion [Stick] – Bob Becker, Garry Kvistad, Glen Velez, Russell Hartenberger*Piano, Synthesizer – Edmund Niemann, Nurit Tilles |
(26:25) | |
| 7-4 | 1st Movement | 10:30 |
| 7-5 | 2nd Movement | 4:13 |
| 7-6 | 3rd Movement | 2:28 |
| 7-7 | 4th Movement | 3:15 |
| 7-8 | 5th Movement | 5:59 |
The Four SectionsConductor – Michael Tilson ThomasFeaturing – London Symphony Orchestra*Percussion [With] – Bob Becker, Garry Kvistad, James Preiss, Russell Hartenberger*Piano [With] – Edmund Niemann, Nurit Tilles |
(26:04) | |
| 7-9 | I. Strings (With Winds And Brass) ♩ = 80 | 11:25 |
| 7-10 | II. Percussion ♩ = 80 | 2:30 |
| 7-11 | III. Winds And Brass (With Strings) ♩ = 120 | 5:55 |
| 7-12 | IV. Full Orchestra ♩ = 180 | 6:14 |
Different TrainsCello – Joan JeanrenaudFeaturing – Kronos QuartetViola – Hank DuttViolin – David Harrington, John Sherba |
(27:01) | |
| 8-1 | America - Before The War | 8:59 |
| 8-2 | Europe - During The War | 7:31 |
| 8-3 | After The War | 10:31 |
Electric CounterpointGuitar – Pat Metheny |
(14:52) | |
| 8-4 | Fast | 6:51 |
| 8-5 | Slow | 3:22 |
| 8-6 | Fast | 4:39 |
Three MovementsConductor – Michael Tilson ThomasFeaturing – London Symphony Orchestra*Percussion – Clive Malabar, Frank Ricotti, Neil Percy, Ray Northcott, Simon Carrington (2) |
(14:44) | |
| 8-7 | Movement I: ♩ = 176 | 6:43 |
| 8-8 | Movement II: ♩ = 88 | 3:42 |
| 8-9 | Movement III: ♩ = 176 | 4:19 |
Excerpts From The Cave: From Act 1: West Jerusalem / Hebron (May-June 1989)Baritone Vocals – Hugo MundayCello – Jeanne LeblancConductor – Paul HillierFeaturing – The Steve Reich EnsembleFilm Director [Video], Text By – Beryl KorotFlute, Oboe, English Horn, Clarinet, Bass Clarinet – Al Hunt, Leslie ScottPercussion – Bob Becker, Garry Kvistad, Russell Hartenberger*, Thad WheelerPiano, Keyboards – Edmund Niemann, Nurit Tilles, Philip BushSoprano Vocals – Cheryl Bensman Rowe, Marion BeckensteinTenor Vocals – James BassiViola – Scott RawlsViolin – Elizabeth Lim, Todd Reynolds |
(29:09) | |
| 9-1 | Typing Music (Genesis XVI) | 2:59 |
| 9-2 | Who Is Abraham? | 1:33 |
| 9-3 | Who Is Ishmael? | 4:42 |
| 9-4 | Genesis XVIII | 2:33 |
| 9-5 | Genesis XXI | 2:37 |
| 9-6 | The Casting Out Of Ishmael And Hagar | 5:26 |
| 9-7 | Machpelah Commentary | 3:28 |
| 9-8 |
Genesis XXVChanter [Chanted In Hebrew From The Torah By] – Ephraim Isaac |
1:21 |
| 9-9 | Interior Of The Cave | 4:30 |
Excerpts From The Cave: From Act 2: East Jerusalem / Hebron (June 1989 And June 1991)Baritone Vocals – Hugo MundayCello – Jeanne LeblancConductor – Paul HillierFeaturing – The Steve Reich EnsembleFilm Director [Video], Text By – Beryl KorotFlute, Oboe, English Horn, Clarinet, Bass Clarinet – Al Hunt, Leslie ScottPercussion – Bob Becker, Garry Kvistad, Russell Hartenberger*, Thad WheelerPiano, Keyboards – Edmund Niemann, Nurit Tilles, Philip BushSoprano Vocals – Cheryl Bensman Rowe, Marion BeckensteinTenor Vocals – James BassiViola – Scott RawlsViolin – Elizabeth Lim, Todd Reynolds |
(10:01) | |
| 9-10 |
Surah 3Chanter [Chanted In Arabic From The Koran By] – Sheikh Dahoud Atalah, Muqri Of Al-Aksa Mosque* |
4:41 |
| 9-11 | El Khalil Commentary | 5:20 |
Excerpts From The Cave: From Act 3: New York City / Austin (April-May 1992)Baritone Vocals – Hugo MundayCello – Jeanne LeblancConductor – Paul HillierFeaturing – The Steve Reich EnsembleFilm Director [Video], Text By – Beryl KorotFlute, Oboe, English Horn, Clarinet, Bass Clarinet – Al Hunt, Leslie ScottPercussion – Bob Becker, Garry Kvistad, Russell Hartenberger*, Thad WheelerPiano, Keyboards – Edmund Niemann, Nurit Tilles, Philip BushSoprano Vocals – Cheryl Bensman Rowe, Marion BeckensteinTenor Vocals – James BassiViola – Scott RawlsViolin – Elizabeth Lim, Todd Reynolds |
(32:48) | |
| 9-12 | Who Is Abraham? | 6:30 |
| 9-13 | Who Is Sarah? | 4:23 |
| 9-14 | Who Is Hagar? | 4:40 |
| 9-15 | Who Is Ishmael? | 4:05 |
| 9-16 | The Binding Of Isaac | 4:28 |
| 9-17 | The Cave Of Machpelah | 8:42 |
| 10-1 |
ProverbConductor – Paul HillierElectric Organ – Edmund Niemann, Nurit TillesFeaturing – Theatre Of VoicesFeaturing [With Members Of] – The Steve Reich EnsembleSoprano Vocals – Allison Zelles, Andrea Fullington, Sonja RasmussenTenor Vocals – Alan Bennett (3), Paul ElliottVibraphone – Bob Becker, Russell Hartenberger* |
14:09 |
| 10-2 |
Nagoya MarimbasMarimba – Bob Becker, James Preiss |
4:36 |
City LifeBass – Jay ElfenbeinCello – Jeanne LeblancClarinet – Leslie Scott, Michael LowensternConductor – Bradley Lubman*Featuring – The Steve Reich EnsembleFlute – David Fedele, Gen Shin KaiKeyboards [Sampling] – Nurit Tilles, Philip BushOboe – Jackie Leclair*, Matthew SullivanPercussion – Garry KvistadPiano – Edmund Niemann, Lisa MooreVibraphone – Bob Becker, Russell Hartenberger*Viola – Lois MartinViolin – Elizabeth Lim, Todd Reynolds |
(23:14) | |
| 10-3 | I. "Check It Out" | 5:51 |
| 10-4 | II. Pile Driver / Alarms | 3:54 |
| 10-5 | III. "It's Been A Honeymoon - Can't Take No Mo'" | 4:47 |
| 10-6 | IV. Heartbeats / Boats & Buoys | 3:59 |
| 10-7 | V. "Heavy Smoke" | 4:43 |
Companies, etc.
- Record Company – Warner Music Group
- Phonographic Copyright (p) – Nonesuch Records
- Copyright (c) – Nonesuch Records
- Phonographic Copyright (p) – WEA International Inc.
- Copyright (c) – WEA International Inc.
- Copyright (c) – John Adams
- Copyright (c) – William Carlos Williams
- Published By – Reich Music Publications
- Published By – Universal Edition
- Published By – Hendon Music, Inc.
- Published By – Boosey & Hawkes
- Recorded At – RCA Studio A
- Recorded At – Edison Recording Studio, New York
- Recorded At – CTS Studios
- Recorded At – The Hit Factory
- Recorded At – Wisseloord Studios
- Recorded At – RCA Studios, New York
- Recorded At – Russian Hill Recording
- Recorded At – Power Station
- Recorded At – Abbey Road Studios
- Edited At – Soundbyte Productions
- Edited At – New York Digital Recording, Inc.
- Mixed At – The Hit Factory
- Mixed At – New York Digital Recording, Inc.
- Mixed At – Soundbyte Productions
- Engineered At – Mobile Fidelity Sound Lab
- Produced At – Mobile Fidelity Sound Lab
- Mastered At – Gateway Mastering
- Glass Mastered At – WEA Mfg. Olyphant – Y1829
- Glass Mastered At – WEA Mfg. Olyphant – X2189
- Glass Mastered At – WEA Mfg. Olyphant – X2183
- Glass Mastered At – WEA Mfg. Olyphant – Y1544
- Glass Mastered At – WEA Mfg. Olyphant – W571
- Glass Mastered At – WEA Mfg. Olyphant – X2182
- Glass Mastered At – WEA Mfg. Olyphant – W570
- Glass Mastered At – WEA Mfg. Olyphant – X2181
- Glass Mastered At – WEA Mfg. Olyphant – X2180
- Glass Mastered At – WEA Mfg. Olyphant – X2192
Credits
- Concept By [Conceived And Developed By] – Beryl Korot (tracks: 9-1 to 9-17), Steve Reich (tracks: 9-1 to 9-17)
- Coordinator – Albert Lee (6)
- Coordinator [Editorial] – Sidney Chen
- Design – John Gall
- Design [Assistant] – Judy Hudson
- Design [Technical Designer] – Ben Rubin (tracks: 9-1 to 9-17)
- Directed By [Stage Direction] – Cary Perloff (tracks: 9-1 to 9-17)
- Directed By [Technical Director] – Steven Ehrenberg (tracks: 9-1 to 9-17)
- Edited By [Editing Assistance] – Jeanne Velonis (tracks: 1-5, 4-1 to 5-1, 7-1 to 7-3), Jeanne Velonis (tracks: 10-1 to 10-7), Karl Hereim (tracks: 10-1 to 10-7)
- Edited By, Mixed By – Judith Sherman (tracks: 7-9 to 7-12, 8-7 to 8-9), Steve Reich (tracks: 7-9 to 7-12, 8-7 to 8-9)
- Engineer – Paul Goodman (tracks: 3-2)
- Engineer [Assistant] – Andy Grassi (tracks: 9-1 to 9-17), Carl Nappa (tracks: 10-3 to 10-7), Chris Hilt (tracks: 4-1 to 4-14), Gary Solomon (tracks: 8-4 to 8-6), Glen Marchese (tracks: 4-1 to 4-14, 9-1 to 9-17, 10-2), Greg Thompson (tracks: 5-1, 10-1, 10-2), Jim Murray (6) (tracks: 1-5), Kevin Stone (tracks: 5-1), Michael Ahearn (tracks: 8-1 to 8-3), Takako Furuya (tracks: 1-5), Tony Black (tracks: 7-1 to 7-3), Yvonne Yedibalian (tracks: 9-1 to 9-17)
- Engineer [Assistant], Recorded By [Additional Recording] – Andy Grassi (tracks: 5-2 to 5-5)
- Engineer [Engineered By] – Dick Lewzey (tracks: 3-1, 7-9 to 7-12), Hans Bedecker* (tracks: 5-2 to 5-5), John Kilgore (tracks: 1-5, 4-1 to 5-1, 7-1 to 7-3, 9-1 to 10-7), Les Brockman* (tracks: 8-1 to 8-3), Paul Goodman (tracks: 1-2, 2-1 to 2-4, 3-3, 6-1 to 6-7, 7-4 to 7-8), Rob Eaton (tracks: 8-4 to 8-6), Simon Rhodes (tracks: 8-7 to 8-9)
- Executive-Producer – Robert Hurwitz
- Illustration [Courtesy Of] – Jewish National & University Library
- Lighting [Lighting Design] – Richard Nelson (12) (tracks: 9-1 to 9-17)
- Liner Notes – John Adams, Michael Tilson Thomas, Robert Hurwitz
- Liner Notes [Interviewee] – Steve Reich
- Liner Notes [Interviewer] – Jonathan Cott
- Mastered By – Robert C. Ludwig*
- Mixed By – Judith Sherman (tracks: 9-1 to 9-17), Steve Reich (tracks: 9-1 to 9-17)
- Mixed By [Assistant Mix Engineer] – Geraldo Lopez (tracks: 10-1, 10-3 to 10-7), Glen Marchese (tracks: 10-3 to 10-7), Greg Thompson (tracks: 4-1 to 4-14), Tony Black (tracks: 1-5, 4-1 to 5-1, 7-1 to 7-3)
- Mixed By [Mix Engineer] – Ben Fowler (tracks: 8-1 to 8-3), John Kilgore (tracks: 4-1 to 4-14, 9-1 to 9-17)
- Mixed By [Mixing] – Paul Goodman (tracks: 3-3, 7-4 to 7-8), Steve Reich (tracks: 3-3, 7-4 to 7-8), Tom Lazarus (tracks: 3-3, 7-4 to 7-8)
- Mixed By [Mixing], Edited By [Editing] – Rudolf Werner* (tracks: 6-1 to 6-7), John Newton (tracks: 6-1 to 6-7), Judith Sherman (tracks: 1-2, 2-1 to 3-2, 5-2 to 5-5), Karl-August Naegler (tracks: 6-1 to 6-7), Paul Zinman (tracks: 2-1 to 2-4), Steve Reich (tracks: 1-2, 2-1 to 3-2, 5-2 to 6-7), Wolf-Dieter Karwatki* (tracks: 6-1 to 6-7)
- Music By – Steve Reich (tracks: 9-1 to 9-17)
- Other [Costumes] – Donna Zakowska (tracks: 9-1 to 9-17)
- Other [Ralph Steiner Photography Courtesy Of] – Metropolitan Museum Of Art
- Photography By – Alan Titmuss*, Betty Freeman, Craig Cutler, Deborah Feingold, Edward Quigley, Gary Fay*, Graphistock, Jose Molina, Lisa Spindler, Mark Sink, Nevin Shalit, Photonica, Ralph Steiner, Landry*, Girouard*, Yusuke Yoshino
- Photography By [Courtesy Of] – Houk Friedman
- Producer [American Train Sounds Produced By], Engineer [American Train Sounds Engineered By] – Brad S. Miller*
- Producer [Produced By] – Rudolf Werner* (tracks: 6-1 to 6-7), Judith Sherman (tracks: 1-1 to 3-2, 4-1 to 5-5, 7-1 to 7-3, 7-9 to 7-12, 8-1 to 10-7), Renée Levine* (tracks: 9-1 to 9-17), Steve Reich (tracks: 1-1 to 1-4, 2-1 to 2-4, 3-2, 3-3, 6-1 to 6-7, 7-4 to 7-8, 10-1 to 10-7), The Reich Music Foundation Inc. (tracks: 9-1 to 9-17)
- Producer [Production Assistant] – David Oakes (tracks: 8-4 to 8-6), Jeanne Velonis (tracks: 4-1 to 4-14), Sidney Chen (tracks: 1-5, 4-1 to 5-1, 10-1 to 10-7)
- Production Manager [Production Coordinator] – Jennifer Keats (tracks: 8-1 to 8-6), Karina Beznicki (tracks: 5-2 to 5-5, 8-7 to 9-17)
- Set Designer [Stage Design] – John Arnone (tracks: 9-1 to 9-17)
- Translated By – Abdullah Yusuf Ali
- Translated By [Revised By], Translated By – Steve Reich
- Video Editor [Multi-Channel Video], Design [Screen Design] – Beryl Korot (tracks: 9-1 to 9-17)
Notes
Box set contains 10 CDs in slim jewel cases, and a 136 page booklet.
The track timings listed here are the actual track timings, not what is printed on the release.
Disc 1
Come Out originally released on New Sounds In Electronic Music. Compiled to Nonesuch 79169. Composed 1966.
Piano Phase originally released on Orchestral Space '68 = オーケストラル・スペース. This version recorded May 1986 at RCA Studio A, New York and released on Nonesuch 79169. Composed 1967.
It's Gonna Rain originally released on Live / Electric Music. Compiled to Nonesuch 79169. Composed 1965.
Four Organs originally appeared as Four Organs / Phase Patterns. This version recorded June 1996 at the Edison Studio, New York. Composed 1970.
Disc 2
Drumming originally appeared 1974 as Deutsche Grammophon 2740 106. This version recorded May 1987 at RCA Studio A, New York, and originally released as Nonesuch 79170. Composed 1971.
Disc 3
Music For Mallet Instruments, Voices And Organ originally released as Nonesuch 79220. Recorded November 1988 at CTS Studios, London. Composed 1973.
Clapping Music originally released on Nonesuch 79169. Recorded May 1987 at RCA Studio A, New York. Composed 1972.
Six Marimbas originally released on Nonesuch 79138. Recorded May 1986 at RCA Studios, New York. Composed 1973-1986.
Disc 4
Music For 18 Musicians originally appeared 1978. This version recorded October 1996 at the Hit Factory, New York. Composed 1976.
Disc 5
Eight Lines originally appeared 1984. This version recorded June 1996 at the Hit Factory, New York. Composed 1979.
Tehillim originally appeared 1982. This version recorded August 1993 at Wisseloord Studios, Hilversum, The Netherlands, and released on Nonesuch 79295. Composed 1981.
Disc 6
The Desert Music originally released as Nonesuch 79101. Recorded October 1984 at RCA Studio A, New York. Composed 1984.
Disc 7
New York Counterpoint originally appeared 1986. This version recorded January 1996 at the Hit Factory, New York. Composed 1985.
Sextet originally released on Nonesuch 79138. Recorded May 1986 at RCA Studios, New York. Composed 1985.
The Four Sections originally released as Nonesuch 79220. Recorded November 1988 at CTS Studios, London. Composed 1987.
Disc 8
Different Trains originally released as Nonesuch 79176. Recorded August-September 1988 at Russian Hill Recording, San Francisco. Composed 1988.
Electric Counterpoint originally released as Nonesuch 79176. Recorded September-October 1987 at the Power Station, New York. Composed 1987.
Three Movements originally released as Nonesuch 79295. Recorded February 1992 at Abbey Road Studios, London. Composed 1986.
Disc 9
The Cave originally released as Nonesuch 79327. Recorded December 1994 at Edison Studio, New York. Composed 1993.
Disc 10
Proverb originally released as Nonesuch 79430. Recorded June 1996 at the Hit Factory, New York. Composed 1995.
Nagoya Marimbas originally released as Nonesuch 79430. Recorded June 1996 at the Hit Factory, New York. Composed 1994.
City Life originally released as Nonesuch 79430. Recorded June 1996 at the Hit Factory, New York. Composed 1994.
The track timings listed here are the actual track timings, not what is printed on the release.
Disc 1
Come Out originally released on New Sounds In Electronic Music. Compiled to Nonesuch 79169. Composed 1966.
Piano Phase originally released on Orchestral Space '68 = オーケストラル・スペース. This version recorded May 1986 at RCA Studio A, New York and released on Nonesuch 79169. Composed 1967.
It's Gonna Rain originally released on Live / Electric Music. Compiled to Nonesuch 79169. Composed 1965.
Four Organs originally appeared as Four Organs / Phase Patterns. This version recorded June 1996 at the Edison Studio, New York. Composed 1970.
Disc 2
Drumming originally appeared 1974 as Deutsche Grammophon 2740 106. This version recorded May 1987 at RCA Studio A, New York, and originally released as Nonesuch 79170. Composed 1971.
Disc 3
Music For Mallet Instruments, Voices And Organ originally released as Nonesuch 79220. Recorded November 1988 at CTS Studios, London. Composed 1973.
Clapping Music originally released on Nonesuch 79169. Recorded May 1987 at RCA Studio A, New York. Composed 1972.
Six Marimbas originally released on Nonesuch 79138. Recorded May 1986 at RCA Studios, New York. Composed 1973-1986.
Disc 4
Music For 18 Musicians originally appeared 1978. This version recorded October 1996 at the Hit Factory, New York. Composed 1976.
Disc 5
Eight Lines originally appeared 1984. This version recorded June 1996 at the Hit Factory, New York. Composed 1979.
Tehillim originally appeared 1982. This version recorded August 1993 at Wisseloord Studios, Hilversum, The Netherlands, and released on Nonesuch 79295. Composed 1981.
Disc 6
The Desert Music originally released as Nonesuch 79101. Recorded October 1984 at RCA Studio A, New York. Composed 1984.
Disc 7
New York Counterpoint originally appeared 1986. This version recorded January 1996 at the Hit Factory, New York. Composed 1985.
Sextet originally released on Nonesuch 79138. Recorded May 1986 at RCA Studios, New York. Composed 1985.
The Four Sections originally released as Nonesuch 79220. Recorded November 1988 at CTS Studios, London. Composed 1987.
Disc 8
Different Trains originally released as Nonesuch 79176. Recorded August-September 1988 at Russian Hill Recording, San Francisco. Composed 1988.
Electric Counterpoint originally released as Nonesuch 79176. Recorded September-October 1987 at the Power Station, New York. Composed 1987.
Three Movements originally released as Nonesuch 79295. Recorded February 1992 at Abbey Road Studios, London. Composed 1986.
Disc 9
The Cave originally released as Nonesuch 79327. Recorded December 1994 at Edison Studio, New York. Composed 1993.
Disc 10
Proverb originally released as Nonesuch 79430. Recorded June 1996 at the Hit Factory, New York. Composed 1995.
Nagoya Marimbas originally released as Nonesuch 79430. Recorded June 1996 at the Hit Factory, New York. Composed 1994.
City Life originally released as Nonesuch 79430. Recorded June 1996 at the Hit Factory, New York. Composed 1994.
