Supertramp ‎– Breakfast In America

Label:
A&M Records ‎– SP-3708
Format:
Vinyl, LP, Album
Country:
Released:
Genre:
Style:

Tracklist

A1 Gone Hollywood 5:15
A2 The Logical Song 4:12
A3 Goodbye Stranger 5:44
A4 Breakfast In America 2:40
A5 Oh Darling 4:10
B1 Take The Long Way Home 5:09
B2 Lord Is It Mine 4:03
B3 Just Another Nervous Wreck 4:32
B4 Casual Conversations 2:53
B5 Child Of Vision 7:12

Companies, etc.

Credits

Notes

Rehearsed at Southcombe Studios, Burbank.
Recorded at the Village Recorder, Los Angeles.
Mixed at Crystal Sound's Studio 'B', Los Angeles.
Engineered by Peter Henderson of Air London.

All songs © 1979 Almo Music Corp. and Delicate Music (ASCAP)

©℗ 1979 A&M Records, Inc.

Barcode and Other Identifiers

  • Barcode (Scanned): 075021370814
  • Barcode (String): 07502137081
  • Barcode (Text): 0 7502=13708-1
  • Matrix / Runout (Side-1): A&M SP3729-RC15 [trumpet symbol] MC
  • Matrix / Runout (Side-2): A&M SP3730-RC8 [trumpet symbol] A5I
  • Matrix / Runout (Variant 1 - Side 1 (etched except A12 stamped)): A&M SP3729-RC6 [trumpet symbol] A12 GMC
  • Matrix / Runout (Variant 1 - Side 2 (etched except 1 A3 stamped)): A&M SP3730-RC20 1 A3 D
  • Matrix / Runout (Variant 2 - Side 1 (Etched)): A&M SP3729-S6 SM SIDE 1
  • Matrix / Runout (Variant 2 - Side 2 (Etched)): T1 A&M SP3730 T8

Other Versions (5 of 189) View All

Cat# Artist Title (Format) Label Cat# Country Year
AMLK 63708 Supertramp Breakfast In America(LP, Album) A&M Records AMLK 63708 UK 1979 Sell This Version
CD-3708 Supertramp Breakfast In America(CD, Album) A&M Records CD-3708 US Unknown Sell This Version
UIGY-9536 Supertramp Breakfast In America(SACD, Album, RE, RM, SHM) A&M Records UIGY-9536 Japan 2013 Sell This Version
493 349-2 Supertramp Breakfast In America(CD, Album, RE, RM) A&M Records 493 349-2 UK & Europe 2002 Sell This Version
393 708-2 Supertramp Breakfast In America(CD, Album, RE) A&M Records 393 708-2 Europe 1989 Sell This Version

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streetmouse

streetmouse

March 3, 2017
edited 3 months ago
There were several albums in my lifetime that were delivered to all white American households, like a free box of Tide.  Though for some reason, I was never home to accept this package, or perhaps Breakfast In America was left on my doorstep and someone appropriated it … either way, I’ve never been able to justify this bit of art-rock that one day wasn’t there, and the next it seemed to be drifting from every open window I passed, was one of the hot-wall favorites in records stores, and impossible to escape on the radio, meaning that whether you owned the physical copy or not, the lyrics of this opus would be lazed etched forever into your brain, and nearly forty years later, I’ve still not been able to make my peace with this edition of quasi symphonic over bloated classical rock.

Of course, Supertramp begun their journey as an obscure Genesis knockoff, where their songs were weighty and esoteric, yet here, with their move to pop culture laden Los Angeles, they sound as if they’ve overdosed on the sunshine and cocaine, in the land of perpetual bliss, where everything was always groovy, and even the structural dichotomy of their songs are so overly excited and laced with Beach Boy style falsettos belaying delightful fantasies of warm summer nights, that even their lyrics, those filled with an essence of foreboding and ennui, coming across as happily offbeat, filled with a wry sense of humor … suggesting that no matter how bad the car crash you were just in was, if you would share a bit of the white powder with the guy you ran into, all will be just f-i-n-e.

With even the album’s artwork coming across tongue in cheek, there was a darker side that was well hidden by the warm radio friendly songs, where the personal and professional relationship of the duo of Davies and Hodgson was falling apart, denoting that they hadn’t even been writing together in years, with the band existing in an atmosphere of civil delicate detente.  While Breakfast In America came across thematically architecturally and sonically sound, the stress on the band from Hodgson’s spiritual awaking, and constant attempts to draw others into the fold, caused a fractured divide that was played out in song and verse.  [laughing]  If only fans knew what they were listening to, and understood the lyrics to this album, Breakfast In America might certainly not have been the resounding hit that it was. According to Hodgson, their rift may have started as far back as 1972, when Davies refused to take LSD with him, saying, “The result of me tripping was that I had my mind open to all kinds of stuff that he didn’t. That created a barrier, because we couldn’t share the experience. LSD is a very strange drug. It started my education again … totally. It lets you see life in a totally different aspect, and allows you to free yourself of everything you’ve been conditioned to for your entire life. It really showed me my potential for growth.”

Regardless, this is not the first album to inspire greatness out of tragedy, and Breakfast In America was certainly the culmination and zenith of all the Supertramp would ever be. While fans waited with upturned faces for their next dose, like Pink Floyd’s Dark Side Of The Moon, Fleetwood Mac’s 1975 self-titled, Patti Smith’s Horses, The Rolling Stones’ Sticky Fingers, and yes, even The Beatles’ Sgt. Pepper, there would never be anything to match this, or those ground breaking releases.

So … while I sit here with the songs roaming though my head, as if I’d just shelved the album, I’m still not going to purchase the vinyl, the remastered vinyl, the CD, or even the re-remastered CD from the original analog tapes, because I understood the lyrics, and it’s a rather uncomfortable album to listen to.

*** The Fun Facts: The album art depicts Kate Murtagh, born on the 29th of October 1920, selected from the Ugly Modeling Agency, known as Libby, and no, she was not an actual waitress, she was a native if Los Angeles, an actress who appeared in The Twilight Zone, I Dream Of Jeanie, My Thee Sons, The Munsters, and many more shows, though is best known for her Statue of Liberty pose, holding a tall glass of orange juice and menu, rather than the fame torch and Tabula Ansata.  She later went on tour with Supertramp, where in full waitress regalia, she would introduce the band during their live performances.

On the album jacket, the entire city of New York is viewed from an airplane window, where from behind Libby, the album features food related items painted white, depicting the building, and on the jacket’s reverse, shows the band in a diner with Libby serving them breakfast in America.

Review by Jenell Kesler
jazzbass12

jazzbass12

August 5, 2016
When I bought my first LP of this back in 1980, I thought it had a killer sound. Here is a great article that explains the recording process. No wonder it sounded so good:
http://www.soundonsound.com/techniques/classic-tracks-supertramp-logical-song
Texasbear

Texasbear

December 10, 2013
edited over 3 years ago

I have a version of this LP that was made in New Zealand by Festival Records. It is a very bright orange , or red orange release. I can not seem to find any info on this color variation of this LP. I purchased it from a seller in New Zealand. Just wondering if anyone else has colored variation. The main catalog number is not SP-3708. I just listed this inquiry here as it is the first page to pop up. The album is catalogued as L-36715 with (SP-3708) below it in the upper right corner on the back. Thanks in Advance for any info, Texasbear
akgc414

akgc414

August 19, 2013
This pressing is KILLER. Dead quiet. I don't know if it's 1st or 2nd pressing, but it sure sounds like it.
matseke

matseke

January 13, 2011
I have a 180g vinyl LP with cat# svlp 184. How do I add this release?