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Tracklist
| Piano Concerto No. 1 In B-flat Minor, Op. 23 | |||
| 1 | I. Allegro Non Troppo E Molto Maestoso - Allegro Con Spirito | 19:38 | |
| 2 | II. Andante Semplice - Prestissimo - Tempo I | 7:14 | |
| 3 | III. Allegro Con Fuoco | 6:32 | |
| Rhapsody On A Theme Of Paganini, Op. 43 | (23:18) | ||
| 4.1 | Introduction | 0:07 | |
| 4.2 | Variation 1 | 0:20 | |
| 4.3 | Tema | 0:18 | |
| 4.4 | Variation 2 | 0:18 | |
| 4.5 | Variation 3 | 0:25 | |
| 4.6 | Variation 4 | 0:29 | |
| 4.7 | Variation 5 | 0:28 | |
| 4.8 | Variation 6 | 1:00 | |
| 4.9 | Variation 7 | 1:06 | |
| 4.10 | Variation 8 | 0:32 | |
| 4.11 | Variation 9 | 0:31 | |
| 4.12 | Variation 10 | 0:51 | |
| 4.13 | Variation 11 | 1:25 | |
| 4.14 | Variation 12 | 1:25 | |
| 4.15 | Variation 13 | 0:29 | |
| 4.16 | Variation 14 | 0:43 | |
| 4.17 | Variation 15 | 1:02 | |
| 4.18 | Variation 16 | 1:34 | |
| 4.19 | Variation 17 | 1:43 | |
| 4.20 | Variation 18 | 3:11 | |
| 4.21 | Variation 19 | 0:26 | |
| 4.22 | Variation 20 | 0:37 | |
| 4.23 | Variation 21 | 0:24 | |
| 4.24 | Variation 22 | 1:40 | |
| 4.25 | Variation 23 | 0:54 | |
| 4.26 | Variation 24 | 1:10 |
Companies, etc.
- Phonographic Copyright ℗ – Telarc Records
- Copyright © – Telarc Records
- Manufactured By – Digital Audio Disc Corp.
- Pressed By – Sony DADC – A0000091978-0101
- Recorded At – Joseph Meyerhoff Symphony Hall
- Published By – Belwin-Mills Publishing Corp.
Credits
- Art Direction – Ray Kirschensteiner
- Composed By – Pyotr Ilyich Tchaikovsky (tracks: 1 to 3), Sergei Vasilyevich Rachmaninoff (tracks: 4)
- Conductor – David Zinman
- Cover [Graphics] – Nottingham-Spirk Design Associates, Inc.
- Edited By – Rosalind Ilett
- Engineer – Jack Renner
- Liner Notes [English] – David Loebel
- Liner Notes [French] – Patricia Dussaux
- Liner Notes [German] – Gila Fox
- Orchestra – Baltimore Symphony Orchestra
- Piano – Horacio Gutiérrez
- Producer – Robert Woods (2)
- Producer [Assistance] – Elaine Martone
- Technician [Assistance] – Michael Bishop
Notes
Total Playing Time: 56:58
Track 4 published by Belwin Mills Music Publishing (ASCAP).
Steinway Piano
*** Technical Information ***
Recorded in Joseph Mayerhoff Symphony Hall, Baltimore, Maryland on January 22 & 23, 1990
Microphones: Schoeps MK-2 Linear, MK-21, Sennheiser MKH-50
Digital Recording Processor: dbx/CTI 18-Bit, 128 times oversampling A/D
Console: Neotek, custom-built, wired with Monster Cable Series III
Power Amplifiers: Threshold Model SA/12e Stasis; Pure Class A
The entire signal path from microphones to digital processors utilized the latest cable technology from Monster Cable, including M1000, M[sigma]2, Series I Prolink and Series III Prolink bandwidth balanced.
Control Room Acoutstic Treatment: Sonex from illbruck/usa; Soundex from Monster Cable; Tube Type by ASC; RPG Diffusors & Abffusors (also used on concert hall stage)
Digital Editing: Sony DAE 3000
During the recording of the digital masters and the subsequent transfer to disc, the entire audio chain was transformerless. The signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any step during production.
Special thanks to Dr. Peter D'Antonio, RPG Diffusor Systems, Inc.
Track 4 published by Belwin Mills Music Publishing (ASCAP).
Steinway Piano
*** Technical Information ***
Recorded in Joseph Mayerhoff Symphony Hall, Baltimore, Maryland on January 22 & 23, 1990
Microphones: Schoeps MK-2 Linear, MK-21, Sennheiser MKH-50
Digital Recording Processor: dbx/CTI 18-Bit, 128 times oversampling A/D
Console: Neotek, custom-built, wired with Monster Cable Series III
Power Amplifiers: Threshold Model SA/12e Stasis; Pure Class A
The entire signal path from microphones to digital processors utilized the latest cable technology from Monster Cable, including M1000, M[sigma]2, Series I Prolink and Series III Prolink bandwidth balanced.
Control Room Acoutstic Treatment: Sonex from illbruck/usa; Soundex from Monster Cable; Tube Type by ASC; RPG Diffusors & Abffusors (also used on concert hall stage)
Digital Editing: Sony DAE 3000
During the recording of the digital masters and the subsequent transfer to disc, the entire audio chain was transformerless. The signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any step during production.
Special thanks to Dr. Peter D'Antonio, RPG Diffusor Systems, Inc.
Barcode and Other Identifiers
- Barcode (Printed): 0 89408 01932 6
- Barcode (Scanned): 089408019326
- ASIN: B000003CVJ
- Other: DIDX 006858
- SPARS CODE: DDD
- Matrix / Runout: Sony DADC A0000091978-0101 31 A1
- Mastering SID Code: IFPI L551
- Mould SID Code: IFPI 94K7