The Art Of Noise ‎– Who's Afraid Of The Art Of Noise

Label:
ZTT ‎– ZTTIQ2, ZTT ‎– ZTTIQ 2
Series:
Format:
Vinyl, LP, Album
Country:
Released:
Genre:
Style:

Tracklist

A Time To Hear
A1 A Time For Fear (Who's Afraid) 4:43
A2 Beat Box (Diversion One) 8:33
A3 Snapshot 1:00
A4 Close (To The Edit) 5:37
Who's Listening
B1 Who's Afraid (Of The Art Of Noise) 4:22
B2 Moments In Love 10:17
B3 Memento 2:14
B4 How To Kill 2:44
B5 Realization 1:41

Companies, etc.

Credits

Notes

Release title given as "Who's Afraid Of The Art Of Noise" on front, "(Who's Afraid Of?) The Art Of Noise!" on spine, and "(Who's Afraid Of?) The Art Of Noise" on labels.
This album was also assigned the number ZTAS 11.

"compiled in the capital between February 28th 1983 and April 1st 1984"
"This has been number 34 in Zang Tuum Tumb's Incomplete Incidental Series. (In its American sleeve it is number 16: careful does it.)"
"Who's Afraid Of The Noise is dedicated to Henry Ford and of course Edward Albee - and their American Dreams."

Tracklisting on back of sleeve and inner sleeve incorrectly given as:

side one
A Time For Fear (Who's Afraid)
Beat Box (Diversion One)
Memento
How To Kill
Realisation

side two
Who's Afraid (Of The Art Of Noise)
Moments In Love
Snapshot
Close (To The Edit)

Only the labels state the correct tracklisting. (No track durations given on release.)

Matrix Numbers attributed to this release:
A side: ZTTIQ 2 A-1U-1-1-1 TOWNHOUSE
B side: ZTTIQ 2 B-1U-1-1-1 TOWNHOUSE

A side: ZTTIQ 2 A-1U-1-1-1 TOWNHOUSE
B side: ZTTIQ 2 B-1U-1-1-10 TOWNHOUSE

A side: ZTTIQ 2 A-1U-1-1-13 TOWNHOUSE
B side: ZTTIQ 2 B-1U-1-3- TOWNHOUSE

Issued with a custom printed inner sleeve.

Barcode and Other Identifiers

  • Matrix / Runout (Runout, A-side, stamped): ZTTIQ 2 A - 1U - 1 - 1 - TOWNHOUSE
  • Matrix / Runout (Runout, B-side, stamped): ZTTIQ 2 B - 1U - 1 - 1 - 17 TOWNHOUSE

Other Versions (5 of 62) View All

Cat# Artist Title (Format) Label Cat# Country Year
L 38284 The Art Of Noise (Who's Afraid Of?) The Art Of Noise(LP, Album) ZTT, Island Records L 38284 New Zealand 1984 Sell This Version
ZTT 111 CD The Art Of Noise (Who's Afraid Of) The Art Of Noise?(CD) ZTT ZTT 111 CD UK 1998 Sell This Version
206 492, 206 492-620 The Art Of Noise (Who's Afraid Of?) The Art Of Noise(LP, Album) Island Records, ZTT, Island Records, ZTT 206 492, 206 492-620 Europe 1985 Sell This Version
L 38284, ZTIQ2, ZTTIQ 2 The Art Of Noise Who's Afraid Of The Art Of Noise(LP) Island Records, Festival Records, ZTT, ZTT L 38284, ZTIQ2, ZTTIQ 2 Australia & New Zealand 1984 Sell This Version
4509-94746-4 The Art Of Noise (Who's Afraid Of) The Art Of Noise(Cass) ZTT 4509-94746-4 Germany 1994 Sell This Version

Recommendations

Reviews Show All 3 Reviews

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robinsoncaruso

robinsoncaruso

May 25, 2013
I was 13 when I listened to this album. I consider myself a conscious music listener since that moment.
In my opinion this is one of the most important record of electronic music.
jtdevious

jtdevious

August 10, 2010
This album is perhaps one of the most understated and pivotal moments in the birth of electronic music/dance music in the early eighties, and music history rightly owes a credence to their experimentalism. Contains the amazing and beautiful ‘Moments in love’ and the commercially successful ear bashing sounds of ‘Close to the edit’, and ‘Beatbox’.
Eops

Eops

August 24, 2007
edited over 10 years ago
This lp is one of the cornerstones of modern electronic music – no matter what genre you currently obsess about the chances are that somewhere in its history a massive debt was incurred to the sheer lunacy of The Art of Noise.

In many ways AON represent the elephant in the room, a towering presence which is so often overlooked not because of its failings but because of its self depreciating genius.

If you talk about electronic music with any self respecting discogs geek for long enough it would be almost impossible for them not to mention the Germanic overlords of the genre ‘Kraftwerk’ – their poe faced spectre looms large like a building site crane over techno city. The AON however could just as easily lay claim to the eclectic plethora of electronic styles born in the UK since 1981.

If Kraftwerk are accepted as the calculating robotic face of Teutonic beats and bleeps then surely AON personify the eccentric English gentleman tinkering in his shed and occasionally popping outside to exclaim eureka!

The eccentric nature of the album is best explained by comparing two of its best known tracks – ‘Moments in love’ and ‘Close to the edit’.

The first is subtle, delicate and beautifully paced with gentle breathy vocals barely communicating with the listener after being deliberatly drowned out in the mix.

The second is a barnstorming slice of Edward Lear influenced nonsense poetry, brazen fart samples, a car ignition sounds and the kind of hyperactive bass line that swerved out of fashion at some point in the mid eighties never to return.

These two songs mark opposite ends of the AON spectrum – somewhere in the middle you will find samples as diverse as cuban revolutionary speeches(on ‘Whos afraid’)and a monumental church organ (on ‘Momento’) which gatecrashes a quirky sound montage to leave the casual listener scratching their head in confusion.

If nothing else this LP should held up as a masterclass in 80’s production. It may have started life as producer Trevor Horns studio folly but for me and countless others from Electro B-boys to Hardcore Ravers it opened a door to sounds that simply didn’t exist a year or so beforehand.

Sheer bloody genius as they say in the home counties - 'a time to hear' indeed.