The Beatles ‎– The Beatles

Apple Records ‎– B0028831-01, Capitol Records ‎– B0028831-01, UMe ‎– B0028831-01
2 × Vinyl, LP, Album, Reissue, Remastered, Stereo

Tracklist Hide Credits

A1 Back In The U.S.S.R.
A2 Dear Prudence
A3 Glass Onion
A4 Ob-La-Di, Ob-La-Da
A5 Wild Honey Pie
A6 The Continuing Story Of Bungalow Bill
A7 While My Guitar Gently Weeps
Guitar [Uncredited] – Eric ClaptonWritten-By – Harrison*
A8 Happiness Is A Warm Gun
B1 Martha, My Dear
B2 I'm So Tired
B3 Blackbird
B4 Piggies
Written-By – Harrison*
B5 Rocky Raccoon
B6 Don't Pass Me By
Written-By – Starkey*
B7 Why Don't We Do It In The Road
B8 I Will
B9 Julia
C1 Birthday
C2 Yer Blues
C3 Mother Nature's Son
C4 Everybody's Got Something To Hide Except Me And My Monkey
C5 Sexy Sadie
C6 Helter Skelter
C7 Long, Long, Long
Written-By – Harrison*
D1 Revolution 1
D2 Honey Pie
D3 Savoy Truffle
Written-By – Harrison*
D4 Cry, Baby, Cry
D5 Revolution 9
D6 Good Night

Companies, etc.



Stereo - Anniversary Edition
Also includes reproductions of original poster and portraits.
Gatefold sleeve.

A Capitol Records release. ℗ © 2018 Calderstone Productions Limited (a Division of Universal Music Group) / Apple Corps Limited.
Artwork © 2018 Apple Corps Limited. 'Beatles' is a trademark of Apple Corps Limited.
'Apple' and the Apple logo are exclusively licensed to Apple Corps Limited.
Manufactured and distributed by Capitol Records, 1750 N. Vine Street, Hollywood, CA 90028 - U.S.A.

[Lennon/McCartney songs] © All lyrics copyright 1968 for the world by Sony/ATV Music Publishing L.L.C.
[Harrison songs] © Harrisongs Ltd. [Starkey song] © Universal Music Publishing, MGB Ltd.
© Artwork Apple Corps Ltd.
Made in U.S.A.

Barcode and Other Identifiers

  • Barcode (Scanned (Stickered)): 602567696865
  • Barcode (Printed (Stickered)): 6 02567 69686 5
  • Matrix / Runout (Side 1 runout Variant 1): B002883101 6757196 A² MILES.ABBEYROAD½SPEED.RM30.
  • Matrix / Runout (Side 2 runout Variant 1): 6757196 B² B0028831-01 B² MILES.ABBEYROAD½SPEED.ROOM30.
  • Matrix / Runout (Side 3 runout Variant 1): 6757197 [Crossed out A²] B0028831-01 C² MILES.ABBEYROAD½SPEED.ROOM30.
  • Matrix / Runout (Side 4 runout Variant 1): 6757197 [Crossed out B²] B002883101 D² MILES.ABBEYROAD½SPEED.ROOM30.
  • Matrix / Runout (Side 1 runout Variant 2 (tiny "3" after "AZ")): 6757196 A2 BOOZ8831-01 AZ 3 MILES.ABBEY ROAD1/2 SPEED.RM30.
  • Matrix / Runout (Side 2 runout Variant 2 (tiny "4" after "BZ")): 6757196 BZ BOOZ8381-01 BZ 4 MILES.ABBEY ROAD1/2SPEED.ROOM30.
  • Matrix / Runout (Side 3 runout Variant 2 (tiny "2" after "CZ", "A2" has line through it)): 6757197 A2 BOOZ8381-01 CZ 2 MILES.ABBEY ROAD1/2 SPEED. ROOM 30.
  • Matrix / Runout (Side 4 runout Variant 2 (tiny "3" after "DZ", "B2" has line through it)): 6757197 B2 BOOZ8831-01 DZ 3 MILES. ABBEYROAD1/2SPEED. ROOM 30.

Other Versions (5 of 602) View All

Cat# Artist Title (Format) Label Cat# Country Year
PMC 7067/8 The Beatles The Beatles(2xLP, Album, Mono, M/Print, Num) Apple Records PMC 7067/8 UK 1968 Sell This Version
PMCQ 31513/4, 3C 062-04173/4 The Beatles The Beatles(2xLP, Album, Num, RE, Emb) Apple Records, Apple Records PMCQ 31513/4, 3C 062-04173/4 Italy 1969 Sell This Version
LSAP 79003/4 The Beatles The Beatles(2xLP, Album, RE) Jugoton, Apple Records LSAP 79003/4 Yugoslavia 1981 Sell This Version
EAS-50039/40 The Beatles The Beatles(2xLP, Album, Num) Apple Records EAS-50039/40 Japan 1978 Sell This Version
0602567572015 The Beatles The Beatles And Esher Demos(2xLP, Album, RE, RM, 180 + 2xLP, 180 + Box, Comp) Apple Records, Universal Music Group International 0602567572015 2018 Sell This Version


Reviews Show All 28 Reviews

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November 17, 2019
Is it my memory, or did they seriously tone-down the jet sounds in Back in the USSR? I guess I’ll have to pull out my late seventies Japanese pressing and compare. Regardless, I love it! Really sounds great. I got none of the pressing defects others got, (return them, people!), and the mix is brilliant with vocal parts that were buried previously now clearly audible. Just overall a great sounding mix. Best I’ve ever heard this album sound, and I’ve heard it a lot over the years,


August 24, 2019

Not much to say other than a fantastic mix and a fantastic pressing of my favorite beatles album.


May 7, 2019
I only noticed the up n down waviness of side 2 bc somebody pointed it out! Before that I was just sitting and listening to an amazing press. So, um...don't look at the LP while playing?


March 5, 2019
Just wondering if this vinyl version was reproduced from a digital file or a new vinyl master? Anyone? cheers


February 21, 2019
Update. For the 2018 remixed version pressed by QRP, I received 4 copies from Amazon and all 4 had the same defects as I pointed out in my original review. I checked at a local record store and out of around 20 of so that they sold, most were returned. They are trying to get the German or French 2-LP versions and no longer are carrying the QRP-pressed U.S. version.


February 2, 2019
edited 10 months ago

Sound quality on this press is top notch, hearing this on vinyl after hearing it digitally, while waiting for my record to come in, I can appreciate this remix even more so now. I'd recommend this to anyone even slightly into The Beatles or if they've heard them a billion times, this new mix makes The Beatles "White Album" sounds brand new all over again... Having said that my labels are a tad off center and there is some wobble to the record as it spins but it does not impact the sound. It's insignificant and doesn't bother me enough to complain about it.


January 14, 2019
Not being one to jump on any bandwagon. Queuing this I noticed the edge was not concentric but ignored it. watching it play it is so obvious the defects described here are right on. Tonearm on side 2 is riding a wave both up and down and side to side. The entire side. Did not look at side one at all but will next play.
Not what I would expect on a precision pressing in this day and age. I will be contacting QRP. Damn shame.


November 13, 2018
edited about 1 year ago

This remix is simp[ly brilliant across the board & zero quality issues here. Amazingly wide and clean soundstage. Incredibly low noise floor. Subtle room nuances in the recording studio are not lost. Every instrument and vocal channel in the mix exists clearly on its own but still manages to deliver a cohesive overall band sound. This kind of magic is incredibly hard to achieve especially when using old source material. Even if you're not a Beatles fan, this album is a must have even if only to act as reference material showing you (or others) what a truly great vinyl recording can sound like on your system.


November 12, 2018
edited 2 months ago
It’s here! “The Cleanup Job” is finally upon us! Much of the muted, blurry, buried, and messy colours of the 60’s, that once gave the “White Album” it’s character (and charm some may say), are simply swept away here. This version is so analytically “cleansed”, it’s as if “Mommy Dearest” herself was hired on to show Giles and friends how to scrub the album really clean! She wasn’t mad at Giles or the album mind you, she was mad at the dirt! Somebody wrote a long a$$ article here about going out and finding an original 68’ U.K. Mono, I couldn’t agree more-right on Mr. “streetmouse” (aka Jenell Kesler)! Go out and get a Mono! Go out and get an original 68’ U.K. Stereo copy while you are at it! Play both versions back to back, and then pick and choose your favorite Mono and Stereo versions of the all the songs, and be sure to write down all of the reasons why which version is better, and then dream and wish for your idea of the perfect semblance of the “White Album” (many of us have, for decades no less). Orrrrrr, just buy this “2018 Remix”, because this new version is basically just that, a nice hybrid of sorts, it has a lot of the 68’ Mono’s punch and depth, while retaining much of the 68’ Stereo’s wonderful panning techniques and balance-it’s as if Mono and Stereo got together and had a little baby....I must warn you though, this remix is incredibly off-putting at first, and that’s due to it’s clarity, it doesn’t sound familiar like your old 68’ copy of the “White Album”, but give it time, it will sink in that this is 2018!

Giles did an awesome job on last year’s “...Pepper..”, all of that cross referencing between the Mono and Stereo versions of “...Pepper’s...” strongpoints was just what “Dr. Robert” ordered to make a superior Stereo “Remix”. The same approach more or less seems to have been taken here, Giles not only opted for cleanliness (which I must admit, “The White Album” was in dire need of), but it also appears that he did not shrug off the love from fans for both the original Mono and Stereo takes of the “White Album”.

This “Remix” is astonishing, and at the same time startling. To those of you that have been made uncomfortable upon a first listen, this “2018” version deserves a second listen, and many more there after....I get what Giles did here, he cleaned it all up-it’s a new vision of your old favorite “White Album”. As a listener, it takes an open mind (and a fresh pair of ears for that matter) to adjust to such changes being made after 50 years of listening to the original. Giles does it again! He gets a “Number 9, Number 9, Number 9...”, out of 10 that is!


November 11, 2018

My copy was perfectly flat and full sounding. I can totally tell Giles did the same route as Sgt pepper, very bassy and guitars are upfront in the soundscape. I will admit some songs I had to adjust my martanz bass down and up since some tracks I thought had too much bass (happiness is a warm gun, the ending ..the bass was rumbling my windows) but it's overall a great remix, I have yet to play LP 2 side B but once I do I will let you know if that side is defect free.