Tracklist
A1 | Lonely Boy | 3:13 |
A2 | Dead And Gone | 3:41 |
A3 | Gold On The Ceiling | 3:44 |
A4 | Little Black Submarines | 4:11 |
A5 | Money Maker | 2:57 |
B1 | Run Right Back | 3:17 |
B2 | Sister | 3:25 |
B3 | Hell Of A Season | 3:45 |
B4 | Stop Stop | 3:30 |
B5 | Nova Baby | 3:27 |
B6 | Mind Eraser | 3:15 |
CD-1 | Lonely Boy | 3:13 |
CD-2 | Dead And Gone | 3:41 |
CD-3 | Gold On The Ceiling | 3:44 |
CD-4 | Little Black Submarines | 4:11 |
CD-5 | Money Maker | 2:57 |
CD-6 | Run Right Back | 3:17 |
CD-7 | Sister | 3:25 |
CD-8 | Hell Of A Season | 3:45 |
CD-9 | Stop Stop | 3:30 |
CD-10 | Nova Baby | 3:27 |
CD-11 | Mind Eraser | 3:15 |
Companies, etc.
- Record Company – Warner Music Group
- Phonographic Copyright (p) – Nonesuch Records Inc.
- Copyright (c) – Nonesuch Records Inc.
- Phonographic Copyright (p) – WEA International Inc.
- Copyright (c) – WEA International Inc.
- Recorded At – Easy Eye Sound Studios, Nashville, TN
- Mastered At – Magic Garden Mastering
- Mastered At – Bernie Grundman Mastering
- Pressed By – Schallplattenfabrik Pallas GmbH – 23568
- Manufactured By – Furnace MFG
- Manufactured By – Pallas USA
- Published By – McMoore McLesst Publishing
- Published By – Wixen Music
- Published By – Sweet Science
- Published By – Copyright Control
- Pressed By – Cinram, Olyphant, PA – X36795
Credits
- Art Direction – Michael Carney
- Engineer – Kennie Takahashi
- Engineer [Assistant Engineer] – Collin Dupuis
- Keyboards [Additional Keyboards] – B. Burton*
- Management – John Peets
- Mastered By – Brian Lucey
- Mastered By [Vinyl] – BG*
- Mixed By – Tchad Blake (tracks: A2 to B6, CD-2 to CD-11), Tom Elmhirst (tracks: A1, CD-1)
- Mixed By [Assisted By] – Ben Baptie (tracks: A1, CD-1)
- Performer – The Black Keys
- Photography By – Michael Carney
- Producer – Danger Mouse, The Black Keys
- Vocals [Additional Vocals] – Ashley Wilcoxson, Heather Rigdon, Leisa Hans
- Written-By – B. Burton*, D. Auerbach*, P. Carney*
Notes
Includes poster, the record comes in gatefold tip-on sleeve, the CD comes in a cardboard sleeve.
Nonesuch Records Inc., a Warner Music Group Company [...] ℗ & © 2011 Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States.
All songs published by McMoore McLesst Publishing (BMI),
Administered by Wixen Music | Sweet Science|Copyright Control (ASCAP)
All songs recorded at Easy Eye Sound, Spring 2011
Nonesuch Records Inc., a Warner Music Group Company [...] ℗ & © 2011 Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States.
All songs published by McMoore McLesst Publishing (BMI),
Administered by Wixen Music | Sweet Science|Copyright Control (ASCAP)
All songs recorded at Easy Eye Sound, Spring 2011
Other Versions (5 of 26) View All
Cat# | Artist | Title (Format) | Label | Cat# | Country | Year | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
529099-2 | The Black Keys | El Camino (CD, Album) | Nonesuch | 529099-2 | US | 2011 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
529099-2 | The Black Keys | El Camino (CD, Album) | Nonesuch | 529099-2 | Argentina | 2011 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
none | The Black Keys | El Camino (11xFile, MP3, Album, 320) | Nonesuch | none | 2011 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
WKPD-0249, 529099-2 | The Black Keys | El Camino (CD, Album) | Warner Music Korea, Nonesuch | WKPD-0249, 529099-2 | South Korea | 2012 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
529099-1 | The Black Keys | El Camino (LP, Album) | Nonesuch | 529099-1 | USA & Europe | 2011 | Sell This Version |
Recommendations
Reviews Show All 14 Reviews
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nikola.jovicic1764
October 26, 2019
I had to return the first copy since it was very warped. The replacement is a good record overall. Not the greatest, but it is a good sounding record.
JonnyRez81
July 31, 2018
I recently ordered this album from Nonesuch Records and my package did not include the CD within the gate fold. Not really a problem for me as I was more interested in the vinyl than the CD, but posting this in case anyone else receives the same on their order.
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the-true-vine
January 3, 2018
edited over 3 years ago
Just a warning; this pressing is pretty terrible. I just A-Bed it against the digital recording and the stereo image is much smaller, really muddy bass output (weird that more subsonics have been added to a vinyl pressing: it usually the opposite) and very quiet - need to turn it up much more than my other records, bringing up the noise floor. A real shame.
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nihilator77
April 12, 2017
This is a great album. I feel like they haven't lost anything yet. Brothers, Attack and Release and Thickfreakness are better.
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BabeManagement
August 10, 2016
Stop complaining Mind Eraser, Money Maker and Gold On The Ceiling are more than terrific!
RegorA
February 25, 2012
edited over 9 years ago
No where near as interesting as previous releases I've heard of their's. It all sounds too way much like Danger Mouse and not like them.
m3nn0
December 21, 2011
edited over 9 years ago
The power is there, the sound is there, the songs are there, The Black Keys are there.
But where "Brothers" was the sound of two guys strugling to get something perfect out, not knowing they did exactly that, "El Camino" is the sound of a band having experienced the reaction of the crowd to their previous record. With "El Camino" they didn't have to walk that same rocky road anymore. The album is again delightfully powerful, but the working-proces has been kept out of the studio. No pain, no misery. Just music, just good. No blues, just (en)joy.
But where "Brothers" was the sound of two guys strugling to get something perfect out, not knowing they did exactly that, "El Camino" is the sound of a band having experienced the reaction of the crowd to their previous record. With "El Camino" they didn't have to walk that same rocky road anymore. The album is again delightfully powerful, but the working-proces has been kept out of the studio. No pain, no misery. Just music, just good. No blues, just (en)joy.
:format(jpeg):quality(40)/discogs-avatars/U-557011-1504120676.jpeg.jpg)
Eviltoastman
December 6, 2011
edited over 9 years ago
After you remove wit, ingenuity, intelligence, soul, emotion and depth from the music of The Black Keys what do you have left behind? Not an awful lot you might think.
Just short of having a husk of a band making an empty record, the record is immediate, fun and bright but you get the feeling this thing is going to get tired very quickly.
The masses will love this record, just as they love anything that's vacuous, easy to digest and disposable. As such the praise this record is having heaped upon it is not surprising, just typical responses to a record that is immediate and fun but ultimately devoid of genuine substance, which is a damn shame.
Carney's drumming is monotonous and insipid, Auerbach's guitar work at times is very good but everything seems to be a cheap diluted version of The Black Keys. The vocals throughout seem lacking in sincerity, wit or soul which we would normally associate with Auerbach. The Black Keys have all the tools, they have all the talent but this does appear to be doomed to be remembered as an empty and forgettable record and even worse it will probably be the record everyone remembers them for. Is it soulless, forgettable and insipid enough for it to win a Grammy, possibly.
Edit: Jesus I was down on this. I'm not removing or editing the review but just want to say that although I stand by most of the comments it's not quite as bad as I initially felt and feel that it's solid rock album due to a few standout tracks with lift it our of the mire a bit. Think Scissor Sisters trying to make a Black Keys album.
Just short of having a husk of a band making an empty record, the record is immediate, fun and bright but you get the feeling this thing is going to get tired very quickly.
The masses will love this record, just as they love anything that's vacuous, easy to digest and disposable. As such the praise this record is having heaped upon it is not surprising, just typical responses to a record that is immediate and fun but ultimately devoid of genuine substance, which is a damn shame.
Carney's drumming is monotonous and insipid, Auerbach's guitar work at times is very good but everything seems to be a cheap diluted version of The Black Keys. The vocals throughout seem lacking in sincerity, wit or soul which we would normally associate with Auerbach. The Black Keys have all the tools, they have all the talent but this does appear to be doomed to be remembered as an empty and forgettable record and even worse it will probably be the record everyone remembers them for. Is it soulless, forgettable and insipid enough for it to win a Grammy, possibly.
Edit: Jesus I was down on this. I'm not removing or editing the review but just want to say that although I stand by most of the comments it's not quite as bad as I initially felt and feel that it's solid rock album due to a few standout tracks with lift it our of the mire a bit. Think Scissor Sisters trying to make a Black Keys album.
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colejensen
July 20, 2020