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Tracklist
Companies, etc.
- Phonographic Copyright (p) – Atlantic Recording Corporation
- Phonographic Copyright (p) – WEA International Inc.
- Copyright (c) – Atlantic Recording Corporation
- Copyright (c) – WEA International Inc.
- Published By – Sword And Stone
- Mastered At – Frankford/Wayne Mastering Labs
- Pressed By – Specialty Records Corporation
Credits
- Mastered By – RCE*
- Mixed By – MK* (tracks: B1, B2)
- Producer [Post Production Coordinated By] – Johnny "D" De Mairo
- Remix [Remixed By] – Armand Van Helden (tracks: A1, A2)
- Written-By, Producer [Produced By] – Tori Amos
Notes
A1 & A2 remixed for X-Mix Productions.
B1 & B2 mixed for Area 10 Productions.
Published by Sword And Stone.
Original version from the Atlantic album #82862 ‘Boys For Pele’ available on double-LP, cassette and CD.
℗ © Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. Printed in U.S.A.
Some shrink wrapped copies are affixed with a promo sticker on the front cover.
BPM are not provided on the record:
A1: 128 BPM | A2: 128 BPM
B1: 125 BPM | B2: 125 BPM
B1 & B2 mixed for Area 10 Productions.
Published by Sword And Stone.
Original version from the Atlantic album #82862 ‘Boys For Pele’ available on double-LP, cassette and CD.
℗ © Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. Printed in U.S.A.
Some shrink wrapped copies are affixed with a promo sticker on the front cover.
BPM are not provided on the record:
A1: 128 BPM | A2: 128 BPM
B1: 125 BPM | B2: 125 BPM
Other Versions (5 of 25) View All
| Cat# | Artist | Title (Format) | Label | Cat# | Country | Year | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| PRCD 7040 | Tori Amos | Professional Widow (It's Gotta Be Big) (CD, Single, Promo) | Atlantic | PRCD 7040 | US | 1996 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| 0-85499 | Tori Amos | Professional Widow (12", TP) | Atlantic | 0-85499 | US | Unknown | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| WISD23 | Tori Amos | Professional Widow (CD) | Atlantic | WISD23 | South Africa | 1996 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| TORI001 | Tori Amos | Professional Widow (Paul Woolford Space Edit) (12", S/Sided, Unofficial, W/Lbl) | Not On Label (Tori Amos) | TORI001 | UK | 2007 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| A 5450LC | Tori Amos | Professional Widow (7", Jukebox) | Atlantic | A 5450LC | UK | 1996 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Recommendations
Reviews Show All 2 Reviews
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spinsah
July 15, 2016
edited about 1 year ago
Can't give any more (well deserved) praise that hasn't already been given here about Armand's mix.
I will add though that I was quite impressed by Mr. Roy's mix too, which sounds like it's a 'cousin' of Armand's mix. It uses the same baseline, vocals and breakdown...I thought this was quite unique as I don't recall ever seeing a situation where you have 2 different producers remixing a track on the same release run in the same year, and one remixer builds his remix using only elements from the other's remix. I guess the fact he based it on that mix instead of the original version (much more common practice) is just a further testament on how popular and great Armand's mix really was!
That little added synth bit he overdubbed was also a nice touch. Also love that one-off "this is the funk bass" sample that comes out of nowhere.
I will add though that I was quite impressed by Mr. Roy's mix too, which sounds like it's a 'cousin' of Armand's mix. It uses the same baseline, vocals and breakdown...I thought this was quite unique as I don't recall ever seeing a situation where you have 2 different producers remixing a track on the same release run in the same year, and one remixer builds his remix using only elements from the other's remix. I guess the fact he based it on that mix instead of the original version (much more common practice) is just a further testament on how popular and great Armand's mix really was!
That little added synth bit he overdubbed was also a nice touch. Also love that one-off "this is the funk bass" sample that comes out of nowhere.
salvadorreynoso
October 16, 2018