Trussel ‎– Love Injection

Elektra ‎– K 12412 (T)
Vinyl, 12", 45 RPM

Tracklist Hide Credits

A Love Injection
Mixed By – A Steve Bruno Cyber Mix*Producer – Allen Richardson, Fred WesleyWritten-By – Hannon Lane (2), Ronald Smith*
B Gone For The Weekend
Executive-Producer – Allen RichardsonProducer – Fred WesleyWritten-By – Hannon Lane (2), Robert Gray

Companies, etc.


  • Mastered ByLB*

Barcode and Other Identifiers

  • Matrix / Runout (Runout, A-side, hand etched): K 12412 T A1 LB
  • Matrix / Runout (Runout, B-side, hand etched): K 12412 T B1 W - 8
  • Matrix / Runout (Runout, A & B-side, stamped): STRAWBERRY

Other Versions (5 of 7) View All

Cat# Artist Title (Format) Label Cat# Country Year
AS-11435 Trussel Love Injection(12") Elektra AS-11435 US 1979 Sell This Version
K12412 Trussel Love Injection(12", RE) Elektra K12412 UK 1982 Sell This Version
AS-11435 Trussel Love Injection(12", Promo) Elektra AS-11435 US 1979 Sell This Version
K 12412 Trussel Love Injection(7") Elektra K 12412 UK 1979 Sell This Version
E-46560 Trussel Love Injection(7") Elektra E-46560 US 1979 Sell This Version



Add Review



November 6, 2006
edited over 11 years ago
I recorded these songs at Earmark Studios in Philadelphia along with studio owner Steve Bruno and future Epic exec producer John Doelp.

There was both an 12-inch as well as a 7-inch version. It was a fun track to record and mix and I was really psyched to hear it on the radio while driving from philly to NYC, probaly on 92 wktu or somethign like that. I was disappointed with the mastering that seemed to affect certain Elektra product at that time - the amount of d-essing on the 7-inch is pretty horrendous.

Earmark was a very basic studio by modern times. We had a 3m M-79 tape machine, an MCI JH-16 console, two studer B-67 two-track recorders, two keypex Gain Brain dynamics processors and a spring reverb.

no sampling was available at the time, the only digital device was an eventide harmonizer.

eddie ciletti