Trussel ‎– Love Injection

Elektra ‎– AS-11435
Vinyl, 12", 33 ⅓ RPM

Tracklist Hide Credits

A Love Injection
Mixed By – A Steve Bruno Cyber Mix**Producer – Allen Richardson, Fred WesleyWritten-By – Hannon Lane (2), Ronald Smith*
B Gone For The Weekend
Executive-Producer – Allen RichardsonProducer – Fred WesleyWritten-By – Hannon Lane (2), Robert Gray

Companies, etc.


℗ 1979 by Elektra Records

B-side: Recorded at Veritable Sound Studios and Earmark Studios

Barcode and Other Identifiers

  • Rights Society: BMI
  • Other (Pressing Plant ID): SP
  • Matrix / Runout (A-Side Label): AS-11435-A
  • Matrix / Runout (B-Side Label): AS-11435-B
  • Matrix / Runout (A-Side Runout Etching): SRC ASS 11435 A-SP 1-1
  • Matrix / Runout (B-Side Runout Etching): SRC ASS 11435 B-1SP 1-1

Other Versions (5 of 7) View All

Cat# Artist Title (Format) Label Cat# Country Year
K12412 Trussel Love Injection(12", RE) Elektra K12412 UK 1982 Sell This Version
AS-11435 Trussel Love Injection(12", Promo) Elektra AS-11435 US 1979 Sell This Version
K 12412 Trussel Love Injection(7") Elektra K 12412 UK 1979 Sell This Version
E-46560 Trussel Love Injection(7") Elektra E-46560 US 1979 Sell This Version
E-46560 Trussel Love Injection(7", Promo) Elektra E-46560 US 1979 Sell This Version


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November 6, 2006
edited over 11 years ago
I recorded these song at Earmark Studios in Philadelphia along with studio owner Steve Bruno and future Epic exec producer John Doelp. We were all excited to work with Fred W.

There was both an 12-inch as well as a 7-inch version, I mixed the 7-inch. It was a fun track to record and mix and I was really psyched to hear it on the radio while driving from philly to NYC, probaly on 92 wktu or somethign like that. I was disappointed with the mastering that seemed to affect certain Elektra product at that time - the amount of d-essing on the 7-inch is pretty horrendous.

Earmark was a very basic studio by modern times. We had a 3M M-79 tape machine, an MCI JH-16 console, two studer B-67 two-track recorders, two keypex Gain Brain dynamics processors and a spring reverb.

no sampling was available at the time, the only digital device was an eventide harmonizer.