Union Jack ‎– Two Full Moons & A Trout

Label:
Platipus ‎– PLAT42
Format:
Vinyl, 12", 33 ⅓ RPM
Country:
Released:
Genre:
Style:

Tracklist Hide Credits

A Two Full Moons & A Trout (Caspar Pound Remix)
Remix, Producer [Additional] – Caspar Pound
12:43
AA Two Full Moons & A Trout (Friends, Lovers & Family Remix)
Remix – Friends, Lovers & Family
11:04

Companies, etc.

Credits

Notes

℗ 1998 Platipus Records Ltd.
© 1998 Platipus Records Ltd.

Barcode and Other Identifiers

  • Barcode: 5 028979 304238
  • Matrix / Runout (Run-out Etchings Side A): D AN PLAT 42 A-1-1- 1
  • Matrix / Runout (Run-out Etchings Side AA): D PLAT 42 AA-1-1-1

Recommendations

Reviews Show All 2 Reviews

Add Review

transition-metal

transition-metal

January 21, 2016
edited 3 months ago

I really hate the old "this is the best trance track ever made" syndrome, there was so many great tracks in the 90's i think you would be hard pressed to pick one definitive track however this remix just may be the one. From beginning to end Caspars remix of two full moons stands as one of the greatest trance tracks ever produced & benchmark for trance along with a few other tracks from the great Platipus label. Structurally speaking it is ground breaking, the progressions from minimal to pedal to the metal tech trance is awe inspiring & the final break and build up jaw dropping. Even played today it is hard to think of this as an old school track, it sounds as fresh and new and vital now as it did when it was released, 5/5 doesn't really cut it!!!!!
cthulhu303

cthulhu303

September 19, 2014
The original was a decent, slightly Acidic trance track calling for meditation, yet it seemed to never really achieve what it was aiming for.
On this remix, Caspar Pound strips the track bare, initially, creating a very solemn atmosphere: a lone, reverb-laden and echoing piano, then some drums. Come 3:40, the first break changes that with the introduction of chanting and the build-up of elements from the original version. By 5:32, it has become the devastating tech-trancer that set so many dancefloors on fire. At 8:26, when one would think the track has reached its natural conclusion, the end is nowhere near. The final build-up, lethal, this one, unveils the last panel of the triptych, an overwhelming assault on the listener's senses, as maximalist as the start was minimalist. Be sure to hold on to your seat!

As for the FLF remix... Is this not a single-sided release?