Various ‎– Bidi, Bidi, Bidi

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1 Frank De Quengo*, Marcel Perrin and Pakito Bolino L'Oeil Du Cyclone 3:05
2 Solid Eye No Pause If Possible
Edited By – Joseph Hammer
5:45
3 Nigel Bunn The Doggeral Muse 6:14
4 AZ* "Whats The Scoreamigo?" 4:16
5 Universal Indians Message 4 Madman 7:51
6 Angst Hase Pfeffer Nase Teal Ted Stares At The Last Deer State 4:25
7 Challenge (2) Recorded At Mills College 10/11/86
Percussion – William WinantPiano, Electronics, Effects [Processing] – David RosenboomReeds – Anthony Braxton
8:00
8 İlhan Mimaroǧlu* Prelude No. 24 For Magnetic Tape ("Doomsayer's Doomsday") 5:10
9 Idea Fire Company Frozen Diamond
Performer – Karla Borecky, Scott FoustVoice – İlhan Mimaroǧlu*
3:27
10 Diesel Guitar Venus
Guitar, Effects [Reverbs] – Diesel Guitar
5:39
11 irr. app. (ext.) 3 Afflictions For The Wretched (And Otherwise): Silk Sow With Pursed Ears / Loxosceles: A Gift Of Necrotic Ulcers For The Stupid Mammal / Identity Crisis: Not A Bad Thing 5:20
12 Witcyst Magic Moments 4:58
13 Nautical Almanac Live At Gravy Jelly
Performer [Confusion] – James Harper*Performer [Drive] – Carly Ptak
5:36

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Notes

This CD is only available with Bananafish 13.
The magazine is 154 pages and has features on The Anti-Naturals, Nigel Bunn, İlhan Mimaroǧlu, AZ, Diesel Guitar, Universal Indians, Le Dernier Cri, Angst Hase Pfeffer Nase, Witcyst, William Winant, Solid Eye, irr. app. (ext.), and Nautical Almanac, plus reviews.

Track 1 is a soundtrack excerpt.
Track 2 is from a live performance.
Track 4 recorded live at Hotel Uxmal Rm. 2 February 1999.
Track 5 features "the infamous Bender call" as intro and outro.
Track 7 recorded at Mills College 10/11/86 © D. Rosenboom 1986.
Track 8 © 1999 Tallapoosa Music, ASCAP.
Track 9 consists of digital loops of the voice of İlhan Mimaroǧlu and was recorded at The Unisphere April 1999.
Track 10 was recorded in February 1999.
Track 11 was recorded in a damp hole at the ass end of 1998. All events presented in a truthful and accurate manner. Dedicated to Gus and Monica, large spiders, and to Kevin.

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