Tracklist Hide Credits
|1-1||–Roel Meelkop||1 (Beegee)||5:06|
|1-2||–Artificial Memory Trace||Infover
Composed By – Slavek Kwi
|1-3||–Bernhard Günter||In Her Dream / Mu Is Running / Autumn Moon (Haiku For Mu)
Recorded By, Edited By, Sounds [Additional, Bowed Ventilator], Mixed By, Mastered By – BG*
|1-5||–Nosei Sakata (*0)*||Cochler||5:41|
|1-7||–Howard Stelzer||Bend Or Fold
Recorded By [Source] – David Dougan*Tape – HS*Trumpet – Greg Kelley
|1-8||–Steve Roden / In Be Tween Noise||8 Windows (First Version)||8:37|
|1-10||–Pimmon||Finja Falso Peixes||3:33|
|1-11||–Brekekekexkoaxkoax||For Gerard Klauder||3:13|
|1-12||–Michael Northam||Kapla (An Except)||5:26|
|2-2||–Matthew Thomas + Oren Ambarchi||Stratagem (Distortus)||1:24|
|2-4||–Ios Smolders*||Sequenzen (Somehow Inspired By Kh Stockhausen)||6:32|
|2-6||–Adrian Lee (7)||(u)n(-)t(i)t(l)e(d)||6:07|
|2-7||–Warsaw (1921)||Sonarchy Sounding
Dilruba, Edited By – Mike Shannon (2)Recorded By – Doug HaireVoice – Miroslaw Rajkowski*Voice, Bullroarer – Jeph JermanVoice, Performer [Sonorous Objects] – Suzie Kozawa*Voice, Performer [Stringboards] – Dave Knott
|2-8||–Colin Jenkinson + Kevin Schwartz||Duoic Ecneirepxe||5:02|
|2-9||–Lt Caramel*||Music Pour Parking Payant||6:05|
|2-11||–Ecclesiastical Scaffolding||By Winter. It Had To Come To An End||3:58|
|2-12||–Richard Cochrane||Las Bas (Lower Depths)||3:06|
|2-13||–Dale Anderson (3)||Lost Velo||3:36|
|2-15||–Tone Speak||Tone Shifter||4:50|
1-2 composed in Studios C&C (Antwerp) and Crfmw (Liege), 1998, Belgium.
1-3 recording, editing, additional sounds, mixing, mastering at trente oiseaux studio, 1999.
1-4 formed + recorded, August 1999.
1-7 recorded Summer 1999 at Intransitive; based on a performance at WMFO, Tufts University Radio; dedicated to James Coleman and Richard Chartier.
1-8 excerpt from 43 min work; first presented as an installation at the ASU Art Museum Tempe AZ, 1999.
1-9 played live with Zoom Sampletrack ST-224 with prerecorded samples of laboratory equipment recorded with a high-gain surveillance contact microphone; dedicated to Sandy, who made it all possible.
1-11 thanks to Trey Jones for use of his computer.
1-12 small speakers emitting wire drones and incidental movements recorded in a mine shaft located near Kingston, New Mexico; mastered at the Watershed, Austin, Texas; thanks to Joe and Suzanne for the invitation to the Kingston dome.
2-1 constructed with a combination of analog modular synthesizer and synthesis software on a Macintosh G3.
2-3 conceived at night, executed by day…
2-5 made with a guitar and a Mac 3beam, September 1999.
2-6 made over a two day period using a Macintosh G3 with Cubase software, one Digetec Quad 2 and a cheap Walkman.
2-7 recorded live for the 90.3 FM Sonarchy radio broadcast at the Jack Straw Foundation studios, Seattle, WA.
2-10 recorded on the night of 08/20-21/1999.
2-13 created with tracking software/special process.