Various ‎– Rushmore (Original Motion Picture Soundtrack)

Label:
London Records ‎– 314-556 074-4, Inner-State Recordings ‎– 314-556 074-4
Format:
Cassette, Album, Stereo
Country:
Released:
Genre:
Style:

Credits

  • AccordionArthur Shane (tracks: 1, 5, 6, 8, 11, 12, 14, 16, 20)
  • BassPaul Morin (tracks: 1, 5, 6, 8, 11, 12, 14, 16, 20)
  • CelloMelissa Hasin (tracks: 1, 5, 6, 8, 11, 12, 14, 16, 20)
  • Coordinator [Soundtrack Coordinator Buenna Vista Motion Pictures Group]Christine Edwards (2)
  • Coordinator [Soundtrack Coordinator]Chris Parker (9)
  • Drums, Timpani, PercussionGordon Peeke (tracks: 1, 5, 6, 8, 11, 12, 14, 16, 20)
  • Dulcimer [Hammer Dulcimer]Judy Gameral (tracks: 1, 5, 6, 8, 11, 12, 14, 16, 20)
  • FluteLarry Klimas (tracks: 1, 5, 6, 8, 11, 12, 14, 16, 20)
  • GlockenspielBrian King (9) (tracks: 1, 5, 6, 8, 11, 12, 14, 16, 20)
  • GuitarLavant Coppock (tracks: 1, 5, 6, 8, 11, 12, 14, 16, 20)
  • Guitar, MandolinBruce Berman (tracks: 1, 5, 6, 8, 11, 12, 14, 16, 20)
  • HarpsichordGloria Cheng-Cochran* (tracks: 1, 5, 6, 8, 11, 12, 14, 16, 20)
  • MandolinPaul Viapiano (tracks: 1, 5, 6, 8, 11, 12, 14, 16, 20)
  • ProducerRandall Poster (tracks: 1, 5, 6, 8, 11, 12, 14, 16, 20), Wes Anderson (tracks: 1, 5, 6, 8, 11, 12, 14, 16, 20)
  • Producer, Engineer, KeyboardsRobert Casale (tracks: 1, 5, 6, 8, 11, 12, 14, 16, 20)
  • Producer, Keyboards, PercussionMark Mothersbaugh (tracks: 1, 5, 6, 8, 11, 12, 14, 16, 20)
  • Supervised By, Executive ProducerBill Green (5) (tracks: 1, 5, 6, 8, 11, 12, 14, 16, 20), Kathy Nelson (tracks: 1, 5, 6, 8, 11, 12, 14, 16, 20)
  • ViolinHarry Scorzo (tracks: 1, 5, 6, 8, 11, 12, 14, 16, 20)

Notes

This compilation ℗ 1999 London Records USA. Motion Picture Artwork and artwork title © 1998 Touchstone Pictures. Manufactured and marketed by Polygram Records Inc. NY, NY.
Made and printed in the USA.
Wes Anderson & Randall Poster are listed as the producers for the entire soundtrack on the artwork.

Wes Anderson writes in a booklet:
"I Originally wanted to score the whole movie of 'Rushmore' with songs by the Kinks. I thought this made sense because the Kinks played loud, angry, teenage rock songs, and they wore blazers and ties; and our movie is about a teenager who is loud and angry, and he is almost never seen without his blazer and tie (until he switches to a green velvet suit). I eventually expanded this concept to include the whole British invasion, because they all basically dressed like that.Then we did some research and started making tapes labeled SCHOOL MOVIE MUSIC, which I listened to on road trips while we were writing the script. Sometimes I put the same song on a tape five or six times in a row, because your mind wanders when you're on the road, and repetition helps you focus your concentration. We played lots of this music on the set during the shot in Houston with a Bose stereo that Bill Murray got for us. My assistant had to lug the Bose around and get electricians to give her extension cables, and the inconvenience of that eventually led her to quit, although there were probably other factors which i don't know about. At the end of the shoot Murray gave the Bose to one of the make-up people. The only song we used</b> * </b>that's not British Invasion is the Yves Montand rendition of 'Rue St. Vincent', but I think that's a good one to stand on its own.
Thanks very much, and I hope you enjoy this album."
Wes Anderson
*(Except Zoot Sims and Mark Mothersbaugh.)

Barcode and Other Identifiers

  • Barcode: 7 314-556074-4 4
  • Label Code: FLO2

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