Tracklist Hide Credits
|A1||–Matt Krefting||Spying On The Mailman||6:03|
|A2||–Abdul Hamid Sherzai*||Vacuum Granma||5:48|
Music By – Morgan Evans-Weiler
Recorded By – Joe Bastardo*
Performer [Amplified Objects] – Michael Rosenstein
|A8||–Milk Toast (2)||The Sacrificial Rights Of Spring||5:11|
|B1||–Solid State Entity||Ataxia||5:36|
|B2||–Article Collection||Graffiti Mark||4:39|
Composed By, Recorded By – Asha Sheshadri
|B4||–Ghost In Salad||Casino||4:58|
|B5||–Life Partners||Forget Me Not
Performer [Notes] – David Dougan*Performer [Stuff] – Michael Dupuy*
Written-By – Joe Mygan
|B7||–Steve Norton||An Uncomfortable Anomaly
Saxophone [Saxophones], Clarinet [Clarinets], Celesta – Steve Norton
|B8||–Taps||What Are You After?
Written-By – Brendan Murray, Chris Strunk
|B9||–Limbs Bin||Unanswered Questions
Vocals [Vox], Drum Machine, Electronics – J.Landes*
|C2||–Alex W. Black||YLN74x||3:56|
Written-By – AJ Durham, Nick Neuberg
|C7||–Matt Samolis||Pulp Flution
Flute – Matt Samolis
|C8||–Greg Kelley||Why The Hell Am I Here?||7:32|
Timpani [Typmani], Cymbal [Cymbals], Performer [Home-forged Vibrating Metal Objects], Performer [Tape Decks] – Jake Meginsky
|D3||–Luke Moldof||Relaxin' At Camarillo||4:48|
|D4||–Los Greys||Night Sweats||4:53|
|D5||–Party Waters & The College Tour||Our First Show
Clarinet – Ethan Parcell*Electronics – Angela SawyerPercussion – Nick Neuberg
|D7||–Jesse Kenas-Collins & Billy Sims (2)||Untitled
Performer [Reel to Reel], Tape [1/4th Tape Loop], Performer [DJ Mixer], Performer [Mic], Cornet, Performer [Tuning Forks] – Billy Sims (2), Jesse Kenas-Collins
Recorded By – Al Deaderick
|E2||–Linda Aubry Bullock||All Of The Crowns
Synthesizer [Modular Synthesizer] – Linda Aubry Bullock
|E3||–Foam* / Foom||Chirps Chops||3:54|
Recorded By [Recording], Mixed By [Mixing] – Jason Martin (9)Violin [Violin Through Effects], Vocals [Vox] – LN Foster
|E6||–Teeth Like Operas||Red-Painted Right Hand
Written-By – Kris Hatch (2)
|E7||–Mike Bullock||Critique In Stereo||3:52|
|E8||–Keysus||Your King Picked You||6:55|
|F1||–Belltone Suicide||Be Not Deceived
Electronics, Performer [Stapler] – M. Barrett*
|F2||–Goat Lightning||Beauty From The Television||1:41|
Alto Saxophone [Alto Sax] – Jules VasylenkoRecorded By – Howard Martin
|F4||–Arian Shafiee||Relieves Like No Other
Guitar, Tape [Tape Echo] – Arian Shafiee
|F6||–Howard Martin||At Killian Hall||9:38|
|F7||–A. Campbell Payne||Hurricane (Excerpt)||5:42|
A3: Recorded at home, spring 2014.
A4: Recorded at Moss Archive.
A6: Taped live at 34 Hall St. No. Adams, MA.
B2: Recorded in the Christian Sci-Fi Reading Room.
B3: Music compsed and recorded in Johnson, VT. 2013.
B4: Recorded Oct. 2013 in Philadelphia @ Castle Corbenic.
B7: Recorded: Medford, MA. May 2014.
B8: Recorded 2014.
B9: No Lyrics. Recorded winter 2013 at Valley Free Radio, Florence, MA. Mixed spring 2014 at The Compound, Ridgewood, NY.
Thanks to MT, EB, CH, NB, DS, MG, BK, SR, SL, CC and M&H. Special thanks to Greenwood Electronics.
C1: Recorded at Golden Cliffs, Providence, RI. VI, X, MMXIV. All is Negi. No inspection necessary.
C4: Recorded in Worcester.
C7: 2014. Generated from flute tracks created for Noah Creshevsky's composition 'Pulp Fiction'.
C8: Voice(s)/Intro: recorded 4/10/14 in Somerville, MA. Trumpet: recorded 6/16/14 in Seattle, WA. Dedicated to New England. Thanks Leah & Sam.
D2: A second sesh of solo orchestral percussion in Greenwall through lib. of congress tape decks with some subtle speed switching and hand pressure.
D3: Recorded May 29, 2014 Providence, RI. Shotgun mic facing out onto the landing outside my studio window. Sennheiser MKH416>Motu 828mk3>Computer. Mono. No edits.
D5: Recorded May 30, 2014 at the 119 gallery in Lowell.
D7: May 9, 2014
D8: Recorded at home in 2013.
D9: Providence, RI.
E2: Performed Live.
E3: Recorded live to 4-track at Whitehaus.
E5: Self-recorded at Classix Den.
E7: Created at The Circular Ruins, 2014.
E8: Keysus would like to thank Jesus, all the credit and glory is His.
F3: recorded in a freight elevator in Cambridge, first take, pure and simple...
F4: (winter 2014)
F5: Recorded in 2012.
F8: W 2012.
Comes with 16-page booklet