Will ‎– Word • Flesh • Stone

Label:
Third Mind Records ‎– TM 9158 2
Format:
CD, EP
Country:
Released:
Genre:
Style:

Tracklist

Companies, etc.

Credits

Notes

Recorded at East Third Avenue Studio, Vancouver, B.C., Canada.
Graciously Indebted to Ray Fulber, Susann Richter, Jeff Stoddard, Kelly Alm.
℗ 1992 Third Mind Records/The All Blacks BV/Roadrunner Productions BV.
© 1992 Third Mind Records/Issued under licence from Third Mind Records.
Published by Roadster Music (UK) Ltd./Roadster Music BV.
Marketed by Roadrunner Productions BV.

Distributed in the Netherlands by Sony Music, in Belgium by Sony Music, in Germany by Intercord, in Austria by Sony Music, in Switzerland by Disctrade, in Spain by D.R.O., in France by Musidisc, in UK by Pinnacle, in Norway by Sony Music, in Finland by Unitor Oy, in Greece by FM Records, in Italy by Dischi Ricordi, in Sweden by MNW Records.

Manufactured in Germany.

Barcode and Other Identifiers

  • Barcode (Text): 0 16861-9158-2 7
  • Barcode (Scanned): 016861915827
  • Label Code: LC 7791
  • Rights Society: BIEM/STEMRA
  • Matrix / Runout: SONOPRESS G-4809 / TM 91582 A1
  • Other (Musidisc Distribution Code): MU 771

Other Versions (5 of 5) View All

Cat# Artist Title (Format) Label Cat# Country Year
TM 9158-2, TMD 9158 Will Word • Flesh • Stone(CD, EP, RE) Third Mind Records, Third Mind Records TM 9158-2, TMD 9158 US Unknown Sell This Version
TMD 9158 Will Word • Flesh • Stone(CD, EP) Third Mind Records TMD 9158 US 1992 Sell This Version
TMC 9158 Will Word • Flesh • Stone(Cass, EP, Promo) Third Mind Records TMC 9158 US 1992 Sell This Version
TMC 9158 Will Word • Flesh • Stone(Cass, EP) Third Mind Records TMC 9158 US 1992 Sell This Version
none Will Word Flesh Stone(Cass, EP, Promo) Third Mind Records none UK 1992 Sell This Version

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Reviews

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the.knight

the.knight

May 12, 2018
6 tracks of extreme gothic massiveness, with theatrics completely maxed out. Half of the album sounds like people shooting cannonballs at each other. To my knowledge they did not perform live, but the recording is so intense that it sounds like an energetic stage show. The heavy use of harpsichord and chanting samples give this album a very specific sound that is represented perfectly here. 1992