Yazoo ‎– You And Me Both

Mute ‎– STUMM 12
Vinyl, LP, Album

Tracklist Hide Credits

A1 Nobody's Diary
Written-By – Moyet*
A2 Softly Over
Written-By – Clarke*
A3 Sweet Thing
Written-By – Moyet*
A4 Mr. Blue
Written-By – Clarke*
A5 Good Times
Written-By – Moyet*
B1 Walk Away From Love
Backing Vocals – The Sapphires (2)Written-By – Clarke*
B2 Ode To Boy
Written-By – Moyet*
B3 Unmarked
Written-By – Clarke*
B4 Anyone
Written-By – Moyet*
B5 Happy People
Written-By – Clarke*
B6 And On
Written-By – Moyet*

Companies, etc.



Recorded at Blackwing Studios, London
All Titles Sonet Publishing
℗ & © 1983 Mute Record

Comes with a printed inner sleeve
Cut at The Town House, stamper/metalwork by Gedmal Galvanic Ltd.

Barcode and Other Identifiers

  • Matrix / Runout (Side A Runouts): STUMM 12 A² (R) GG2 TOWN HOUSE
  • Matrix / Runout (Side B Runouts): STUMM 12 B² (R) GG2 TOWN HOUSE

Other Versions (5 of 104) View All

Cat# Artist  Title (Format) Label Cat# Country Year
STUMKA 12, STUMKA-12 Yazoo You And Me Both(Cass, Album) Mute, Mute STUMKA 12, STUMKA-12 Sweden 1983 Sell This Version
INT 146.806, Stumm 12 Yazoo You And Me Both(LP, Album) Mute, Mute INT 146.806, Stumm 12 Germany 1983 Sell This Version
STUMM 12 Yazoo You And Me Both(LP, Album) Mute STUMM 12 UK 1983 Sell This Version
SPL1-7435 Yazoo You And Me Both = Tu Y Yo, Los Dos(LP, Album) RCA Victor SPL1-7435 Spain 1983 Sell This Version
CDSTUMM 12, CDSTUMM12, 7 391946 075089 Yazoo You And Me Both(CD, Album) Mute, Mute, Mute CDSTUMM 12, CDSTUMM12, 7 391946 075089 Sweden Unknown Sell This Version


Reviews Show All 5 Reviews

Add Review



June 17, 2018
A dour goodbye, Vince Clarke was moving away from warm fat analogues to tinny digital Casio synths at this time, says it all.


March 24, 2013
This album is great! It also has samples of the producer (?) saying "I think you should do the first one again Vince" followed by looping laughter on the runout groove after the track "Good Times"


February 8, 2013
Perfect, listen to this. Electro/Blue.


July 10, 2012
"You And Me Both" is a striking collection of "goodbyes" and even if we didn't know about the tempestuous relationship between the two at the time, it would still alarm there are no happy endings here (starting with somewhat violent cover art, displaying two dogs at conflict) - "Nobody's Diary" evidently marks this; the album merely starts and off kicks a soundtrack to one-foot-in-the-door situation. "Softly Over" also strikes immediately, insisting "it's over, there's nothing more to say" and the further the grooves take you, away's cloud of sadness and melancholy pounds mercilessly. Even "Happy People" (amazing synth-pop hit-classic that never was) adds insult to injury - the title offers a moment of relief among the songs of despair and loss, only with a sense of irony.

While their previous record - "Upstairs At Eric's" - undoubtedly remains a bigger darling of the two, "You And Me Both", while lacking eclecticism, is more mature. From it's repertoire, despite the fact "Nobody's Diary" is a well-deserved hit, Yazoo intended to conclude their chapter, choosing not to go quietly and make it in discreet fashion - "Mr. Blue", "Ode To Boy", "Anyone", "And On" are all beautiful examples of this, adding noir-flavour into the mix. Moyet's vocals rage with expressive beauty of a blues singer, at odds with Clarke's synthetic arrangements - some of which undermine the whole due clinically sterile and somewhat dated sounds, even for the year 1983; while in terms of idea, "Sweet Thing", for example, should have been a deserved new "Don't Go" kind of hit, clumsy tour-de-force beat box and horrible synth-horns kill off the pleasure of listening. The same thing happens to "Good Times" - an otherwise amazing song if only crafted with little more patience from what is delivered on the table; this way it sounds so desperate to be funky as hell, while on the other way out comes a shallow experiment. Among the album's other precious jewels is also a nice little groovy melancholy called "Walk Away From Love" and especially "Unmarked" - a striking synth-pop tune augmented by military snare drum programs to great effect.

The story goes, Yazoo already split when "You And Me Both" hit the shelves. From the distance of almost thirty years now, it should be regarded as a masterpiece in its own right, despite some of its obvious drawbacks. Also worth noticing is some tiny distinction in the gorgeous cover art by 23 Envelope - while most editions of the album feature identical bold lettering for "Yazoo" on the front cover, there happens to be some (UK? original?) edition which features somewhat thinner lettering (called "Albertus").


February 4, 2008

Flashes of brilliance in too few songs, most-notably the opening track, "Nobody's Diary." While other songs may contain good structure or well-crafted sounds, none have its consistency and combination of these elements. Success seems to have gone to Moyet's head, who perhaps more boldly lent herself songwriting duties. Too many tracks lent me to this suspicion, and upon researching discovered that she wrote on 7/11 tracks on You And Me Both versus 5/11 on the duo's previous offering. Clarke seems unable to adapt to Moyet's style with inspiration leading to the demise of many tracks and ultimately the band itself.