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Swans is a band from New York City, New York, United States, active from 1982 to 1997, reformed in 2010, founded & led by singer, songwriter and multi-instrumentalist Michael Gira.
Marginally associated with the no wave scene at first, their original sound was slow and extremely heavy, with live performances that were often so brutal and physical that in a number of instances certain audience members were made ill, police were called and venues were shut down. This early physical sound is possibly best heard on the live album Public Castration Is a Good Idea.
Their initial style shifted a little by the time Swans released seminal twin albums Greed and Holy Money. The music had sped up, at times being even more punishing than their earlier output. Drum machines and samples were slightly more prominent. Michael Gira was joined vocally by Jarboe which gave the band a broader sonic range. Tracks featuring Jarboe were often quieter, even pretty, acting as counterpoint to the more harrowing themes on the albums. Over time, this style would come to dominate the Swans’ output, although they somehow seem to have been able to make a strummed acoustic guitar seem as brutal as their earlier amped-up assaults. The lush instrumentation of their albums from the late 1980s and the 1990’s anticipated the birth of post-rock.
Swans eventually broke up in 1997; Gira went on to release some solo work, later forming the band The Angels of Light, who continue many of the themes and styles found in (later) Swans. Jarboe releases solo work and frequently works with other bands and artists; recently she released an album with Neurosis, a group clearly heavily influenced by Swans.
The influence of Swans upon the music world is profound. Across their 15 years of existence, the various styles they explored gave birth to grindcore (Napalm Death, Nasum) modern "cinematic" post-rock (Godspeed You! Black Emperor, Mono), and atmospheric sludge metal (Isis, Neurosis).
In January 2010, Michael Gira reactivated Swans and released a new album, My Father Will Guide Me Up a Rope to the Sky on September 2010, and the band simultaneously embarked on a world tour scheduled to last eighteen months. The band had been chosen by Portishead to perform at the ATP I’ll Be Your Mirror festivals that they curated in July 2011 at London’s Alexandra Palace and in September 2011 in Asbury Park, New Jersey.
Marginally associated with the no wave scene at first, their original sound was slow and extremely heavy, with live performances that were often so brutal and physical that in a number of instances certain audience members were made ill, police were called and venues were shut down. This early physical sound is possibly best heard on the live album Public Castration Is a Good Idea.
Their initial style shifted a little by the time Swans released seminal twin albums Greed and Holy Money. The music had sped up, at times being even more punishing than their earlier output. Drum machines and samples were slightly more prominent. Michael Gira was joined vocally by Jarboe which gave the band a broader sonic range. Tracks featuring Jarboe were often quieter, even pretty, acting as counterpoint to the more harrowing themes on the albums. Over time, this style would come to dominate the Swans’ output, although they somehow seem to have been able to make a strummed acoustic guitar seem as brutal as their earlier amped-up assaults. The lush instrumentation of their albums from the late 1980s and the 1990’s anticipated the birth of post-rock.
Swans eventually broke up in 1997; Gira went on to release some solo work, later forming the band The Angels of Light, who continue many of the themes and styles found in (later) Swans. Jarboe releases solo work and frequently works with other bands and artists; recently she released an album with Neurosis, a group clearly heavily influenced by Swans.
The influence of Swans upon the music world is profound. Across their 15 years of existence, the various styles they explored gave birth to grindcore (Napalm Death, Nasum) modern "cinematic" post-rock (Godspeed You! Black Emperor, Mono), and atmospheric sludge metal (Isis, Neurosis).
In January 2010, Michael Gira reactivated Swans and released a new album, My Father Will Guide Me Up a Rope to the Sky on September 2010, and the band simultaneously embarked on a world tour scheduled to last eighteen months. The band had been chosen by Portishead to perform at the ATP I’ll Be Your Mirror festivals that they curated in July 2011 at London’s Alexandra Palace and in September 2011 in Asbury Park, New Jersey.
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chewslife
May 18, 2017While we're on the topic of accurate information being presented on this release, what about the title track being "Recorded Live At The Flesh Club 1996"? Firstly, Swans did not tour in 1996, at least not as far as I'm aware of. The 1995 tour concluded at the end of September and the 1997 tour began, in the USA, at the beginning of January. Secondly, does anyone know where The Flesh Club is? I've researched it a bit and only managed to come up with 2 locations: a monthly gay event at the Hacienda in Manchester and a strip club in San Bernardino, CA. Both of which seem like unlikely locations. Swans did play the Hacienda in 1986, but if this was the case for the source of this particular recording why list it as "The Flesh Club" instead of the venue?