Thomas Brinkmann
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Thomas Brinkmann
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Cologne-based Thomas Brinkmann (born 1959 in Mönchengladbach) is a German producer of minimal music.
Brinkmann is renowned for audio works that hover amongst forms such as techno, dub or ambient.
Founder of Max Ernst.
Brinkmann was initially influenced by bands such as Tangerine Dream, Ash Ra Tempel and Kraftwerk. Funk, soul and rare grooves also had a major influence on his later works.
Brinkmann learned to play drums from Jaki Liebezeit from Can. Early as 1978, he began converting records into manually programmable sequencers, carving notches to produce endless grooves on vinyl records.
Brinkmann then worked in design in the second half of the 1980s. From 1989, he lived for a long time in France and Italy, where he increasingly turned into visual art, then went back to Germany, where he initially studied as a guest student and later regularly at the Staatliche Kunstakademie Düsseldorf (Düsseldorf Art Academy) with Jannis Konnellis and Oswald Wiener. In 1996, he was expelled from the Academy, which led to a long-running legal dispute.
From 1997, Brinkmann first drew attention in the techno scene with his Thomas Brinkmann - Studio 1 - Variationen, created with a modified record player with a dual tonearm.
Brinkmann is renowned for audio works that hover amongst forms such as techno, dub or ambient.
Founder of Max Ernst.
Brinkmann was initially influenced by bands such as Tangerine Dream, Ash Ra Tempel and Kraftwerk. Funk, soul and rare grooves also had a major influence on his later works.
Brinkmann learned to play drums from Jaki Liebezeit from Can. Early as 1978, he began converting records into manually programmable sequencers, carving notches to produce endless grooves on vinyl records.
Brinkmann then worked in design in the second half of the 1980s. From 1989, he lived for a long time in France and Italy, where he increasingly turned into visual art, then went back to Germany, where he initially studied as a guest student and later regularly at the Staatliche Kunstakademie Düsseldorf (Düsseldorf Art Academy) with Jannis Konnellis and Oswald Wiener. In 1996, he was expelled from the Academy, which led to a long-running legal dispute.
From 1997, Brinkmann first drew attention in the techno scene with his Thomas Brinkmann - Studio 1 - Variationen, created with a modified record player with a dual tonearm.
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Thomas Brinkmann
Marketplace 3,560 For Sale
Reviews Show All 2 Reviews
pberdecio
January 8, 2003
Brinkmann's music is deceptively simple, but stunningly innovative. He takes a basic foundation of minimal techno and raw, vintage track house, and adds elements of his elemental razor-scratched vinyl loops. These provide a subtly irregular element that can seem to drift from the beat, but don't-it's hard to explain....
This guy is definitely from the less-is-more school, and as someone who struggles with excess clutter when making tracks, I can certainly appreciate this. From moody minimal techno (best displayed on the "Row" comp.), to Soul Center's quirkily choppy deep house, to the vinyl scratch loop experiments compiled on "Klick", Brinkmann has carved out a personal niche that manages to resonate with various subsectors of the underground.
This guy is definitely from the less-is-more school, and as someone who struggles with excess clutter when making tracks, I can certainly appreciate this. From moody minimal techno (best displayed on the "Row" comp.), to Soul Center's quirkily choppy deep house, to the vinyl scratch loop experiments compiled on "Klick", Brinkmann has carved out a personal niche that manages to resonate with various subsectors of the underground.
boombipbass
June 5, 2021