Profile:
Formed in 1964, Hammersmith, London, United Kingdom
Members:
Pete Townshend (guitar, vocals)
Roger Daltrey (vocals, tambourine, harmonica)
John Entwistle (bass, vocals, 1964-2002)
Keith Moon (drums, vocals, 1964-78)
Kenney Jones (drums, 1978-88)
John "Rabbit" Bundrick (keyboards, 1979-present)
Simon Phillips (drums, 1989)
Zak Starkey (drums, 1996-present)

Inducted into Rock And Roll Hall of Fame in 1990 (Performer).
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Albums

The Who - Live At Leeds+8 album art The Who Live At Leeds+8 (Album) 先鋒 Taiwan 1970 Sell This Version
The Who - Who's Next album art The Who Who's Next (Album) 中聲 Taiwan 1971 Sell This Version
The Who - Live Collector's Item album art The Who Live Collector's Item Not On Label (The Who) US 1971 Sell This Version
M-171 The Who - Instant Party album art The Who Instant Party(LP, Unofficial) Instant Party Records M-171 US 1971 Sell This Version
The Who - Who Is This? album art The Who Who Is This? Rubber Dubber Records 1972 Sell This Version
The Who - Closer To Queen Mary album art The Who Closer To Queen Mary Trade Mark Of Quality US 1972 Sell This Version
The Who - Who Dunit? album art Who* Who Dunit? Not On Label (The Who) US 1972 Sell This Version
The Who - Tales From The Who album art The Who Tales From The Who (Album) Trade Mark Of Quality US 1973 Sell This Version
The Who - Radio London album art The Who Radio London Trade Mark Of Quality US 1973 Sell This Version
The Who - Rock And Roll Who-Chee-Koo! album art The Who Rock And Roll Who-Chee-Koo! (Comp, Album) Pig's Eye US 1974 Sell This Version
The Who - Fillmore East 1968 album art The Who Fillmore East 1968 (Album) Trade Mark Of Quality US 1975 Sell This Version
The Who - Starring The Who! (Woodstock Festival - August 1969) album art The Who Starring The Who! (Woodstock Festival - August 1969) Trade Mark Of Quality US 1975 Sell This Version
The Who - Decidedly Belated Response  album art The Who Decidedly Belated Response The Amazing Kornyfone Record Label US 1975 Sell This Version
TAKRL 2956 The Who - Tommy Live At The Rainbow Theatre album art The Who Tommy Live At The Rainbow Theatre(2xLP, Unofficial) The Amazing Kornyfone Record Label TAKRL 2956 US 1975 Sell This Version
The Who - Wholiday In The U.S.A. album art The Who Wholiday In The U.S.A. Sunburn Records (2) US 1976 Sell This Version
The Who - Tommy album art The Who Tommy (Album) Jen Sheng Taiwan 1976 Sell This Version
The Who - Who's On First Live At Anaheim Stadium 1976 album art The Who Who's On First Live At Anaheim Stadium 1976 (Album) Idle Mind Productions, Inc. Netherlands 1976 Sell This Version
The Who - Raw album art The Who Raw (Album) K&S Records Canada 1976 Sell This Version
The Who - Swansea, June 1976 album art The Who Swansea, June 1976 Not On Label (The Who) Europe 1977 Sell This Version
none The Who - 13 Musical Biographies With Alison Steele album art The Who 13 Musical Biographies With Alison Steele(LP, Promo, Unofficial) DWJ Associates none US 1977 Sell This Version
Important 532 The Who - Live In Seattle 1977  Paramount album art Supertramp, The Who Supertramp, The Who - Live In Seattle 1977 Paramount(LP, Ltd, MP, Unofficial) Death Important 532 US 1977 Sell This Version
The Who - Who Are You album art The Who Who Are You (Album) 747 Saudi Arabia 1978 Sell This Version
The Who - You Are Who album art The Who You Are Who (Album) Triumvirat Records France 1979 Sell This Version
The Who - Jaguar album art The Who Jaguar (Comp, Album) The Amazing Kornyfone Record Label, Trade Mark Of Quality Australia 1979 Sell This Version
The Who The Kids Are Alright Vol:2 (Album) 747 Saudi Arabia 1979 Sell This Version

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Rich.C

Rich.C

January 19, 2017
More than any band before them, the Who transformed rock 'n' roll into the weapon of choice for the generation gap struggles of the 1960s. Playing up tensions between young and old in teen anthems "My Generation," "The Kids Are Alright," and a cover of Eddie Cochran's "Summertime Blues," this combativeness quickly became the band's hallmark. Roger Daltrey's perilous mic-swinging, Pete Townshend's ill-tempered guitar-smashing, and Keith Moon's "gonzo" drumming all bolstered the band's thuggish, working-class youth image -- and suggested it was more than image.
As Mod's heyday waned, Townshend began pushing the band in more adventurous directions, which culminated in the first proper Rock Opera, Tommy (1969). In one fell swoop, the band upgraded their standing from "average Joe's" to intelligentsia. Emboldened by Tommy's success, Townshend's songwriting became increasingly self-centered and confessional. While "Behind Blue Eyes" and "Love, Reign O'er Me" are simply sublime, much of the Who's '70s material is bogged down by the band's internal conflicts and Townshend's downward spiral into alcohol and drug abuse.
The public began to feel that the band had simply overstayed its welcome. Fans had a hard time forgiving the spokesmen of angry youth for getting old, and the band seems to have had a difficult time forgiving themselves.

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