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Russolo was born April 30th, 1883 into a musical family, but decided to become a painter upon moving to Milan at the age of sixteen. He first exhibited a group of etchings in 1909 at the Famiglia Artistica, where he met Boccioni and Carrà. Together they persuaded Marinetti of the potential for Futurist painting.

Despite this early involvement Russolo painted few works as a Futurist. His principal involvement was as a musician, calling for the integration of unconventional sounds into musical compositions. He developed new instruments called intonarumori (‘noise-intoners’) to replicate the booms, hissing and buzzing of the machine age. He brought his controversial performances to London in 1914 and these expanded to major concerts in the 1920s.

Russolo spent an increasing amount of time in Paris during this decade, perfecting and inventing other instruments. These included the Russolofono, a keyboard capable of combining the sounds of individual intonarumori. Between 1931 and 1933 Russolo studied occult philosophy in Spain. He began to paint once more during the 1940s, holding one-man exhibitions in Como and Milan. He died in 1947.
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Luigi Russolo Discography Tracks

6510 020 Luigi Russolo - Futuristie album art Pierre Henry Pierre Henry - Futuristie(LP, Album, Gat) Philips 6510 020 France 1980 Sell This Version
Volume 4 Number 2, Vol.4 No.2 Luigi Russolo - Improvised Music & Sound Works album art Various Various - Improvised Music & Sound Works(Cass, Album, C70) Audio Arts, Audio Arts Volume 4 Number 2, Vol.4 No.2 UK 1980 Sell This Version
KVA 001, i-light 030CD Luigi Russolo - The Abduction Of The Art Of Noise album art Various Various - The Abduction Of The Art Of Noise(CD, Album, Mono) Karvavena, Iris Light Records KVA 001, i-light 030CD UK 2004 Sell This Version
Luigi Russolo - Anthem album art Ayn Rand Ayn Rand - Anthem LibriVox US 2007

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poneromusikologist

poneromusikologist

August 2, 2014
incomparably brilliant; sonic artifice so advanced as to be unidentifiable as art to the general public in its day. Possibly more challenging than any harsh noise excoriation because of the context and age of its sounding.
Look into his eyes: "you-don't-a-like-it?! --Buono!"

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