Miles Davis
Real Name:
Miles Dewey Davis III
Profile:
Trumpeter, bandleader, composer, and one of the most important figures in jazz music history, and music history in general. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Winner of eight Grammy awards.
Born: 26 May 1926 in Alton, Illinois, USA.
Died: 28 September 1991 in Santa Monica, California, USA (aged 65).
Best known for his seminal modern jazz album "Kind Of Blue" (1959), the highest selling jazz album of all time with six million copies sold.
Miles went to NYC to study at the academic school for musicians, where he met Charlie Parker. They started playing together from 1945. In 1948 Miles Davis started to make his own ensembles, at that time he met Gil Evans, The Miles Davis Nonet was born. From the few recordings they made in 1949 to 1950 came the album "Birth Of The Cool" (1957), with Davis and Evans going on to work more together in the future.
Miles Davis was one of the musicians who introduced the 'Hard Bop' in the mid 1950s. In the late 1960s he started to experiment with electronic instruments and rock and funk rhythms. In the mid 1970s he stopped playing because of health problems, though in 1980 he made an 'electronical' comeback.
Inducted into Rock And Roll Hall of Fame in 2006 (Performer). Winner of Eight Grammy Awards.
He married dancer/actress Frances Taylor Davis on December 12, 1959; they divorced in 1968. He then married singer Betty Mabry in September 1968; they divorced in 1970. He then married actress Cicely Tyson on November 26, 1981; they divorced in 1989. Father of Cheryl Davis & Erin Davis. Uncle of Vince Wilburn, Jr.
Born: 26 May 1926 in Alton, Illinois, USA.
Died: 28 September 1991 in Santa Monica, California, USA (aged 65).
Best known for his seminal modern jazz album "Kind Of Blue" (1959), the highest selling jazz album of all time with six million copies sold.
Miles went to NYC to study at the academic school for musicians, where he met Charlie Parker. They started playing together from 1945. In 1948 Miles Davis started to make his own ensembles, at that time he met Gil Evans, The Miles Davis Nonet was born. From the few recordings they made in 1949 to 1950 came the album "Birth Of The Cool" (1957), with Davis and Evans going on to work more together in the future.
Miles Davis was one of the musicians who introduced the 'Hard Bop' in the mid 1950s. In the late 1960s he started to experiment with electronic instruments and rock and funk rhythms. In the mid 1970s he stopped playing because of health problems, though in 1980 he made an 'electronical' comeback.
Inducted into Rock And Roll Hall of Fame in 2006 (Performer). Winner of Eight Grammy Awards.
He married dancer/actress Frances Taylor Davis on December 12, 1959; they divorced in 1968. He then married singer Betty Mabry in September 1968; they divorced in 1970. He then married actress Cicely Tyson on November 26, 1981; they divorced in 1989. Father of Cheryl Davis & Erin Davis. Uncle of Vince Wilburn, Jr.
Sites:
milesdavis.com, MySpace, Facebook, Twitter, YouTube, SoundCloud, setlist.fm, genius.com, miles-beyond.com, themusicofmiles.com, kind-of-blue.de, plosin.com, thelastmiles.com, Wikipedia, jazzdisco.org, whosampled.com, musicianbio.org, biography.com, musicianguide.com, famousbirthdays.com, notablebiographies.com, geni.com, astro.com, whatgear.com, grammy.com, imdb.com
Aliases:
In Groups:
Artists United Against Apartheid,
Benny Carter And His Orchestra,
Billy Eckstine And His Orchestra,
Birdland All-Stars,
Charlie Parker And His Orchestra,
Charlie Parker's Re-Boppers,
Coleman Hawkins All Star Band,
Coleman Hawkins All Stars,
Lee Konitz Sextet,
Metronome All Stars,
Miles And Coltrane Quintet,
Miles Davis & His Tuba Band,
Miles Davis + 19,
Miles Davis All Stars,
Miles Davis And His Band,
Miles Davis And His Cool Wailers,
Miles Davis And His Orchestra,
Miles Davis Group,
Miles Davis Octet,
Miles Davis Septet,
Miles Davis-Tadd Dameron Quintet,
Sonny Rollins Quartet,
Tadd Dameron And His Orchestra,
The Charlie Parker All-Stars,
The Charlie Parker Quintet,
The Charlie Parker Septet,
The Charlie Parker Sextet,
The Miles Davis Ensemble,
The Miles Davis Nonet,
The Miles Davis Quartet,
The Miles Davis Quintet,
The Miles Davis Sextet
Variations:
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Miles Davis
D. Miles, David, David Miles, Davies, Davis, Davis & Miles, M Davis, M. David, M. Davies, M. Davis, M.D., M.David, M.Davis, Mile Davis, Miles, Miles Ahead, Miles D., Miles D. Davis, Miles Daves, Miles Davies, Miles Dewey Davis III, Miles Dewey Davis, III, Miles Doris, Miles Savis, Milesdavis, The Charlie Parker Quinet, The Charlie Parker Septet, М. Девис, М. Дэвис, М. Дэйвис, Майлз Дейвис, Майлз Дэвис, Майлз Дэйвис, Майлс Дейвис, Майлс Дэвис, מיילס דייויס, マイルス・ディビス , マイルス・デイビス, マイルス・デイヴィス, マイルス・デビス, マイルス・デヴィス, マイルズ・デイビス
Marketplace
136,428 For SaleImage | Title | Label | Catalog Number | Year | In Your Collection, Wantlist, or Inventory | Actions | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Albums |
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PRLP 113 |
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Fats Navarro / Dizzy Gillespie / Miles Davis / Kenny Dorham | Fats Navarro / Dizzy Gillespie / Miles Davis / Kenny Dorham - Modern Jazz Trumpets (Album) | Prestige | PRLP 113 | US | 1951 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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PRLP 124 |
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Miles Davis | The New Sounds (Album) | Prestige | PRLP 124 | US | 1951 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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PRLP 116 |
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Lee Konitz Featuring Miles Davis | Lee Konitz Featuring Miles Davis - The New Sounds (10", Mono) | Prestige | PRLP 116 | US | 1951 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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PRLP 140 |
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Miles Davis | Blue Period (Album, Comp) | Prestige | PRLP 140 | US | 1953 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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H-371, H 371 |
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Lennie Tristano, Bill Harris, Miles Davis, Buddy DeFranco | Lennie Tristano, Bill Harris, Miles Davis, Buddy DeFranco - Cool And Quiet (10", Mono) | Capitol Records, Capitol Records | H-371, H 371 | US | 1953 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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BLP 38 |
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Al Cohn, Zoot Sims, Miles Davis, Sonny Truitt, John Lewis (2), Leonard Gaskin, Kenny Clarke | Al Cohn, Zoot Sims, Miles Davis, Sonny Truitt, John Lewis (2), Leonard Gaskin, Kenny Clarke - Miles Davis Plays The Compositions Of Al Cohn (Album) | Prestige | BLP 38 | Sweden | 1953 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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BLP 5013 |
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Miles Davis | Young Man With A Horn (Album) | Blue Note | BLP 5013 | US | 1953 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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BLP 5022 |
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Miles Davis | Vol. 2 (Album) | Blue Note | BLP 5022 | US | 1953 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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PrLP 187 |
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Miles Davis With Sonny Rollins | Miles Davis With Sonny Rollins - Miles Davis With Sonny Rollins (10", Album) | Prestige | PrLP 187 | US | 1954 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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BLP 5040 |
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Miles Davis | Vol. 3 (Album) | Blue Note | BLP 5040 | US | 1954 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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DEB-120 |
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Miles Davis | Blue Moods (Album) | Debut Records | DEB-120 | US | 1955 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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PRLP 7044, LP 7044 |
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Miles Davis | Collectors' Items (Album, Comp) | Prestige, Prestige | PRLP 7044, LP 7044 | US | 1956 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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LP 7012, PRLP 7012 |
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Miles Davis Featuring Sonny Rollins | Miles Davis Featuring Sonny Rollins - Dig (Comp, Album) | Prestige, Prestige | LP 7012, PRLP 7012 | US | 1956 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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LP 7034, PRLP 7034 |
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Miles Davis And Milt Jackson | Miles Davis And Milt Jackson - Quintet / Sextet (Album) | Prestige, Prestige | LP 7034, PRLP 7034 | US | 1956 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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LP 7054, PRLP 7054 |
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Miles Davis | Blue Haze (Album, Comp) | Prestige, Prestige | LP 7054, PRLP 7054 | US | 1956 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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CL 1041 |
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Miles Davis | Miles Ahead (Album, Comp) | Columbia | CL 1041 | Canada | 1957 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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KLP 650 |
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Miles Davis | 'Round About Midnight (Album, Comp) | Columbia | KLP 650 | Australia | 1957 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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7109 |
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Miles Davis | Bags' Groove (Comp, Album) | Prestige | 7109 | US | 1957 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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CS 8079 |
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Michel Legrand Featuring Miles Davis | Michel Legrand Featuring Miles Davis - Legrand Jazz (Album) | Columbia | CS 8079 | US | 1958 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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660 213 TR |
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Miles Davis | Ascenseur Pour L'Échafaud (Album, Comp) | Fontana | 660 213 TR | Netherlands | 1958 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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CL 1193 |
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Miles Davis | Milestones (Album, Comp) | Columbia | CL 1193 | US | 1958 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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1595, BST 1595 |
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Cannonball Adderley, Miles Davis, Hank Jones, Sam Jones, Art Blakey | Cannonball Adderley, Miles Davis, Hank Jones, Sam Jones, Art Blakey - Somethin' Else (Album) | Blue Note, Blue Note | 1595, BST 1595 | US | 1959 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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PRLP 7150 |
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Miles Davis | Miles Davis And The Modern Jazz Giants (Comp, Album) | Prestige | PRLP 7150 | US | 1959 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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CL 1268 |
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Miles Davis | Jazz Track (Comp, Album) | Columbia | CL 1268 | Canada | 1959 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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CS 8085 |
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Miles Davis | Porgy And Bess (Album, Single) | Columbia | CS 8085 | US | 1959 | Sell This Version |
Reviews Show All 44 Reviews

S1m1c73
March 4, 2022
My Davis gateway - John McLaughlin guitar on Jack Johnson then tracing drum icon Tony Williams career back from his Lifetime albums into the 2nd Quintet with Carter on bass. Then you jump into those wild live groove albums Live Evil, Agharta and Dark Magus. Davis and Macero and all that talent just let each other take there turn and showcased each musician. A lot of fun OMG moments with the interplay of sound. Chill and Thrill.

Andrew_Lawson
January 13, 2022
There is no right way to get into Miles, just pick a couple of random albums and go. You'll find something you'll like eventually.

Kukulkan207
February 9, 2021
Biggest inspiration to me as an artist. Thanks Miles for everything you did for music.

Disasternoon
May 14, 2020
Not a big jazz fan, but I Love the proggier tracks on "Bitches brew", "Big Fun" and "Get up with it". Pleaseguide me on to similar tunes,not only with Miles,but any artist.

GalaxyExplorer
January 25, 2020
edited over 3 years ago
As I sit here listening to Shhh/Peaceful, I think to myself: few artists have brought me so much joy.
Viva la Miles.
Viva la Miles.

lucaper
November 22, 2019
I saw him in Lugano at Estival Jazz, in 1987, he was turning his back to the audience most of the time.... ( I was on H ); but i am happy i was there : -) RIP miles !
jackfrancis86
December 31, 2018
Miles' true genius might have been his ability to spot and nurture talent. Not saying he couldn't play a bit himself, but holy lord above just look at the players that he put together. As great a talent-scout and band-assembler as the world has ever seen. Made sure they kept him on his toes as well. Imagine having the bottle that late into the game (by which point he'd, to invoke the man himself, only changed the face of music two or three times) to pull together the Second Quintet - some straight-up-not-even-exaggerating prodigies, all hungry, all pushing, all trying new stuff - and forcing yourself to keep pace with them. Biggest of brass balls required.

TriHard
November 20, 2018
The influence of MD has been felt for decades and will continue to be felt...
Simply.. my #1. The top. The badman of M U S I C.
Words to live by: "For me, music and life are all about style."
Simply.. my #1. The top. The badman of M U S I C.
Words to live by: "For me, music and life are all about style."
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