Ben Neill is a composer, performer, and inventor of the mutantrumpet, a hybrid electro-acoustic instrument. Through his use of interactive computer technologies, Neill creates a unique musical and visual universe, melding the worlds of electronic music, popular culture and visual media.
Ben Neill
Marketplace
1,363 For SaleImage | Title | Label | Catalog Number | Year | In Your Collection, Wantlist, or Inventory | Actions | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Albums |
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ECD 1002, 881 344-909 |
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Ben Neill | Mainspring (Album) | Ear-Rational Records | ECD 1002, 881 344-909 | Germany | 1988 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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nt6710 |
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David Wojnarowicz & Ben Neill | David Wojnarowicz & Ben Neill - ITSOFOMO (In The Shadow Of Forward Motion) (Album) | New Tone Records | nt6710 | Italy | 1992 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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ECD 1034 |
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S.E.M. Ensemble - Petr Kotik / Jon Gibson (2) / David Behrman / Ben Neill | S.E.M. Ensemble - Petr Kotik / Jon Gibson (2) / David Behrman / Ben Neill - Virtuosity With Purpose (CD, Album) | Ear-Rational Records | ECD 1034 | Germany | 1992 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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NT 6723 |
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Ben Neill | Torchtower (CD, Album) | New Tone Records | NT 6723 | Italy | 1994 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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ASW 6159-2 |
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Ben Neill | Green Machine (Album) | Astralwerks, Astralwerks | ASW 6159-2 | US | 1995 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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533 184-2 |
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Ben Neill | Triptycal (Album) | Antilles, Verve Forecast | 533 184-2 | UK & Europe | 1996 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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557 085-2 |
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Ben Neill | Goldbug (Album) | Antilles | 557 085-2 | US | 1998 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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657036 1077-2MJ |
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Ben Neill | Automotive (Album) | Six Degrees Records | 657036 1077-2MJ | US | 2002 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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THI 57190.2 |
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Ben Neill | Night Science (Album) | Thirsty Ear | THI 57190.2 | US | 2009 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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none |
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Ben Neill & Mimi Goese | Ben Neill & Mimi Goese - Songs For Persephone (Album) | Ramseur Records | none | US | 2011 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Ben Neill | Horizonal (CDr, Album, Ltd) | Audiokult | none | US | 2015 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Mimi Goese & Ben Neill | Mimi Goese & Ben Neill - Life You Are (9xFile, AIFF, Album) | Blue Math | none | 2020 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Singles & EPs |
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ASW 6158-6 |
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Ben Neill | Sistrum | Astralwerks | ASW 6158-6 | US | 1995 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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PRO 1226 |
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Ben Neill | The Re-Mixes (12", Promo) | Antilles | PRO 1226 | UK | 1996 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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314 557 570-1 |
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Ben Neill | Tunnel Vision (Remixes) | Antilles | 314 557 570-1 | US | 1998 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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THI 57190.1 |
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Ben Neill | Afterimage / Seeker (12") | Thirsty Ear | THI 57190.1 | US | 2009 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Miscellaneous |
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SACVER78 |
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Ben Neill | Selections From Goldbug (Cass, Promo, Smplr) | Antilles | SACVER78 | US | 1998 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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AWD 497420 |
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Ben Neill / Eric Calvi | Ben Neill / Eric Calvi - Trove Ascendant (File, FLAC) | Blue Math | AWD 497420 | 2020 |
Reviews Show All 2 Reviews

blackholehorizon
May 1, 2003
One of the most compelling innovators in music today, BEN NEILL is a performer, composer, and inventor of the mutantrumpet, a hybrid electro-acoustic instrument. Through the interactive computer technology of the mutantrumpet, Neill creates a unique musical universe, melding the worlds of electronic dance culture, jazz, art music and visual media.
A North Carolina native, Neill has worked with such diverse sound sculptors as John Cage, Robert Moog, minimalist La Monte Young, guitarists Page Hamilton and Robert Poss, singer/songwriter John Cale, and illbient DJs Spooky and Olive. Music Curator of the avant-garde performance space The Kitchen from 1992-98, Neill is an influential face in New York’s music scene..
In the electronica/DJ culture of the 1990s Neill found an environment in which his sonic and technological explorations could flourish. The Sci-Fi Lounge, his collaboration with DJ Spooky and video sampling pioneer Gardner Post of Emergency Broadcast Network, toured America and Europe in 1997.
Neill tours internationally on a regular basis, performing at a wide range of festivals, concert halls, clubs, raves and museums. Recent performances have included Umbria Jazz, London's Barbican Centre, New York's Paula Cooper Gallery, Montreal Jazz, Spoleto (Italy), the Berlin Love Parade, the Nantes Fin de Siecle Festival, and Bang on a Can.
Extensive recordings of Neill's music reflect the scope of his artistic vision. His 1998 CD Goldbug (Antilles/PolyGram) "masterfully blurs the lines dividing traditional jazz and electronic dance sounds" (Billboard). WIRED Magazine chose a track from his 1996 album Triptycal for their Rhino Records CD Music Futurists, which features the music of artists who have done the most to push the envelope of musical technology.
Recently Neill joined forces with manager Carolyn Sachs to form Greet Beet Productions, a music design company which has produced music for 20 national television commercials in the last year including 11 for Volkswagen. Neill is currently working on a new collaboration with Scottish vocalist Andrew Montgomery, formerly of Geneva, as well as writing new material for an instrumental album and developing new installation projects.
Above quoted from www.benneill.com.
A North Carolina native, Neill has worked with such diverse sound sculptors as John Cage, Robert Moog, minimalist La Monte Young, guitarists Page Hamilton and Robert Poss, singer/songwriter John Cale, and illbient DJs Spooky and Olive. Music Curator of the avant-garde performance space The Kitchen from 1992-98, Neill is an influential face in New York’s music scene..
In the electronica/DJ culture of the 1990s Neill found an environment in which his sonic and technological explorations could flourish. The Sci-Fi Lounge, his collaboration with DJ Spooky and video sampling pioneer Gardner Post of Emergency Broadcast Network, toured America and Europe in 1997.
Neill tours internationally on a regular basis, performing at a wide range of festivals, concert halls, clubs, raves and museums. Recent performances have included Umbria Jazz, London's Barbican Centre, New York's Paula Cooper Gallery, Montreal Jazz, Spoleto (Italy), the Berlin Love Parade, the Nantes Fin de Siecle Festival, and Bang on a Can.
Extensive recordings of Neill's music reflect the scope of his artistic vision. His 1998 CD Goldbug (Antilles/PolyGram) "masterfully blurs the lines dividing traditional jazz and electronic dance sounds" (Billboard). WIRED Magazine chose a track from his 1996 album Triptycal for their Rhino Records CD Music Futurists, which features the music of artists who have done the most to push the envelope of musical technology.
Recently Neill joined forces with manager Carolyn Sachs to form Greet Beet Productions, a music design company which has produced music for 20 national television commercials in the last year including 11 for Volkswagen. Neill is currently working on a new collaboration with Scottish vocalist Andrew Montgomery, formerly of Geneva, as well as writing new material for an instrumental album and developing new installation projects.
Above quoted from www.benneill.com.
ucci
April 22, 2013