Hootie & The Blowfish

With the rich, bluesy vocals of Darius Rucker and gleeful harmonies of guitarist Mark Bryan, bassist Dean Felber and drummer Jim “Soni” Sonefeld, Hootie & the Blowfish sold over 25 million records worldwide after their infectious melodies hit the airwaves in 1994 with hits such as “Hold My Hand”, “Let Her Cry” and “Only Wanna Be With You.”

One of the biggest misconceptions to most people is that Hootie & The Blowfish became an overnight success in 1994 when their debut album Cracked Rear View, moved over 16 million copies (and counting) in the U. S. alone. What most people don’t know was that the album’s triumph came after a decade of hard work.

The quartet met while attending the University of South Carolina in Columbia in the late 1980s. New freshman Mark Bryan heard Darius Rucker singing in the showers of the dorm they shared and was impressed by his vocal ability. Bryan and Rucker began playing cover tunes as The Wolf Brothers and eventually hooked up with Dean Felber, a former high school bandmate of Bryan’s, and Brantley Smith as Hootie & The Blowfish. (The unlikely moniker was borrowed from the nicknames of two college friends.) When Smith’s true passion called him home to Greenville, SC in 1989, Bryan reached out to classmate Jim (Soni) Sonefeld to join the band and the immediate chemistry was undeniable!

By the time they graduated, endless gigs at frat parties and local bars had built a major local buzz. “We’d started adding original material to our repertoire,” Bryan recalled. “Our songs went over well, so we decided to see if we could make a career out of it. Even if we hadn’t had a hit, I know we’d still be making music today, because it’s exactly what we want to be doing.”

The band’s secret weapon, and the force that pulls all of its diverse influences together, is the voice of Darius Rucker, an expressive instrument brimming with gritty soul and subtle wit. When he sings, the songs are imbued with a buoyant good humor and an openhearted joy that connects on an almost spiritual level with audiences all over the world. “Having Darius in the band is a wonderful luxury,” Mark Bryan explained. “We can try something funky, or bluegrassy or a ballad; we can run the gamut stylistically, but never stray too far from our sound because once Darius starts singing, it’s Hootie and the Blowfish.

In the next five years, Hootie & The Blowfish worked their way up the food chain from local draw to gigs all over the Carolinas and finally, the entire East Coast. Their blend of pop, folk, blues, soul and rock made them hard to pigeonhole, but easily accessible to anyone who loved good music. Atlantic Records, impressed by the tens of thousands of Kootchypop copies already sold without the help of a label, signed them and released Cracked Rear View in 1994. The album had been out for six months before the band played on the Late Show with David Letterman. Letterman told his audience “If you don’t have this album, there’s something wrong with you.” The day after the show aired, sales went from four or five thousand a week to 17,000 a week, and eventually Number One on the Billboard charts the following spring. It remains a strong seller today. “It became dream-like,” Rucker recalled. “I’d wished for it, but I’m not sure I believed it, even as it was happening. We were on tour constantly; the whole thing is still kind of a blur.”

At the end of the year, Cracked Rear View and the band won two Grammy’s – Best New Artist and Song of the Year by duo or group for “Let Her Cry.” They also took home an MTV Video Music Award for Best New Artist for “Hold My Hand,” a Billboard Music Award for album of the year, a People’s Choice Award for Album of the Year and a People’s Choice Award for Best Selling Artist, a feat they duplicated in 1996.

Cracked Rear View went on to earn the band Billboard’s Band of the Year Award in 1996 and the RIAA’s Diamond Award for sales of 10 million units. Cracked Rear View remains the 9th best selling album in music business history, and all albums combined, have moved over 25 million worldwide.

The band kept touring, remaining a top draw nationwide and released five more albums for Atlantic: Fairweather Johnson, Musical Chairs, Scattered, Smothered & Covered, Hootie & The Blowfish and The Best of Hootie & The Blowfish. The band left Atlantic by mutual agreement in 2004; Looking For Lucky released in 2005 was their first album on their own Sneaky Long Records, manufactured and distributed by Vanguard. LIVE in Charleston, The Homegrown Concert Event DVD and CD was released in August of 2006.

Hootie & the Blowfish wrapped a summer of touring in 2008 and members entered the studio to record solo albums. Since then, Soni has released 4 albums including a trilogy called Found (2012), In (2014) and Love (2015). Mark has released 3 albums with his most recent release, Songs of the Fortnight in Summer 2017 and Darius released his fifth country album, When Was The Last Time in Fall 2017.

In December of 2018, the band appeared on the Today Show to announce a return to full-time touring along with news of a forthcoming album. The 2019 Group Therapy Tour saw the band play to sold-out crowds across the U.S. and Canada, including two nights at the iconic Madison Square Garden, as well as a run of shows throughout the U.K. and Ireland. The triumphant return to the road earned Hootie & the Blowfish several prominent profiles recognizing their important musical legacy, including the cover story of the New York Times Arts & Leisure section. On November 1, 2019, they released their first new music in nearly 15 years with Imperfect Circle, named one of the “biggest albums to hear this season” by Entertainment Weekly and featuring radio single “Hold On.”