Andrew Weatherall
Real Name:
Andrew James Weatherall
Profile:
British DJ, producer, musician, and remixer.
Born: 6 April 1963 in Windsor, Berkshire, England, UK.
Died: 17 February 2020 in London, England, UK (aged 56).
Weatherall worked in and showed enthusiasm for a wide variety of genres. He moved into visual art later in life. Labels he previously ran include Sabres Of Paradise, Emissions Audio Output, Bird Scarer Records, and Moine Dubh.
He died suddenly from a pulmonary embolism.
Brother to Ian Weatherall.
Born: 6 April 1963 in Windsor, Berkshire, England, UK.
Died: 17 February 2020 in London, England, UK (aged 56).
Weatherall worked in and showed enthusiasm for a wide variety of genres. He moved into visual art later in life. Labels he previously ran include Sabres Of Paradise, Emissions Audio Output, Bird Scarer Records, and Moine Dubh.
He died suddenly from a pulmonary embolism.
Brother to Ian Weatherall.
Sites:
Aliases:
In Groups:
Aramchek,
Basic Units,
Blood Sugar,
Bocca Juniors,
C-pij 04,
Dayglo Maradona,
Deanne Day,
Fort Beulah N.U.,
Frisch Und Munter,
Hidden Library,
Klart,
Klunk,
Lino Squares,
Lords Of Afford,
Planet 4 Folk Quartet,
Rude Solo,
The Asphodells,
The Black Balloons,
The Hold,
The Major And Brother T,
The Sabres Of Paradise,
The Woodleigh Research Facility,
Two Lone Swordsmen
Variations:
Viewing All
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Andrew Weatherall
A J. Weatherall, A Weatherall, A. J. Weatherall, A. Weatherall, A. Weatherhall, Andrew '11th Hour' Weatherall, Andrew J Weatherall, Andrew Weatheral, Andrew Wetherall, Andreww Weatherall, Andy Weatherall, Andy Weatherhall, Andy Wetheral, Andy Wetherall, Andy Wheatherall, DJ Andy Weatherall, Mr. Weatherall, Weatherall, Weatherhall, Wetherall
Marketplace
20,816 For SaleImage | Title | Label | Catalog Number | Year | In Your Collection, Wantlist, or Inventory | Actions | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Albums |
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BRC-239 |
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Andrew Weatherall | A Pox On The Pioneers (Album) | Rotters Golf Club | BRC-239 | Japan | 2009 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Image | Title | Label | Catalog Number | Year | In Your Collection, Wantlist, or Inventory | Actions | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
FSOCC001, FSOCCD001 |
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Michael Smith (34) & Andrew Weatherall | Michael Smith (34) & Andrew Weatherall - Unreal City (CD, MiniAlbum + 10", S/Sided + Ltd, Boo) | Faber & Faber, Faber & Faber | FSOCC001, FSOCCD001 | UK | 2013 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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RGCCD023P |
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Andrew Weatherall | Consolamentum (Album) | Rotters Golf Club | RGCCD023P | UK | 2016 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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RGCDL022 |
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Andrew Weatherall | Convenanza (Album) | Rotters Golf Club | RGCDL022 | Europe | 2016 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Image | Title | Label | Catalog Number | Year | In Your Collection, Wantlist, or Inventory | Actions | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
HNRCAS011 |
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Andrew Weatherall | Qualia (Album) | Höga Nord Rekords | HNRCAS011 | Sweden | 2017 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Singles & EPs |
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RGC011MCD |
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Andrew Weatherall | The Bullet Catcher's Apprentice | Rotters Golf Club | RGC011MCD | UK | 2006 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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BYR005 |
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Andrew Weatherall | Kiyadub EP (EP) | Byrd Out | BYR005 | UK | 2017 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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RGC014 |
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Andrew Weatherall | Merry Mithrasmas EP (12", EP) | Rotters Golf Club | RGC014 | Australia & New Zealand | 2017 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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BYR012 |
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Andrew Weatherall | Blue Bullet EP (EP) | Byrd Out | BYR012 | UK | 2018 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Cadiz 12 179 |
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Jah Wobble Featuring Keith Levene, Richard Dudanski, Mark Stewart, Andrew Weatherall & Youth | Jah Wobble Featuring Keith Levene, Richard Dudanski, Mark Stewart, Andrew Weatherall & Youth - A Very British Coup (Single, EP) | Cadiz Music | Cadiz 12 179 | UK | 2019 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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PAM 001 |
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Andrew Weatherall | Pamela #1 | Pamela Records (2) | PAM 001 | UK | 2020 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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BYR023 |
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Andrew Weatherall | Unknown Plunderer / End Times Sound | Byrd Out | BYR023 | UK | 2020 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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DISDAT005.1 |
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Andrew Weatherall | Vol. V (12") | DisDat | DISDAT005.1 | US | 2021 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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DISDAT005.2 |
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Andrew Weatherall | Vol. V (12") | DisDat | DISDAT005.2 | US | 2022 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Compilations |
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PCD3564 |
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Andrew Weatherall | Nine O'Clock Drop (Comp, Album) | Nuphonic | PCD3564 | Japan | 2000 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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SOMA CD 058 |
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Andrew Weatherall | Sci-Fi-Lo-Fi Vol. 1 (Comp) | Soma Quality Recordings | SOMA CD 058 | UK | 2007 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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RGCCD016 |
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Andrew Weatherall Vs The Boardroom | Andrew Weatherall Vs The Boardroom - Andrew Weatherall Vs The Boardroom (Comp) | Rotters Golf Club | RGCCD016 | UK | 2008 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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RGCCD 018 |
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Andrew Weatherall Vs The Boardroom | Andrew Weatherall Vs The Boardroom - Andrew Weatherall Vs The Boardroom Volume 2 (Comp) | Rotters Golf Club | RGCCD 018 | UK | 2009 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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GPS80 |
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Andrew Weatherall / Various | Andrew Weatherall / Various - Wednesday Feb 8th Gig Freebie (Cass, Comp, Ltd, Num, P/Mixed) | The Great Pop Supplement | GPS80 | UK | 2012 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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DJ Mixes |
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none |
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Andy Wheatherall* | Progress (Cass, Mixed) | Progress Records | none | UK | 1994 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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B2B CD1 |
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Derrick Carter / Andrew Weatherall / Ralph Lawson | Derrick Carter / Andrew Weatherall / Ralph Lawson - Back To Basics: Cut The Crap (3xCD, Comp, Mixed + Box) | Back To Basics, 6 x 6 Records | B2B CD1 | UK | 1996 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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none |
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Andrew Weatherall / Daz Quayle | Andrew Weatherall / Daz Quayle - Haywire Vol II (Cass, Comp, Mixed) | Not On Label | none | UK | 1997 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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none |
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Andrew Weatherall | Haywire Vol IV (Cass, Comp, Mixed) | Not On Label | none | UK | 1998 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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none |
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Andrew Weatherall | Slow Your Circulation (Cass, Mixed, C90) | Firewire | none | UK | 1998 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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none |
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Andrew Weatherall | Blood Sugar lll (Cass, Comp, Mixed) | Not On Label | none | UK | 1998 | Sell This Version |
Reviews Show All 42 Reviews

MISTER_DIA-TRIBE_73
February 20, 2021
Where can I buy the tribute to Sir Sabresonic Weatherall that's just been released? Is it on FB the Rotters site doesn't seem to be up and running?

Budstep1
March 9, 2020
edited over 3 years ago
Back in the late spring/early summer of 89 my best mate Chipie took me to my 1st acid house night at the Windmill in Soho
the name of the night has always eluded me but other memories will stay with me forever like my 1st Pink Cali lol
and 100% the sounds my ears experienced that night and how profoundly it changed my life musically and lifestyle alike.
That night 2 tunes were seared in to my cerebral cortex “The Real Life” Corporation of One & “Cocaine” The Maxx
the Dj that night was Andrew Weatherall and from that night onward i was hooked on the sound and the scene period.
Over the following years i followed Weatherall like my new best footie team
nights at Yikes at The Centre Slough / The Full Monty,Windsor / Flying London / Full Circle Heathrow /
Sabersonic nights in Shoreditch with Alex Knight and quite a few adventures in Manchester & Liverpool
We were all given sonic educations on these many nights pure masterclasses in bass hedonistic deck slapping.
Easter 94 at the old Town & Country,Kentish Town,London Weatherall on tour with The Orb
is a night I shall never forget cannot sadly remember much of The Orb but am sure they were good!!..
What i do remember as again am sure everybody that was there will 100% attest to was Weatherall’s 2hr + set
it was the “Mutz Nutz!! Da Dogs Danglees”
Weatherall started with dropping a brace of tunes from one branch of the sonic tree so to speak
then dropped down behind the decks to change hats quite literately to then reappear
to drop another couple of bangers from a complete different branch of the sonic tree
like deep thumping prog house to electro punk and then straight into psychedelic disco rock
you had no idea what was coming next but Andrew had the nouse & ability to take you sonically absolutely anywhere he wanted
and make you feel that it was the best journey of sound you had ever been on.
Through my merry pranksters minds eye on the night as i recall
spouting proper profusely to all my mates on the journey home and no doubt for many weeks after,
my theory to the hat changing track changing genre warping Weatherall was that his set/show
was loosely themed on a party promoter newly in the game who had booked the best djs
from across the whole sonic dancefloor hedging his all and reputation on his bookings
hoping at least some would keep the dancefloor heaving if some have cleared it
but ended up having the party of all parties by mixing it up completely which is what
that dancefloor was that night the party of all parties
set to the background of what back in the day was probably the best light and stage show
there was as was the Orbs forte then as now which set the bench mark in what is today Vjing
We all know the vast catalogue Weatherall has put out and all have heard his incredible talent through his remixes
and of course in the process putting a lot of people on the proverbial sonic map
which many now know through Weatherall’s work and everybody will have their favourite Weatherall tune/tunes
but my two favourite tracks amongst the many classics are his 1992 game changing remix of F.S.O.L. Papua New Guinea
that completely blew ears away 11 mins of tribal dance that brought in a new era of sound defying dub and bass to dance,
the following year 93 saw Weatherall adopt the moniker Lord Sabersonic of The Sabres of Paradise and release Smokebelch
which i still listen to every week 27 years on,this track always has and always will awake every one of my senses period.
Andrew Weatherall spent his entire working life mixing it up completely, never sticking with one sound or another
and ultimately created a sound or two on his epic sonic journey and an ethos that will in all probability
be listened to for many many years to come and hopefully inspire future sonic game changers.
Joe Meek the genius producer/mixer from the 60s who produced one of the weirdest sounds to come out of the 60s “Telstar”
had a keyboard/drum machine named after him i truly think some piece of kit in my opinion a turntable
like Pioneer should release a CDJ Weatherall 3000 in honour of Andrew Weatherall a djs dj..
Who knows..if someone started something on faceshite or twatter am sure there would be more than a ripple
R.I.P. Lord Sabresonic
the name of the night has always eluded me but other memories will stay with me forever like my 1st Pink Cali lol
and 100% the sounds my ears experienced that night and how profoundly it changed my life musically and lifestyle alike.
That night 2 tunes were seared in to my cerebral cortex “The Real Life” Corporation of One & “Cocaine” The Maxx
the Dj that night was Andrew Weatherall and from that night onward i was hooked on the sound and the scene period.
Over the following years i followed Weatherall like my new best footie team
nights at Yikes at The Centre Slough / The Full Monty,Windsor / Flying London / Full Circle Heathrow /
Sabersonic nights in Shoreditch with Alex Knight and quite a few adventures in Manchester & Liverpool
We were all given sonic educations on these many nights pure masterclasses in bass hedonistic deck slapping.
Easter 94 at the old Town & Country,Kentish Town,London Weatherall on tour with The Orb
is a night I shall never forget cannot sadly remember much of The Orb but am sure they were good!!..
What i do remember as again am sure everybody that was there will 100% attest to was Weatherall’s 2hr + set
it was the “Mutz Nutz!! Da Dogs Danglees”
Weatherall started with dropping a brace of tunes from one branch of the sonic tree so to speak
then dropped down behind the decks to change hats quite literately to then reappear
to drop another couple of bangers from a complete different branch of the sonic tree
like deep thumping prog house to electro punk and then straight into psychedelic disco rock
you had no idea what was coming next but Andrew had the nouse & ability to take you sonically absolutely anywhere he wanted
and make you feel that it was the best journey of sound you had ever been on.
Through my merry pranksters minds eye on the night as i recall
spouting proper profusely to all my mates on the journey home and no doubt for many weeks after,
my theory to the hat changing track changing genre warping Weatherall was that his set/show
was loosely themed on a party promoter newly in the game who had booked the best djs
from across the whole sonic dancefloor hedging his all and reputation on his bookings
hoping at least some would keep the dancefloor heaving if some have cleared it
but ended up having the party of all parties by mixing it up completely which is what
that dancefloor was that night the party of all parties
set to the background of what back in the day was probably the best light and stage show
there was as was the Orbs forte then as now which set the bench mark in what is today Vjing
We all know the vast catalogue Weatherall has put out and all have heard his incredible talent through his remixes
and of course in the process putting a lot of people on the proverbial sonic map
which many now know through Weatherall’s work and everybody will have their favourite Weatherall tune/tunes
but my two favourite tracks amongst the many classics are his 1992 game changing remix of F.S.O.L. Papua New Guinea
that completely blew ears away 11 mins of tribal dance that brought in a new era of sound defying dub and bass to dance,
the following year 93 saw Weatherall adopt the moniker Lord Sabersonic of The Sabres of Paradise and release Smokebelch
which i still listen to every week 27 years on,this track always has and always will awake every one of my senses period.
Andrew Weatherall spent his entire working life mixing it up completely, never sticking with one sound or another
and ultimately created a sound or two on his epic sonic journey and an ethos that will in all probability
be listened to for many many years to come and hopefully inspire future sonic game changers.
Joe Meek the genius producer/mixer from the 60s who produced one of the weirdest sounds to come out of the 60s “Telstar”
had a keyboard/drum machine named after him i truly think some piece of kit in my opinion a turntable
like Pioneer should release a CDJ Weatherall 3000 in honour of Andrew Weatherall a djs dj..
Who knows..if someone started something on faceshite or twatter am sure there would be more than a ripple
R.I.P. Lord Sabresonic

noviellion
February 21, 2020
edited over 3 years ago
Two Lone Swordsmen was/is a massive influence on me from the mid 00's onward. Had that unique mash up of a progressive garage rock, downtempo/leftfield, ambient chords and electro via the Great Kieth Tenniswood. Found at the pub on a shipmen's dock by a night club/ loungue. People coming from all places and experiences. What great stories were told. I recently watched the film 'Lighthouse' and it made me think of all kinds of artistic outputs that reference the ocean and sea workers. I love pub sing'a longs as if I knew them long ago but forgot the words. Andrew! You came, saw, shared, and blew minds!!! See you on the other side, or deep in my dreams about the ocean. Godspeed!!!!!

Cool_Koala
February 21, 2020
Without a doubt, a man who subtly, indirectly influenced everything that I chose to cherish in music. Formative years with Tiny Reminders and everything to do with RGC, right through to his wonderful NTS shows. A charming, funny, beautiful human. Fail we may, sail we must! xxx

ash_p
February 20, 2020
I will forever cherish my memories of dancing to your sets in the early days. I will also cherish all of my records that have your name on them in one way or another. Thank you for your immeasurable contribution to the very fabric of my musical journey. Rest in power Andrew. <3 x
Mike777
February 20, 2020
Like John Peel, sadly missed. A great producer and dj is gone. R.I.P Andrew

soundgestured
February 19, 2020
So much love for this legend of a man, always inspiring and will always continue too. RIP Sir Weatherall x

lumace2468
February 19, 2020
Like a lot of people, I had never seen such a superbly crafted set until I saw him at the White Hotel in Manchester, last year. He was booked to play there again on the 21st of this month. Coming to terms with the fact that that moment will never be repeated is not going to be easy.
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Vart
February 8, 2023