Employing several noise making devices and techniques in their performances, including mobile phones, radio, cassette tape, prepared electric guitar, processed drums, strobe lighting, contact microphones, field recordings and feedback systems, Trans/Human’s concerns lie within the physical act of music making and its relationship to environment and audience. Through their collaboration the duo sought to reflect their inclination towards creating ritualized sonic and visual experiences via a series of improvised performances, resulting in the cassette release, The 8 Hour Dance (2011). A further release on Blackest Rainbow, The Wider, was recorded in early 2012.
Trans/Human’s improvised performances led to important collaborations with New Aktionist artists Nick Kilby and Kris Kanavan. Throughout 2012 Trans/Human have developed their performances to use the artist’s body as a conduit between noise and audience. By amplifying objects used by Kilby or Canavan during these performances, Trans/Human have added to their repository of noise making devices, bringing together performance and sound art in an innovative and engaging way.