As a musician he has played on more than 35 different recordings alongside artists such as Steven Bernstein, Giorgio Gaslini, Michael Manring, Markus Stockhausen, the Rova Saxophone Quartet, to name but a few, and has also performed at numerous international Music Festivals together with artists such as Carla Bley, Mederic Collignon, Garrison Fewell, Paolo Fresu, Mark Baldwin Harris, Lee Konitz, Boris Savoldelli, Maria Schneider, Giovanni Sollima, Elliott Sharp, John Surman, Steve Swallow, Henry Threadgill, Tino Tracanna, and many more besides.
He has been the founder and leader of several bands including the Merlin UN-Covered Music Project which was recently selected by the Italian Jazz Magazine 'JazzIt' to represent the new wave of Italian Jazz at Webnotte, a television broadcast hosted by Repubblica TV / Radio Capital TV. Worthy of note amongst his more recent musical endeavours are his solo guitar and electronics album "Unframed... Straight Ahead!" (a successful crowdfunding project); the album "Act I: Notes in Freedom" by Schwingungen 77 Entertainment (a guitar trio comprising Andrea Massaria, Alessandro Seravalle and Enrico Merlin); and participation on the album "Dangereuxorcisms" by NAD (alias Roberto Zorzi e Nic Cosmo Salerno) alongside Scott Amendola, Henry Kaiser and others.
He also writes music for the theatre and for documentaries and promotes, together with Andrea Brunello, an innovative form of interaction between words and sounds which they call "Jazz Teatrale" (Theatre Jazz). At the Fringe Festival of Edinburgh in 2013, Enrico performed for an entire month in the show "The Principle of Uncertainty".
In 2015 he was elected one of the 10 best Italian guitar players by Jazzit Magazine readers.
On the musicology front, Enrico has an undisputed worldwide reputation as one of the most important experts on the music of Miles Davis. His comprehensive and painstakingly detailed catalogue of released and unreleased works, parts of which have been published both in written and in multimedia form (first and foremost the DVD «A Different Kind of Blue – Miles Davis at Isle of Wight», Eagle Vision), led to his nomination back in the 90's by Gordon Meltzer (Davis' last producer) as the official discographer for the milesdavis.com website.
In 1996 he was invited to the annual Miles Davis Convention, held in St. Louis at Washington University, where he presented a paper on the subject of non verbal communication and coded phrases. The transcription of the presentation was later integrated in a course at the Harvard University Extension School: "Music E-145, Electronic Music, History and Aesthetics of Popular Music Since the 1960s".
He has been the inspiration and guiding light for a number of multimedia exhibitions including "I Suoni di Miles Davis" for the Veneto Jazz Festival in 2006, "Miles Davis, tra visibile e invisibile" for Clusone Jazz in 2009, and "Kind of Miles" for I Teatri di Reggio Emilia in 2011.
In September 2009, he published the book "Bitches Brew – Genesi del capolavoro di Miles Davis", written with Veniero Rizzardi and published by Il Saggiatore. The book was subsequently translated into Spanish and published by Global Rhythm.
In November 2012, he published a new book "1000 dischi per un secolo. 1900-2000", (960 pages, Il Saggiatore) dedicated to the history of Western Music seen through the evolution of recording techniques and the innovation in musical languages.
Enrico holds regular seminars and workshops in many of the most important music schools and italian conservatories and in 2014 he became a member of the prestigious teaching staff of the Nuoro Jazz Seminars.
He has also been the artistic director of the NonSoloJazz Festival (now known as TrentinoinJazz) since 2003.