In 2001, the portrait concert of Vykintas Baltakas' compositions was held at the Gasteig in Munich. In 2002 the Kölner Philharmonie conducted by Sylvain Cambreling premiered Baltakas' work Poussla for orchestra. In 2003 Vykintas Baltakas was awarded the Claudio Abbado International Prize for composition; in the same year his works were performed at concerts in London, Berlin (MaerzMusik), Strasbourg (Ars musica), Paris; the world premiere of his work about to drink dense clouds, commissioned by Wiener Festwochen and Klangforum Wien, took place in Vienna (conducted by the composer). In 2007 Baltakas received the Siemens Foundation Prize.
On May 18, 2004 the world premiere of his chamber opera Cantio took place at the Münchener Biennale. This work was presented for the Lithuanian audience at the Gaida festival in 2004, and was acclaimed the Best Lithuanian Musical Composition of the year in the category of stage works.
Vykintas Baltakas' compositions have been published by Universal Edition in Vienna and Aust Musik Verlag in Cologne.
As a conductor, Vykintas Baltakas works with such ensembles as the Symphonieorchester des Bayerischen Rundfunks (BR), Rundfunk-Sinfonieorchester Berlin, WDR-Sinfonieorchester Köln, Deutsches Symphonie-Orchester Berlin, Ensemble Modern, Klangforum Wien and others. In 2003 Vykintas Baltakas presented the premiere of Karlheinz Stockhausen's new work for orchestra and choir Hoch-zeiten at the Cologne Philharmonic Society with the WDR-Sinfonieorchester Köln.
Compositions by Vykintas Baltakas are characterised by precise research and subsequent deliberate manipulation of the musical material. He does not try to conform to any stylistic conventions and establishes his own musical criteria for each work. His relatively small oeuvre contains some elements of theatre, wit and irony. However, each work by this highly self-critical composer is extremely tightly structured.
The mental points of departure of his compositions vary widely: they are specific or metaphorical images, lyric poetry, formal models or certain energy patterns. In his orchestral work "Pusline", premiered in 2002, the composer imagined an ever-changing rotating energy field, which opens new listening perspectives.
Baltakas often reworks his pieces after the premiere, making his whole oeuvre look like a single large-scale work in progress. Despite its rather straightforward design, his music often reveals a sensitive, at times even intuitive character. "Some of my pieces have such delicate sound that they find themselves on the border between sound and non-sound, being and non-being. Therefore, a certain impetus is required to maintain this sound. I have an image of a feather floating in the air, kept aloft by light puffs of wind."