Jelly Roll Morton

Jelly Roll Morton

Real Name:
Ferdinand Joseph Lamothe
Profile:
American pianist, bandleader and composer, often considered as the first true composer of jazz music.
Born 20/09/1885 or 20/10/1890 in New Orleans, Louisiana, USA. Died 10/07/1941 in Los Angeles, California, USA.

Inducted into Rock And Roll Hall of Fame in 1998 (Early Influence).
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Jelly Roll Morton Discography

Albums

Vol. IV, JM-25 / JM-26 / JM-27 / JM-28 / JM-29 / JM-30 / JM-31 / JM-32 Jelly Roll Morton The Saga Of Mr. Jelly Lord Vol. IV - The Spanish Tinge (Album) Circle Records (10), Circle Records (10) Vol. IV, JM-25 / JM-26 / JM-27 / JM-28 / JM-29 / JM-30 / JM-31 / JM-32 US 1947 Sell This Version
Vol. XI, JM-75 / JM-76 / JM-77 / JM-78 / JM-79 / JM-80 / JM-81 / JM-82 Jelly Roll Morton The Saga Of Mr. Jelly Lord Vol. XI - In New Orleans (Album) Circle Records (10), Circle Records (10) Vol. XI, JM-75 / JM-76 / JM-77 / JM-78 / JM-79 / JM-80 / JM-81 / JM-82 US 1947 Sell This Version
Vol. II, JM-9 / JM-10 / JM-11 / JM-12 / JM-13 / JM-14 / JM-15 / JM-16 Jelly Roll Morton The Saga Of Mr. Jelly Lord Vol. II - Way Down Yonder . . . (Album) Circle Records (10), Circle Records (10) Vol. II, JM-9 / JM-10 / JM-11 / JM-12 / JM-13 / JM-14 / JM-15 / JM-16 US 1947 Sell This Version
CR-8, 587, 588, 589, 590, 591 Jelly Roll Morton New Orleans Memories (Album) Commodore, Commodore, Commodore, Commodore, Commodore, Commodore CR-8, 587, 588, 589, 590, 591 US 1947 Sell This Version
Vol. IX, JM-61 / JM-62 / JM-63 / JM-64 / JM-65 / JM-66 / JM-67 / JM-68 Jelly Roll Morton The Saga Of Mr. Jelly Lord Vol. IX - Alabama Bound (Album) Circle Records (10), Circle Records (10) Vol. IX, JM-61 / JM-62 / JM-63 / JM-64 / JM-65 / JM-66 / JM-67 / JM-68 US 1947 Sell This Version
Vol. VI, JM-41 / JM-42 / JM-43 / JM-44 / JM-45 / JM-46 Jelly Roll Morton The Saga Of Mr. Jelly Lord Vol. VI - The Jazz Piano Soloist (Album) Circle Records (10), Circle Records (10) Vol. VI, JM-41 / JM-42 / JM-43 / JM-44 / JM-45 / JM-46 US 1947 Sell This Version
Vol. X, JM-69 / JM-70 / JM-71 / JM-72 / JM-73 / JM-74 Jelly Roll Morton The Saga Of Mr. Jelly Lord Vol. X - The Jazz Piano Soloist . . . 2 (Album) Circle Records (10), Circle Records (10) Vol. X, JM-69 / JM-70 / JM-71 / JM-72 / JM-73 / JM-74 US 1947 Sell This Version
Vol. III, JM-17 / JM-18 / JM-19 / JM-20 / JM-21 / JM-22 / JM-23 / JM-24 Jelly Roll Morton The Saga Of Mr. Jelly Lord Vol. III - Jazz Is . . . Strictly Music (Album) Circle Records (10), Circle Records (10) Vol. III, JM-17 / JM-18 / JM-19 / JM-20 / JM-21 / JM-22 / JM-23 / JM-24 US 1947 Sell This Version
L 14005, L-14005 Jelly Roll Morton The Saga Of Mr. Jelly Lord - Vol. V (Bad Man Ballads) Circle Records (10), Circle Records (10) L 14005, L-14005 US 1950 Sell This Version
L 14012, L-14012 Jelly Roll Morton The Saga Of Mr. Jelly Lord - Vol. XII (I'm The Winin' Boy) Circle Records (10), Circle Records (10) L 14012, L-14012 US 1950 Sell This Version
L 14007, L-14007 Jelly Roll Morton The Saga Of Mr. Jelly Lord - Vol. VII (Everyone Had His Own Style) Circle Records (10), Circle Records (10) L 14007, L-14007 US 1950 Sell This Version
L 14008, L-14008 Jelly Roll Morton The Saga Of Mr. Jelly Lord - Vol. VIII (Jelly And The Blues) Circle Records (10), Circle Records (10) L 14008, L-14008 US 1950 Sell This Version
L 14001, L-14001 Jelly Roll Morton The Saga Of Mr. Jelly Lord - Vol. I (Jazz Started In New Orleans) Circle Records (10), Circle Records (10) L 14001, L-14001 US 1950 Sell This Version
L 14001 - L 14012 Jelly Roll Morton The Saga Of Mister Jelly Lord - Vol. I - Vol. 12(12xLP, Mono) Circle Records (10) L 14001 - L 14012 US 1950 Sell This Version
LX-3008 Jelly Roll Morton Jelly Roll Morton's Red Hot Peppers Vol. 1(10") "X" LX-3008 US 1954 Sell This Version
AL 3519 Jelly Roll Morton Solos(LP, Album) London Records AL 3519 UK 1954 Sell This Version
RLP 1041 Jelly Roll Morton Classic Jazz Piano: Volume 2(10", Album, Mono) Riverside Records RLP 1041 US 1954 Sell This Version
RLP 12-102 New Orleans Rhythm Kings with Jelly Roll Morton New Orleans Rhythm Kings with Jelly Roll Morton - N.O.R.K. (Album) Riverside Records RLP 12-102 US 1955 Sell This Version
RLP 12-132 Jelly Roll Morton Mr. Jelly Lord(LP) Riverside Records RLP 12-132 US 1956 Sell This Version
RLP 12-111 Jelly Roll Morton Classic Piano Solos (Album) Riverside Records RLP 12-111 US 1957 Sell This Version
RD-27113 LPM-1649 Jelly Roll Morton The King Of New Orleans Jazz (Album, Comp) RCA Victor RD-27113 LPM-1649 UK 1959 Sell This Version
RLP 140 Jelly Roll Morton Rags & Blues, Volume III Of Selections From The Library Of Congress Recordings Riverside Records RLP 140 UK 1960 Sell This Version
RLP 12-133 Jelly Roll Morton Plays and sings volume II(LP, Mono) Riverside Records RLP 12-133 US 1960 Sell This Version
RD-27184 Jelly Roll Morton The King Of New Orleans Vol. 2(LP) RCA RD-27184 UK 1961 Sell This Version
430269 Jelly Roll Morton Volume 2(LP) RCA 430269 France 1962 Sell This Version

Reviews

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Alain_Patrick

Alain_Patrick

April 7, 2006
edited over 10 years ago
During the nineteenth century, people from all over the World would come to New Orleans, creating a melting pot of different ethnical and cultural origins. A fine example to illustrate this situation is the ‘Créoles’. Descending from French and African families, they had whiter skins than the blacks, but darker skins than the whites; they identified themselves with their European parents and learned the ways of classical music, though they also had a strong attachment with their afro origins.
Jelly Roll Morton, an essential character of the American music history, is a shine example. Born Ferdinand Joseph La Menthe, this proud ‘créole’ of color was claimed an essential name on the origin of Jazz, for he was among the first to create a relevant amount of compositions for the genre. Before him, the piano was basically a lady’s instrument on his environment – but one day, he saw a man playing a beautiful piece of Ragtime, and then he realized piano was not only an instrument for women, but for anyone - as long as this 'anyone' could play 'the keyboards' with excellence. Jelly Roll Morton, whose nickname was a synonym for sexual movements, became an exceptional piano player. After all, knew how to blend the elements of Ragtime, Ministrelcy and Blues together into a new, complex and improvised kind of music. This new-born style of improvising, dynamic and creative patterns would become by the way America's main musical identity on the years to come.

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