Largely ignored during their tenure (but revered and referenced in the years after their breakup) and often compared to UK contemporaries like Joy Division, Comsat Angels, The Fall, or Wire, Nocturnal Projections stood well apart - never enjoying the luxuries of unlimited studio time, music videos or international fame, the NPs possessed a driven, rough-hewn serrated edge that cut through the lot comparisons to the UK post-punk exports of the era. They were ahead of their time, completely singular, and for those that had the benefit of seeing Nocturnal Projections play live – formative, with a dedicated cult following to this day.
– formative, with a dedicated cult following to this day.
As residents of New Plymouth’s Lion Tavern during their first year as a band, they perfected their soaring, impactful live set locally (often as the only band, without an opener and 3 hours to fill!) before heading off to Auckland in January of 1982, performing with bands like The Fall, John Cooper Clarke, and New Order at venues like The Mainstreet Cabaret, The Rumba Bar and Reverb Room. Over the next two years in Auckland the band would write nearly 100 songs, play over 150 gigs, and record three EPs at Stebbing Studios: The self-titled and self-released 7” single released April 1st of 1982, with the “Another Year” 12” EP following later that year. Their self-titled three song 12” was recorded in 1983, and released by the band posthumously that June, after the band called it quits.
The Jefferies would move on and regroup with Rutherford and sound engineer Andrew Frengley shortly after the NPs fell apart to work under the This Kind of Punishment banner.
The "Complete Studio Recordings" LP comprises all three of their original vinyl releases remastered, while the "Inmates In Images" LP contains live and rare "off the board" material from key gigs, mixed and mastered.
Nocturnal Projections are hard to pin down: bright, slashing, and prominent guitars with driving, solid basslines and drums in tight lockstep, all with Peter Jefferies’ urgent signature baritone vocals soaring alongside – the result is still perhaps the most energetic, unique, and fresh music to ever emerge from the post-punk scene. The Dais Records reissue albums are must-haves for new listeners and existing NP fans, preserving the legacy of New Zealand’s groundbreaking legends. (taken from www.daisrecords.com)