I would rather this analysis was on the ALICE COOPER Band Page because that Alice Cooper released a good album or two, most notably "Killer", unlike this Alice Cooper which released almost nothing but an endless stream of intentionally Low CRAP without any culturally nutritional value, which was the job he was hired to do by the Mishpuka and the antihuman Rockefeller Foundation type Satanic scumbags and their deleterious social engineering agenda.
In fact there is, in a way, a third Alice Cooper that makes this story fascinating and pertinent far beyond the flabby empty chintz of all the dumb stageprops and cheap spectacle meant to prop up the inadequate patronizing musical content.
The real Alice Cooper IS VINCENT FURNIER but not in his current incarnation. You see, these insider secret aristocracy families have occult power in their blood and are privvy to privelidged information which is why they cannot resist taking advantage of the rest of us, steering our swarming seething hysterical mass this way and that, making us smile or cry depending on THEIR MOOD or goal. The real Alice Cooper was a female witch centuries ago and when Vinent Furnier and his Handlers or Advisers or Controllers or managers discovered this, it was decided that to spearhead the social engineering experiment that was to become this...pile of musical shit decades long and increasingly flavorless (until we end up with "Poison"), Vincen Furnier should adopt the name and attendant association of his prior life, the REAL PERSON, LADY WITCH, ALICE COOPER. One can find vestiges of this truth laying around in various posterities but with revisionist disclaimers to throw us off the scent trail.
So having adopted his prior identity, Alice Cooper/Vincent Furnier became "ALICE COOPER" and promptly got signed by....FRANK ZAPPA, (son of the Chemical Weapons Scientist) who himself is a social engineer which explains why, overtly, Zappa was HIRED BY THE RUSSIANS IN THIS CAPACITY ("Social Engineer") and semi-covertly he was unable to hide his disdain for the entire "Hippie Movement" which he of course knew was not really a movement of the people who had not named themselves the derogatory designation "Hippies" nor given themselves the bullshit masochistic Peace Sign which in reality means "No Protection", because this was foisted upon them by the Élite, who were understandably delighted with HOW FUCKING STUPID WE ARE for listening and watching THEIR BANDS on THEIR TV SHOWS all the while beLIEving that it was sincere counterculture when even a Fourth-Grader can figure out that THE ESTABLISHMENT NEVER ALLOWS (TRULY) ADVERSE CULTURE INTO ITS CONTROLLED VENUE; the best we get is a SIMULATION OF WHAT THEY THINK WE WANT, that is, their doctrine of "Controlled Opposition" which lives to this day in the "broadcasts" of Alex Jones, whose show employs the same alpha-state-inducing sigil magic semi-liminal computer graphic filigree that insidiously assaults us on all the major network news PROGRAMS.
So, Alice Cooper IS going to hell, and he is going to pay for his parasitic solipsism for a long time.
Recall THE BEATLES first or second album cover, there was a version that was not used which depcted them COVERED IN DEAD BABIES simulated with doll parts. You're going to be seeing alot more of these DOLL PARTS whenever you're unfortunate enough to look at the clever evil shit these pathetic fucktards sling at us because DENIGRATING US IS THEIR SPORT and they think --and practice!-- that HUMAN BABIES EXIST AS ENERGY TOOLS TO FURTHER THEIR OPULENCE. You'll see these doll parts onstage during Alice's show, being dismembered and defiled because they enjoy seeing the public innocently revel in the Druidic bacchanalia so blissfully ignorant of the meaning.
which brings us to "BILLION DOLLAR BABY", and the baby depicted on that album cover who later was SAID to die of "Crib Death" which somehow seemed to benefit the mother's career as is de riguer with this lot.
Finally, I don't think I need to reveal the hidden significance of one of Alice's FEW GOOD ORIGINALS, "Dead Babies" off of "Killer" (on his limp New Wave bandwagon jump "Flush the Fashion" he did THE MUSIC MACHINE's "Talk Talk" but that's a cover), because, I hope, you're starting to get the infanticidal picture. Yes, they have guilt despite their sturdy sense of entitlement which is why they sometimes seem surprised to be Still Alive, as if the Karma lost their plutocrat address. I'm not sure that the famous story about the Alice Cooper Band being on tour, under the Aegis of Shep Gordon, flying across Europe in the airplane with his name on it when an engine caught fire, really was an accident because, I suspect the pilots may have had a laugh at Cooper and the Band's expense, so quickly did the engine fire somehow extinguish itself and all safety return; my point is the pilot seemed to know such a ruse would work because Cooper feels like he should die, as evidenced by his incredulous mein in the wake of this aeronautical scare.
Lastly, I salute Hevy Thundarr, bastard son of Alice Cooper who (seems to have?) left the cult and rejected his deadbeat dad, growing up fatherless on the beach but ultimately choosing the path that a knowing soul would take.

Why do we have an "Alice Cooper" and an "Alice Cooper (2)" when they are the same artist?