Theorem

Theorem (also known as Dale Lawrence) and this is no understatement especially around the 2000-era, created a series of forward-moving singles out of the shadows from his work, on the Plus 8 Records label. Working within conceptual, creative factors and self-discipline, he is 1 of Detroit’s next generation of hybrid-techno producers, who made advancing factors and steps, through this introspective series of singles collected on the CD Ion, on the M_nus record label in 1999.

Theorem’s debut live attempt in Toronto in 1996, was interrupted mid-set as police shut down the event. 1 year later in Graz, Austria, his 1st true performance went off, playing at the Steirischer Herbst (a Styrian cultural arts festival). During 1998 he performed brilliant sets at Minus’ Consumed event outside Detroit, alongside Autechre in Toronto. And performed in 1998 at the FCMM New Media Festival in Montreal, Canada. It is ‘all-in-day’ for Theorem and his music does not allow obstacles and obstructions.

Theorem also performed live on stage, at the Detroit Electronic Music Festival (DEMF) in 2000, that was a landmark performance in deep techno and deep minimal. ‘Glorious!’ as Carl Craig commented standing next to him on stage, at the beginning of his DEMF 2000 performance.

Through the growth of his own material and the local underground scene, Theorem built a relationship with Richie Hawtin and the Plus 8 Records label. After demo-communication over almost 2 years, his debut release, the near-ambient house full-length album called Nano was released in March 1996, on Plus 8 Records label. It received great response throughout North America and Europe, acquiring positive press coverage and strong radio play, from Detroit’s eclectic radio station WDET-FM 101.9, to Germany, and all through the United Kingdom and beyond. A true underground gem, cherished by 1st generation underground internet listeners.

After the presence of Nano, the sound structure of Theorem had gone through a metamorphosis. Between early 1996 and mid-1997, he found inspiration from the German triangle of dub-minimalist producers such as Basic Channel, Chain Reaction and Studio 1. Minimally speaking, local producers like Daniel Bell and Robert Hood were already stripping their sound down to the essentials, composing with modern time signatures. Similar frequencies were also heard in the developing sounds on the year-long recording project of Richie Hawtin’s 1996 Concept 1 release. Elements from these new forms merged with his own style, illustrated in the follow-up 1997 single Mantra One on the Plus 8 Records label. The single featured Os and Dos, that were 2 ambient experiments and equally as impressive as the dancefloor-friendly Mantra One and Clone.

In 1997 he completed a heavy load of recording, mainly during the winter months. The bulk of these sessions are presented as 4 separate singles (or elements) within the 1998 TH vinyl EP series. The series is highlighted by the track Shift, that features a drive-by recording of Detroit’s interstate I-75 highway, just yards from his home. The TH vinyl EP series was released in May 1999, on the CD compilation Ion (TH5). The following month, Theorem was invited to perform at the 3-day Sónar music festival in Barcelona, Spain, featured many established and next-wave artists from all around the globe.

020100 (Swayzak Mix) by Swayzak versus Theorem in 2002, clearly defined a very rare niche strain of deep minimal music, called progressive deep minimal (a genre named by Thomas of 2000undergroundmusic in 2023).

The compilation THX – Experiments In Synchronicity on the M_nus record label in 2002, crafted (or rather assembled) between 2000–2001, was a true year 2000 technological experiment and collaboration, born out of technology. With the use of phone lines, CDRs and FTP uploads, not to mention the communal wide-spread introduction and use of the internet (that allowed new forms of communication and influenced the world’s behaviour at DSL speed…). Theorem provided source audio material to Swayzak, Stewart Walker and Sutekh, who then tweaked, layered, arranged and produced the end results. While trading audio clips, sounds and snippets back-and-forth, through the internet using 4KBPS dial-up modems, Theorem and collaborating industry-leading friends, crafted a new tectonic sound hybrid, rather than simply remixing each other’s work. The end result is a fantastic display of risk, restraint and amazing journeys.