Foetus
Real Name:
James George Thirlwell
Profile:
Foetus is a main solo project and 'one-man band' of Australian polystylistic composer, multi-instrumentalist, experimental sound artist and producer J.G. Thirlwell. Jim Thirlwell conceived the basic Foetus concept when he relocated to London in 1978. He composed everything and recorded all instruments himself, handling the entire production, even drawing illustrations and designing artworks, but for each album, he would invent a new 'band' with a word 'foetus' in a deliberately profane/offensive name. The debut single, Foetus Under Glass* - Spite Your Face / OKFM 7", was released in 1981 through Thirlwell's own label Self Immolation. Soon after, Thirlwell adopted a next moniker You've Got Foetus On Your Breath, and produced a debut and sophomore full-length albums Deaf and Ache in 1981-82.
In 1984, Thirlwell permanently relocated to New York City, and ever since he had been closely associated with a 'local' (and internationally renowned) avant/industrial/fringe/free improv underground NYC scene. The next two albums, Hole (1984) and Nail '85, were again arranged, performed and produced solely by J.G. Thirlwell, and released under Scraping Foetus Off the Wheel alias. The concept was again re-invented as Foetus Interruptus three years later, for the fifth album Thaw in 1988. All known Foetus aliases and name variations were presented on Foetus Inc* - Sink compilation in 1989, a collection of rare b-sides and unreleased tracks.
During the eighties, Foetus was almost exclusively a solo project for Thirlwell (occasionally credited as Clint Ruin) in the studio, but live he was supported by a group of musicians from industrial/experimental bands and projects like Swans, Prong and <PIG>. They would appear as simply 'Foetus' (in the later years) or yet another Foetus side-project/deviation, such as Foetus Corruptus (captured live in 1988 somewhere in Europe on the 'official bootleg' Rife). In November 1990, an extended configuration of the band, Foetus In Excelsis Corruptus Deluxe, played a concert at the Manhattan's legendary CBGB, which is documented on Male 2xCD, the project's second official live album, released by Big Cat in 1992.
In 1995, Foetus presented their best-known album and the only record produced by a major label, Gash. It was distributed internationally, and released via Columbia in USA & Canada, Rough Trade in Germany, Big Cat in the United Kingdom, and Sony Music Records in Australia and Japan. 'Gash' was the first studio work by Foetus prominently featuring other musicians beside Thirlwell: drummer Vinnie Signorelli, who already played with Foetus live on many occasions, as well as Tod Ashley (bass), Marc Ribot (guitar), and Steven Bernstein (trumpet). The band's third live album Boil was recorded during Rednecropolis 96 tour in Europe, featuring Brian Emrich on bass, William Tucker and Kurt Wolf on guitars, Rob Sutton with keyboards & guitar, and Jim Kimball on drums.
Foetus returned five years later with a new studio album Flow, released by Thirsty Ear (USA) and Nois-O-Lution (Germany) in May 2001. This record marked the transition back to solo Foetus, with all instruments and production by J.G. Thirlwell. It was paired with Blow remix album, featuring Amon Tobin, Pan Sonic, Kid606, DJ Food, Panacea and several others. On subsequent albums, Jim Thirlwell is responsible for all instruments and vocals, though every album features at least 3-4 tracks recorded with collaborators and guest musicians.
A few conceptual themes in Foetus discography include album titles, which are all four-letter monosyllables, and gradual introduction of color in cover artwork: the first three albums only used black, white and red, with the addition of yellow on 'Nail,' and finally full-color artworks were introduced since 'Gash.' Foetus adopted a new visual identity and style in 2004, reverting to black-white-red gamma.
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Extended live configurations:
Foetus Corruptus
J.G. Thirlwell as Clint Ruin – vocals
Algis A. Kizys – bass
Norman Westberg – guitar
Ted Parsons – drums
Ray Scaballero (Raymond Watts) – keyboards, guitar
Foetus In Excelsis Corruptus Deluxe
Clint Ruin – vocals
Algis Kizys – bass
Norman Westberg – guitar
David Ouimet – trombone, sampler
Hahn Rowe – violin, guitar
Vinnie Signorelli – drums
The Foetus Symphony Orchestra
A one-off project, supergroup which played live once at Anchorage, Brooklyn in July 1996, featuring Thirlwell plus seven members of Swans, Unsane, Cop Shoot Cop, Pussy Galore (2), Boss Hog, Lounge Lizards and Elysian Fields. The performance is documented on York (First Exit To Brooklyn) album, released in 1997.
J.G. Thirlwell – vocals, percussion, tin whistle, conch
Brian Emrich – bass, bass synthesizer, guitar /w E-bow
Steven Bernstein – trumpet, slide trumpet
Oren Bloedow – guitar, electric oud
Marcus Rojas – tuba, didgeridoo
Lydia Lunch – narrator
David Ouimet – trombone
Vinnie Signorelli – drums
Kurt Wolf – guitar
In 1984, Thirlwell permanently relocated to New York City, and ever since he had been closely associated with a 'local' (and internationally renowned) avant/industrial/fringe/free improv underground NYC scene. The next two albums, Hole (1984) and Nail '85, were again arranged, performed and produced solely by J.G. Thirlwell, and released under Scraping Foetus Off the Wheel alias. The concept was again re-invented as Foetus Interruptus three years later, for the fifth album Thaw in 1988. All known Foetus aliases and name variations were presented on Foetus Inc* - Sink compilation in 1989, a collection of rare b-sides and unreleased tracks.
During the eighties, Foetus was almost exclusively a solo project for Thirlwell (occasionally credited as Clint Ruin) in the studio, but live he was supported by a group of musicians from industrial/experimental bands and projects like Swans, Prong and <PIG>. They would appear as simply 'Foetus' (in the later years) or yet another Foetus side-project/deviation, such as Foetus Corruptus (captured live in 1988 somewhere in Europe on the 'official bootleg' Rife). In November 1990, an extended configuration of the band, Foetus In Excelsis Corruptus Deluxe, played a concert at the Manhattan's legendary CBGB, which is documented on Male 2xCD, the project's second official live album, released by Big Cat in 1992.
In 1995, Foetus presented their best-known album and the only record produced by a major label, Gash. It was distributed internationally, and released via Columbia in USA & Canada, Rough Trade in Germany, Big Cat in the United Kingdom, and Sony Music Records in Australia and Japan. 'Gash' was the first studio work by Foetus prominently featuring other musicians beside Thirlwell: drummer Vinnie Signorelli, who already played with Foetus live on many occasions, as well as Tod Ashley (bass), Marc Ribot (guitar), and Steven Bernstein (trumpet). The band's third live album Boil was recorded during Rednecropolis 96 tour in Europe, featuring Brian Emrich on bass, William Tucker and Kurt Wolf on guitars, Rob Sutton with keyboards & guitar, and Jim Kimball on drums.
Foetus returned five years later with a new studio album Flow, released by Thirsty Ear (USA) and Nois-O-Lution (Germany) in May 2001. This record marked the transition back to solo Foetus, with all instruments and production by J.G. Thirlwell. It was paired with Blow remix album, featuring Amon Tobin, Pan Sonic, Kid606, DJ Food, Panacea and several others. On subsequent albums, Jim Thirlwell is responsible for all instruments and vocals, though every album features at least 3-4 tracks recorded with collaborators and guest musicians.
A few conceptual themes in Foetus discography include album titles, which are all four-letter monosyllables, and gradual introduction of color in cover artwork: the first three albums only used black, white and red, with the addition of yellow on 'Nail,' and finally full-color artworks were introduced since 'Gash.' Foetus adopted a new visual identity and style in 2004, reverting to black-white-red gamma.
----------
Extended live configurations:
Foetus Corruptus
J.G. Thirlwell as Clint Ruin – vocals
Algis A. Kizys – bass
Norman Westberg – guitar
Ted Parsons – drums
Ray Scaballero (Raymond Watts) – keyboards, guitar
Foetus In Excelsis Corruptus Deluxe
Clint Ruin – vocals
Algis Kizys – bass
Norman Westberg – guitar
David Ouimet – trombone, sampler
Hahn Rowe – violin, guitar
Vinnie Signorelli – drums
The Foetus Symphony Orchestra
A one-off project, supergroup which played live once at Anchorage, Brooklyn in July 1996, featuring Thirlwell plus seven members of Swans, Unsane, Cop Shoot Cop, Pussy Galore (2), Boss Hog, Lounge Lizards and Elysian Fields. The performance is documented on York (First Exit To Brooklyn) album, released in 1997.
J.G. Thirlwell – vocals, percussion, tin whistle, conch
Brian Emrich – bass, bass synthesizer, guitar /w E-bow
Steven Bernstein – trumpet, slide trumpet
Oren Bloedow – guitar, electric oud
Marcus Rojas – tuba, didgeridoo
Lydia Lunch – narrator
David Ouimet – trombone
Vinnie Signorelli – drums
Kurt Wolf – guitar
Sites:
Aliases:
Bubba Kowalski,
Clint Ruin,
Frank Want,
J.G. Thirlwell,
Karl Satan And The Transvestites From Hell,
Manorexia,
Phillip Toss,
Steroid Maximus,
Xordox
Variations:
Viewing All
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Foetus
'Foetus In Your Bed, F.A.T., F.U.G., Foetus And The Transvestites From Hell, Foetus Art Terrorism, Foetus Corp., Foetus Corruptus, Foetus Eruptus, Foetus In Excelsis Corruptus Deluxe, Foetus In Your Bed, Foetus Inc, Foetus Inc., Foetus Inc. J. G. Thirlwell, Foetus Interruptus, Foetus Over Frisco, Foetus Uber Frisco, Foetus Under Glass, Foetus ~ Art ~ Terrorism, Foetus Über Frisco, Foetus: All Nude Review, Fœtus, J. Foetus, Jim Foetus, Jim Foetus + The Transvestites From Hell, Jim Foetus +The Transvestites From Hell, Phillip & His Foetus Vibrations, Phillip And His Foetus Vibrations, S.F.O.T.W, S.F.O.T.W., Scraping Foetus Of The Wheel, Scraping Foetus Off The Wheel, Scraping Jim Foetus, Scrapping Foetus Off The Wheel, The Foetus All Nude Revue, The Foetus All-Nude Revue, The Foetus Nude Revue, The Foetus Of Excellence, YGFOYB, You've Got Foetus On Your Breath, You’ve Got Foetus On Your Breath, フィータス
Marketplace
2,257 For SaleImage | Title | Label | Catalog Number | Year | In Your Collection, Wantlist, or Inventory | Actions | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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WOMB OYBL 1 |
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You've Got Foetus On Your Breath* | Deaf (Album) | Self Immolation | WOMB OYBL 1 | UK | 1981 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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WOMB OYBL 2, womb oybl 2 |
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You've Got Foetus On Your Breath* | Ache (Album) | Self Immolation, Self Immolation | WOMB OYBL 2, womb oybl 2 | UK | 1982 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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PVCC 9903 |
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Scraping Foetus Off The Wheel* | Hole (Album) | Self Immolation, Some Bizzare | PVCC 9903 | US | 1984 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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WOMB FIP 4 |
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Scraping Foetus Off The Wheel* | Nail (Album) | Self Immolation, Some Bizzare | WOMB FIP 4 | Sweden | 1985 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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RIFLE 1 |
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Foetus Corruptus* | Rife (Album) | Rifle | RIFLE 1 | UK | 1988 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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WOMB FIP 5 |
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Foetus Interruptus* | Thaw (Album) | Self Immolation, Some Bizzare | WOMB FIP 5 | UK | 1988 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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ABB31/2CD |
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Foetus In Excelsis Corruptus Deluxe* | Male (Album) | Big Cat | ABB31/2CD | UK | 1992 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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CT 66461 |
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Foetus | Gash (Album) | Big Cat | CT 66461 | US | 1994 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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CLP 9789-2 |
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Foetus | Boil (Album) | Big Cat, Big Cat, Ectopic Ents | CLP 9789-2 | US | 1996 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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BNCD 002-003 |
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Foetus | Null/Void (Comp, EP) | Big Cat | BNCD 002-003 | Japan | 1996 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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none |
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Foetus | Flow (Album) | Thirsty Ear | none | Germany | 2001 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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THI57109.2 |
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Foetus | Blow (Comp, Album) | Thirsty Ear | THI57109.2 | US | 2001 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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none |
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Foetus | Love (Album) | Birdman Records, Ectopic Ents | none | UK | 2004 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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ect ents 028 |
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Foetus | Damp (CD, Album) | Ectopic Ents | ect ents 028 | US | 2006 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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bmr103, ECT ENTS 029 |
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Foetus | Vein (CD, Album, Enh) | Birdman Records, Ectopic Ents | bmr103, ECT ENTS 029 | US | 2007 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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ECT ENTS 033, ectents 033 |
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Foetus | Hide (CD, Album) | Ectopic Ents, Ectopic Ents | ECT ENTS 033, ectents 033 | US | 2010 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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ECT ENTS 035, ect ents 035 |
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Foetus | Soak (Album) | Ectopic Ents, Ectopic Ents | ECT ENTS 035, ect ents 035 | US | 2013 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Singles & EPs |
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WOMB S.201 |
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Foetus Under Glass* | Spite Your Face / OKFM (Single) | Self Immolation | WOMB S.201 | UK | 1981 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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WOMB ALL007 |
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You've Got Foetus On Your Breath* | Wash It All Off (7") | Self Immolation | WOMB ALL007 | UK | 1981 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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WOMB WSUSC 12.5 |
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Foetus Over Frisco* | Custom Built For Capitalism (12", EP) | Self Immolation | WOMB WSUSC 12.5 | UK | 1982 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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WOMB KX 07 |
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Phillip And His Foetus Vibrations* | Tell Me, What Is The Bane Of Your Life (7", Single) | Self Immolation | WOMB KX 07 | UK | 1982 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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YW-7423-AX |
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Foetus ~ Art ~ Terrorism* | Calamity Crush (Single) | Self Immolation, Some Bizzare | YW-7423-AX | Japan | 1984 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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WOMB UNC 7.12 |
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Foetus Über Frisco* | Finely Honed Machine | Self Immolation | WOMB UNC 7.12 | UK | 1985 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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WOMB FGH 8.12 |
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You've Got Foetus On Your Breath* | Wash & Slog | Self Immolation, Some Bizzare | WOMB FGH 8.12 | UK | 1984 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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WOMB PIG 12.12 |
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Scraping Foetus Off The Wheel* | Ramrod / Boxhead (EP) | Self Immolation | WOMB PIG 12.12 | UK | 1987 | Sell This Version |
Reviews Show All 9 Reviews
mattyg107
February 2, 2012
edited over 11 years ago
J.G. Thirlwell? Clint Ruin? Karl Satan? Frank Want?? The many aliases he has just hint at the level of cerebral brilliance he has. The man who has been mimicked or turned mainstream like a previous review stated, which is fact that some fools don't want to accept (NiN, Manson, even Ministry, but they are actually creative and good) over and over he's been ripped off and still remains on top and much more creative. Where the previous bands mentioned had some moments but never really surpassed any of his work, this man has kept evolving and evolving. The multiple layered orchestral, bombast movements he focuses on now are not at all like the noisy frank zappa meets einsturzende nuebaten barrage of sound he was known for coining, but much more mature. Steroid Maximus, Manorexia (which is now him working with an actual symphony) Baby Zizanie, Wiseblood, his work with Marc Almond, Lydia Lunch, Chrome Cranks, How many side projects do the phonies have?? They are too busy milking an album for 5 years cause they have no real material but what they've stolen from this genius.
tanzcafe
April 5, 2011
He will ever be THE diamond for all the people how know him! A totaly master of post-industrial music. I would say every household needs a minimum of 3 CDs of foetus!
playbackwards
June 9, 2010
edited over 9 years ago
JGT is exceptionally talented. He has never compromised. He's always unique. He doesn't satisfy a target market. "How many centuries does a spirit need in order to be understood?"
marc23133
August 20, 2009
Genius is a much overused word in the music world, but it barely comes close to describing the magnificent and utterly unique Jim Thirlwell. It amazes me that his talent is not spoken of or written about or recognised in the same breath as only a very select few are - lee perry, george clinton, prince, even james brown and phil spector.
Jim certainly deserves to be up there, his early releases are must haves, simply for their sheer energy and virtuosity (in terms of musicality and production).
Jim certainly deserves to be up there, his early releases are must haves, simply for their sheer energy and virtuosity (in terms of musicality and production).
DougieBoomBoom
July 24, 2005
edited over 18 years ago
When the Queen remasters where being made he was approached to do the remixes that are featured at the end of each cd and for quite a large sum of money. However, he turned it down because he wasn't intersted. Now that's punk rock.
Richard_23
January 27, 2005
edited over 18 years ago
Foetus is not "huge," relatively speaking, because the industry does not view Thirlwell's gift as a commercial product that can be sold (dumped) in bulk like "hit" driven top-40 drivel. JGT launched and released material on Self Immolation when existing labels expressed no interest in his recordings. He somehow managed to be every bit as powerful and uncompromising live when I saw him in Seattle maybe eight years ago. The boot shaped bruise on my former roomate's forehead from a Clint Ruin headkick was enough to get me to the next show. Oh yeah, baby!
"I'll Meet You in Poland Baby," "Anything," "The Throne of Agony," Wiseblood's "0-0 Where Evil Dwells" are personal favorites that never get old. "Wash It All Off" and dammit, every Foetus track deserves special mention as well. Thirlwell is the real deal: authentic, original, unforgettable.
Helpful tip for virgins: It's not loud enough, turn it up. That's why you're perplexed. You'll know when it's right, you'll feel it.
"I'll Meet You in Poland Baby," "Anything," "The Throne of Agony," Wiseblood's "0-0 Where Evil Dwells" are personal favorites that never get old. "Wash It All Off" and dammit, every Foetus track deserves special mention as well. Thirlwell is the real deal: authentic, original, unforgettable.
Helpful tip for virgins: It's not loud enough, turn it up. That's why you're perplexed. You'll know when it's right, you'll feel it.

mudslut23
August 9, 2003
Why isn't this guy huge! He influenced everybody. Foetus means alot to me. His early sonic explorations were always on my mixtapes. Plus his lyrics were deranged, ironic and super clever. He employed the use of sampling early on. His collaborations with Lydia Lunch were amazing and his remixes for all those metal bands (Prong, White Zombie, Pantera, etc...) were ground breaking. An absolute genius.
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