It influenced my interests in composition. Up to that time, I've composed over 100 songs. Most of them were never performed on a stage because of untypical structures and atmosphere. In full consciousness, I continue to compose music which is far away of entertainment production.
Since 1985, I've composed very different electronic music. My the most important works are:
"Wonny krzyk barw" (The Fragrant Shout of Hues) - the suite of 5 parts composed for synthesizer, tape and piano,
"Hue Rage Music" - 5 tracks of simple form and treatments which are my personal and quite perverse eply for overpraised New Age Music.
"Znak zasluchania" (a Polish pun - a combination of "A question Mark" and "Deep Listening") - the project that contains uncommon structural treatments (by dint of a computer technology) and is distributed in a very original way - by recording music for individual orders of fans. The work has been performed live - also for therapy - because since 1991, I've practised and promoted an ecological style of life with a respect of nature rules.
In 1994, 14 examples of "Znak zasluchania" were released on the cassette "Znak zasluchania - Probki" (Znak zasluchania - The Samples). In 1995, the vocal version of the work was originated. It's entitled "Znak zasluchania - Oratorio" and composed for a soloist, choir, synthesizer and percussion. In the beginning of 1997, I composed music for a theatre play entitled "Meil" (in the Teatr Wspolczesny - The Modern Theatre) that was based on an instrumental version of "Znak zasluchania".
Before - being a composer - I've co-operated with Teatr Lektur (Theatre of Books). I made soundtrack for a play "Demon" based on the poem by the Russian poet Michail Lermontov and I composed a music for a fairytale "Król Bajdus".(King Baydus). Afterwards, I chosed a few fragments of that music and I made a one piece "Bajka dla Adasia" that was released on the album "Hue Rage Music".
Actually, I've worked on a few projects simultaneously. Among them there is the meditative impression entitled "Z prądem" (With a Current) that is based on classical rules of music - flows down a classical stream - and it's my reaction for popular unplugged music.
Since June 1993, I had co-operated with the monthly "Enter" Computer Magazine. I edited the "Moogazyn" column dedicated to electronic music, musicians and events. In March 1997, "Moogazyn" was moved to the monthly "Estrada & Studio" (Stage & Studio). I also wrote a book for beginning users of electronic technology in music: "Introduction into a MIDI - or let's drift along the right channel".
Since October 1996, I go along his second favourite way - I teach Ecology of Mind and Techniques of Meditation. I also co-operat with a monthly "Czwarty Wymiar" (Fourth Dimension). I write features about musicians who makes their works inspired by meditative and metaphysical experiences.
Many times, I've performed on a stege - in clubs, thratres, churches etc. - playing solo and wityh other muscians. I've apeared on the most important festivals and concerts dedicated to electronic music in Poland: Zlot Elektronicznych Fanatyków - ZEF (Gathering of Electronic Fanatics - 1989 in Pisz, 1990 in Karpacz, and 1995 and 1996 again in Pisz), Bliskie Spotkania z Muzyką Science Fiction (Close Encounters with SF Music - 1988 in Warszawa, 1989 in Krakow, and 1990 and 1991 again in Warszawa), Nocne Czekanie na UFO (The Night Waiting for an UFO - 1992 on a Slider Mount by Jelenia Gora), Miedzynarodowe Spotkania Muzyczne - Ambient 2000 (International Music Meetings - in Wisla). During February to June 1999, I had performed a series of concerts entitled "MMM - Music, Multimedia, Mysticism" in galleries of Asia & Pacific Museum in Warszawa.