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Maurizio Bianchi

Profile:
Born: December 04, 1955 // Pomponesco, Mantua, Italy.
Maurizio Bianchi from Milano, Italy, started working in 1979 using pre-recorded filtered sounds and in 1980 bought his own electronic equipment to "produce technological sounds to work for a full awareness of modern decadence".
Sites:
Wikipedia, menstrualrecordings.org, Bookogs
Aliases:
Leibstandarte SS MB, Sacher-Pelz
In Groups:
Maribor, Maurizantes
Variations:
Viewing All | Maurizio Bianchi
[a58566]

Artist


Marketplace 3,089 For Sale

Vinyl and CD
Data Quality
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Albums
Maurizio Bianchi - Voyeur Tape album art MB* Voyeur Tape (Album) YHR Tapes UK 1980 Sell This Version
Maurizio Bianchi - Dicembre 1980 album art M.B.* Dicembre 1980 (Album) Not On Label (Maurizio Bianchi Self-released) Italy 1980 Sell This Version
Maurizio Bianchi - Blut album art Maurizio Bianchi / M.B.* Maurizio Bianchi / M.B.* - Blut (Album) Not On Label (Maurizio Bianchi Self-released) Italy 1980 Sell This Version
none Maurizio Bianchi - Computers S.P.A. album art M.B.* Computers S.P.A. ‎(Cass, Album, C60) Not On Label (Maurizio Bianchi Self-released) none Italy 1980 Sell This Version
Maurizio Bianchi - I.B.M. album art M.B.* I.B.M. (Album) Not On Label (Maurizio Bianchi Self-released) Italy 1980 Sell This Version
Maurizio Bianchi - Atomique Tape album art M.B.* Atomique Tape (Album) Not On Label (Maurizio Bianchi Self-released) Italy 1980 Sell This Version
Maurizio Bianchi - Industrial Tape album art M.B.* Industrial Tape Not On Label (Maurizio Bianchi Self-released) Italy 1980 Sell This Version
Maurizio Bianchi - Mörder Tape album art Maurizio Bianchi Mörder Tape (Album) Not On Label (Maurizio Bianchi Self-released) Italy 1980 Sell This Version
Maurizio Bianchi - Fetish Tape album art M.B.* Fetish Tape (Album) Not On Label (Maurizio Bianchi Self-released) Italy 1980 Sell This Version
Maurizio Bianchi - Gene P album art M.B.* Gene P (Album) Not On Label (Maurizio Bianchi Self-released) Italy 1980 Sell This Version
Maurizio Bianchi - Mectpyo-Blut album art MB* Mectpyo-Blut (Album) Not On Label (Maurizio Bianchi Self-released) Italy 1980 Sell This Version
Maurizio Bianchi - Cold Tape album art M.B.* Cold Tape (Album) YHR Tapes UK 1980 Sell This Version
none Maurizio Bianchi - Gene X album art Maurizio Bianchi Gene X ‎(Cass, Album) Not On Label (Maurizio Bianchi Self-released) none Italy 1980 Sell This Version
none Maurizio Bianchi - What Next, Humans ? album art Maurizio Bianchi What Next, Humans ? ‎(Cass, Album) Not On Label (Maurizio Bianchi Self-released) none Italy 1980 Sell This Version
Maurizio Bianchi - Technology album art Maurizio Bianchi Technology (Album) Not On Label (Maurizio Bianchi Self-released) Italy 1981 Sell This Version
Maurizio Bianchi - T.M.C.T.B. album art M.B.* T.M.C.T.B. (Album) Not On Label (Maurizio Bianchi Self-released) Italy 1981 Sell This Version
Maurizio Bianchi - It Should Be Used Only Once – Tabu album art Lieutenant Murnau & M.B.* Lieutenant Murnau & M.B.* - It Should Be Used Only Once – Tabu (Album) Flowmotion UK 1981 Sell This Version
Maurizio Bianchi - CMRS/OPEA album art Maurizio Bianchi CMRS/OPEA (Album) Not On Label (Maurizio Bianchi Self-released) Italy 1981 Sell This Version
Maurizio Bianchi - N H [Nevro / Hydra] album art MB* N H [Nevro / Hydra] (Album) Not On Label (Maurizio Bianchi Self-released) Italy 1981 Sell This Version
Maurizio Bianchi - TAMBCS album art MB* TAMBCS (Album) Mectpyo Sounds Italy 1981 Sell This Version
none Maurizio Bianchi - Technology 2 album art Maurizio Bianchi Technology 2 ‎(Cass, Album) Not On Label (Maurizio Bianchi Self-released) none Italy 1981 Sell This Version
Maurizio Bianchi - NH/HN album art M.B.* NH/HN (Album) Not On Label (Maurizio Bianchi Self-released) Italy 1981 Sell This Version
Maurizio Bianchi - Symphony For A Genocide album art M.B.* Symphony For A Genocide (Album) Sterile Records UK 1981 Sell This Version
Maurizio Bianchi - Techno-Logy album art M.B.* ~ Lt.Murnau* M.B.* ~ Lt.Murnau* - Techno-Logy (Album) Litanic Germany 1982 Sell This Version
Maurizio Bianchi - Regel album art M.B.* Regel (Album) Mectpyo Sounds Italy 1982 Sell This Version

Reviews Show All 16 Reviews

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tenebrax

tenebrax

October 22, 2018
It's poor music. It is not enough to put Auschwitz or Treblinka in a title to legitimize so little emotion, so little empathy, so little talent. Shostakovich, without using such sinister titles, has given by the scale of his genius, his culture and his music the dimension of this tragedy. I find in MB's slack and pretentious DIY, the recovery of the Holocaust very unwelcome. It is not enough to turn on your amphigorous electronic hardware to make art.
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poneromusikologist

poneromusikologist

April 22, 2015
edited over 4 years ago
i do not want to listen to his music, it's too industrial FOR ME.
Christopherson's lyric "...Crush'd from the Shoulder...", from his song about Pasolini, echoes in mye COIL'd mynde as i gayze upon the countenance of Bianchi (the "Whyte" one?).
i know little of this music, and yes, it is music, as is all sound said to be so.
this paved the way for GNAW THEIR TONGUES, who have made a career and illustrious discography by sourcing everyone else's hard-earned at-least-partially-acoustically-recorded records thru tricked-out playback equipment, mostly with only one or two facile treatments being relied upon --like immoderate reverb applications or cassette deck pitch-dial abuse-- to utterly appropriate (and possibly reinvigorate) the contents and, with relatively little alteration, plagiaristically call it their own.
But do they really OWN the results?
Yes, according to the army of collectors and, even more importantly, the LIKERS of both GNAW THEIR TONGUES and BIANCHI; yes because the treated results are more Liked than the material they larcenously sourced thru their creatively anemic playback equipment-cum-postmodern-meta-instrument.
In the Netherlands GNAW.. is easily bested by JOEL VAN DROOGENBROECK as BIANCHI is by great grandpa RUSSOLO in Italia...however, the winner of this contest of quality is moot because it is GNAW.. and BIANCHI who claim a supremacy of relevancy evident from their sponsorship; curatorial and consumer interest, number of releases and versions thereof; How heartlessly, dehumanizingly Industrial of them to succeed effortlessly --Literally Effortlessly-- while the "everyone" they solipsistically appropriate sucks the eggs of Effort.
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