Maurizio Bianchi

Profile:
Born: December 04, 1955 // Pomponesco, Mantua, Italy.
Maurizio Bianchi from Milano, Italy, started working in 1979 using pre-recorded filtered sounds and in 1980 bought his own electronic equipment to "produce technological sounds to work for a full awareness of modern decadence".
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Artist

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Albums

none Blut (Concrete Music ②) — Maurizio Bianchi Bianchi Maurizio* - M.B.* Bianchi Maurizio* - M.B.* - Blut (Concrete Music ②) (Album) Not On Label (Maurizio Bianchi Self-released) none Italy 1980 Sell This Version
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none I.B.M. — Maurizio Bianchi M.B.* I.B.M. (Album) Not On Label (Maurizio Bianchi Self-released) none Italy 1980 Sell This Version
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none Computers S.P.A. — Maurizio Bianchi M.B.* Computers S.P.A. (Album) Not On Label (Maurizio Bianchi Self-released) none Italy 1980 Sell This Version
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02 Atomique Tape — Maurizio Bianchi M.B.* Atomique Tape (Album) Not On Label (Maurizio Bianchi Self-released) 02 Italy 1980 Sell This Version
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none Industrial Tape — Maurizio Bianchi M.B.* Industrial Tape Not On Label (Maurizio Bianchi Self-released) none Italy 1980 Sell This Version
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none Fetish Tape — Maurizio Bianchi M.B.* Fetish Tape (Album) Not On Label (Maurizio Bianchi Self-released) none Italy 1980 Sell This Version
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none Mörder Tape — Maurizio Bianchi Maurizio Bianchi Mörder Tape (Album) Not On Label (Maurizio Bianchi Self-released) none Italy 1980 Sell This Version
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none Dicembre 1980 — Maurizio Bianchi M.B.* Dicembre 1980 (Album) Not On Label (Maurizio Bianchi Self-released) none Italy 1980 Sell This Version
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YHR 005 Voyeur Tape — Maurizio Bianchi MB* Voyeur Tape (Album) YHR Tapes YHR 005 UK 1980 Sell This Version
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YHR 006 Cold Tape — Maurizio Bianchi M.B.* Cold Tape (Album) YHR Tapes YHR 006 UK 1980 Sell This Version
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none Gene P — Maurizio Bianchi M.B.* Gene P (Album) Not On Label (Maurizio Bianchi Self-released) none Italy 1980 Sell This Version
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none Mectpyo-Blut — Maurizio Bianchi MB* Mectpyo-Blut (Album) Not On Label (Maurizio Bianchi Self-released) none Italy 1980 Sell This Version
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none What Next, Humans? — Maurizio Bianchi M.B.* What Next, Humans?(Cass, Album) Not On Label (Maurizio Bianchi Self-released) none Italy 1980 Sell This Version
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none TAMBCS — Maurizio Bianchi MB* TAMBCS (Album) Mectpyo Sounds none Italy 1981 Sell This Version
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none CMRS/OPEA — Maurizio Bianchi Maurizio Bianchi CMRS/OPEA (Album) Not On Label (Maurizio Bianchi Self-released) none Italy 1981 Sell This Version
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none Technology 2 — Maurizio Bianchi Maurizio Bianchi Technology 2(Cass, Album) Not On Label (Maurizio Bianchi Self-released) none Italy 1981 Sell This Version
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none Mectpyo Bakterium — Maurizio Bianchi M.B.* Mectpyo Bakterium (Album) Not On Label (Maurizio Bianchi Self-released) none Italy 1981 Sell This Version
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none The Maldoror's Coming To Birkenau — Maurizio Bianchi M.B.* The Maldoror's Coming To Birkenau (Album) Not On Label (Maurizio Bianchi Self-released) none Italy 1981 Sell This Version
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none N H [Nevro / Hydra] — Maurizio Bianchi MB* N H [Nevro / Hydra] (Album) Not On Label (Maurizio Bianchi Self-released) none Italy 1981 Sell This Version
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none NH/HN — Maurizio Bianchi M.B.* NH/HN (Album) Not On Label (Maurizio Bianchi Self-released) none Italy 1981 Sell This Version
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none Technology — Maurizio Bianchi M. B.* Technology (Album) Not On Label (Maurizio Bianchi Self-released) none Italy 1981 Sell This Version
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none YRA / SCENT — Maurizio Bianchi MB* YRA / SCENT (Album) Not On Label (Maurizio Bianchi Self-released) none Italy 1981 Sell This Version
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004 It Should Be Used Only Once – Tabu — Maurizio Bianchi Lieutenant Murnau & M.B.* Lieutenant Murnau & M.B.* - It Should Be Used Only Once – Tabu (Album) Flowmotion 004 UK 1981 Sell This Version
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SR 2 Symphony For A Genocide — Maurizio Bianchi M.B.* Symphony For A Genocide (Album) Sterile Records SR 2 UK 1981 Sell This Version
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MB4 Regel — Maurizio Bianchi M.B.* Regel (Album) Mectpyo Sounds MB4 Italy 1982 Sell This Version

Add Review

Lautreamont

Lautreamont

January 4, 2022
edited about 1 year ago
Some compelling works and a lot that are not so compelling. Takes some work to find the gems.
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VXGASSATTAK

VXGASSATTAK

April 10, 2020
The Godfather of Italian underground electronic music. Such an incredible body of work spanned out over four decades. Still producing and releasing and still as compelling as ever.
tenebrax

tenebrax

October 22, 2018
It's poor music. It is not enough to put Auschwitz or Treblinka in a title to legitimize so little emotion, so little empathy, so little talent. Shostakovich, without using such sinister titles, has given by the scale of his genius, his culture and his music the dimension of this tragedy. I find in MB's slack and pretentious DIY, the recovery of the Holocaust very unwelcome. It is not enough to turn on your amphigorous electronic hardware to make art.
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poneromusikologist

poneromusikologist

April 22, 2015
edited over 8 years ago
i do not want to listen to his music, it's too industrial FOR ME.
Christopherson's lyric "...Crush'd from the Shoulder...", from his song about Pasolini, echoes in mye COIL'd mynde as i gayze upon the countenance of Bianchi (the "Whyte" one?).
i know little of this music, and yes, it is music, as is all sound said to be so.
this paved the way for GNAW THEIR TONGUES, who have made a career and illustrious discography by sourcing everyone else's hard-earned at-least-partially-acoustically-recorded records thru tricked-out playback equipment, mostly with only one or two facile treatments being relied upon --like immoderate reverb applications or cassette deck pitch-dial abuse-- to utterly appropriate (and possibly reinvigorate) the contents and, with relatively little alteration, plagiaristically call it their own.
But do they really OWN the results?
Yes, according to the army of collectors and, even more importantly, the LIKERS of both GNAW THEIR TONGUES and BIANCHI; yes because the treated results are more Liked than the material they larcenously sourced thru their creatively anemic playback equipment-cum-postmodern-meta-instrument.
In the Netherlands GNAW.. is easily bested by JOEL VAN DROOGENBROECK as BIANCHI is by great grandpa RUSSOLO in Italia...however, the winner of this contest of quality is moot because it is GNAW.. and BIANCHI who claim a supremacy of relevancy evident from their sponsorship; curatorial and consumer interest, number of releases and versions thereof; How heartlessly, dehumanizingly Industrial of them to succeed effortlessly --Literally Effortlessly-- while the "everyone" they solipsistically appropriate sucks the eggs of Effort.
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