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Maurizio Bianchi

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Profile:
Born: December 04, 1955 // Pomponesco, Mantua, Italy.
Maurizio Bianchi from Milano, Italy, started working in 1979 using pre-recorded filtered sounds and in 1980 bought his own electronic equipment to "produce technological sounds to work for a full awareness of modern decadence".
Sites:
Wikipedia, menstrualrecordings.org
Aliases:
Leibstandarte SS MB, Nisi Quieris, Sacher-Pelz
In Groups:
Maribor, Maurizantes, Vértice (2)
Variations:
All | Maurizio Bianchi | Viewing MB

Artist

Marketplace

2,731 For Sale
Vinyl and CD
Data Quality
  • Correct
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    major
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Albums
none Mectpyo-Blut — Maurizio Bianchi MB* Mectpyo-Blut (Album) Not On Label (Maurizio Bianchi Self-released) none Italy 1980 Sell This Version
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YHR 005 Voyeur Tape — Maurizio Bianchi MB* Voyeur Tape ‎(Cass, Album) YHR Tapes YHR 005 UK 1980 Sell This Version
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none TAMBCS — Maurizio Bianchi MB* TAMBCS (Album) Mectpyo Sounds none Italy 1981 Sell This Version
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none YRA / SCENT — Maurizio Bianchi MB* YRA / SCENT (Album) Not On Label (Maurizio Bianchi Self-released) none Italy 1981 Sell This Version
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none N H [Nevro / Hydra] — Maurizio Bianchi MB* N H [Nevro / Hydra] ‎(Cass, Album, Ltd) Not On Label (Maurizio Bianchi Self-released) none Italy 1981 Sell This Version
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none Technology 2 — Maurizio Bianchi Maurizio Bianchi Technology 2 ‎(Cass, Album) Not On Label (Maurizio Bianchi Self-released) none Italy 1981 Sell This Version
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GRA 5 NH HN — Maurizio Bianchi MB* NH HN ‎(Cass, Album) Grafika Airlines GRA 5 Belgium 1981 Sell This Version
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SR 2 Symphony For A Genocide — Maurizio Bianchi M.B.* Symphony For A Genocide (Album) Sterile Records SR 2 UK 1981 Sell This Version
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none Aktivität — Maurizio Bianchi MB* Aktivität (Album) Not On Label (Maurizio Bianchi Self-released) none Italy 1982 Sell This Version
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DYS 08 Mectpyo Bakterium — Maurizio Bianchi Maurizio Bianchi Mectpyo Bakterium (Album) Dys DYS 08 US 1982 Sell This Version
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TEGAL 006 SFAG — Maurizio Bianchi MB* SFAG Tegal Records TEGAL 006 US 1994 Sell This Version
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DIGI048 Erimos — Maurizio Bianchi MB* | Hue | Fhievel MB* | Hue | Fhievel - Erimos ‎(CD, Album) Digitalis Recordings DIGI048 US 2007 Sell This Version
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MCL06, C.C.CD006 Nefelodhis — Maurizio Bianchi Maurizio Bianchi & Sparkle In Grey Maurizio Bianchi & Sparkle In Grey - Nefelodhis ‎(CD, Album) Musica Di Un Certo Livello, Cold Current Productions MCL06, C.C.CD006 Italy 2007 Sell This Version
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IMPREC322 KRMN — Maurizio Bianchi Maurizio Bianchi & Francisco López Maurizio Bianchi & Francisco López - KRMN ‎(CD, Album) Important Records (2) IMPREC322 US 2011 Sell This Version
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RLS27 Mental Machination Musing — Maurizio Bianchi MB* Mental Machination Musing (Album) Red Light Sound RLS27 US 2012 Sell This Version
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RLS18 Vir-Uz — Maurizio Bianchi MB* + ICS (2) MB* + ICS (2) - Vir-Uz (Album) Farmacia901 RLS18 US 2012 Sell This Version
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OECD 165 Material Modulations — Maurizio Bianchi MB* & MO* MB* & MO* - Material Modulations ‎(CD, Album, Ltd) Old Europa Cafe OECD 165 Italy 2012 Sell This Version
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OECD 155 Spiritual Noises — Maurizio Bianchi MB* & MO* MB* & MO* - Spiritual Noises ‎(CD, Album, Ltd) Old Europa Cafe OECD 155 Italy 2012 Sell This Version
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none Isometrie Sonore — Maurizio Bianchi Maurizio Bianchi + Massimo Croce + DBPIT* + XxeNa Maurizio Bianchi + Massimo Croce + DBPIT* + XxeNa - Isometrie Sonore (Album) Dischi Gatto Alieno, Arte Nel Rumore, Ozky E-sound none Italy 2013 Sell This Version
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RLS33 Hic Omnia Ur-Aizib — Maurizio Bianchi MB* Hic Omnia Ur-Aizib (Album) Red Light Sound RLS33 US 2013 Sell This Version
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RLS39 Massolitarius — Maurizio Bianchi MB* Massolitarius (Album) Red Light Sound RLS39 US 2014 Sell This Version
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OECD 221 Amalgamelody — Maurizio Bianchi Merzbow & MB* Merzbow & MB* - Amalgamelody ‎(CD, Album) Old Europa Cafe OECD 221 Italy 2015 Sell This Version
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LH75 Triumph Of The Will — Maurizio Bianchi MB* Triumph Of The Will ‎(LP, RE + 7", S/Sided, Vio + Ltd, Num, RM) menstrualrecordings LH75 Italy 2016 Sell This Version
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OECD 230 The Last Technocide — Maurizio Bianchi MB* / LCB* MB* / LCB* - The Last Technocide ‎(CD, Album, Ltd) Old Europa Cafe OECD 230 Italy 2016 Sell This Version
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4iB CD/0816/028 Nullification — Maurizio Bianchi Creation Through Destruction & Maurizio Bianchi Creation Through Destruction & Maurizio Bianchi - Nullification ‎(CD, Album, Ltd) 4iB Records 4iB CD/0816/028 Singapore 2017 Sell This Version

Reviews

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Lautreamont

Lautreamont

January 4, 2022
edited about 1 year ago
Some compelling works and a lot that are not so compelling. Takes some work to find the gems.
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VXGASSATTAK

VXGASSATTAK

April 10, 2020
The Godfather of Italian underground electronic music. Such an incredible body of work spanned out over four decades. Still producing and releasing and still as compelling as ever.
tenebrax

tenebrax

October 22, 2018
It's poor music. It is not enough to put Auschwitz or Treblinka in a title to legitimize so little emotion, so little empathy, so little talent. Shostakovich, without using such sinister titles, has given by the scale of his genius, his culture and his music the dimension of this tragedy. I find in MB's slack and pretentious DIY, the recovery of the Holocaust very unwelcome. It is not enough to turn on your amphigorous electronic hardware to make art.
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poneromusikologist

poneromusikologist

April 22, 2015
edited over 8 years ago
i do not want to listen to his music, it's too industrial FOR ME.
Christopherson's lyric "...Crush'd from the Shoulder...", from his song about Pasolini, echoes in mye COIL'd mynde as i gayze upon the countenance of Bianchi (the "Whyte" one?).
i know little of this music, and yes, it is music, as is all sound said to be so.
this paved the way for GNAW THEIR TONGUES, who have made a career and illustrious discography by sourcing everyone else's hard-earned at-least-partially-acoustically-recorded records thru tricked-out playback equipment, mostly with only one or two facile treatments being relied upon --like immoderate reverb applications or cassette deck pitch-dial abuse-- to utterly appropriate (and possibly reinvigorate) the contents and, with relatively little alteration, plagiaristically call it their own.
But do they really OWN the results?
Yes, according to the army of collectors and, even more importantly, the LIKERS of both GNAW THEIR TONGUES and BIANCHI; yes because the treated results are more Liked than the material they larcenously sourced thru their creatively anemic playback equipment-cum-postmodern-meta-instrument.
In the Netherlands GNAW.. is easily bested by JOEL VAN DROOGENBROECK as BIANCHI is by great grandpa RUSSOLO in Italia...however, the winner of this contest of quality is moot because it is GNAW.. and BIANCHI who claim a supremacy of relevancy evident from their sponsorship; curatorial and consumer interest, number of releases and versions thereof; How heartlessly, dehumanizingly Industrial of them to succeed effortlessly --Literally Effortlessly-- while the "everyone" they solipsistically appropriate sucks the eggs of Effort.
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