His musical career started in the early nineties as a guitarist. Equally interested in the introspective sound of the British shoe gazer-scene and the looser low-fi aesthetic of American slacker bands, he played in various bands and developed as a guitarist.
By the mid-nineties he had grown an interest in electronic music, and bought a sampler. At first the focus laid on break beat music and melodic stuff. Later the direction changed towards a sound inspired by dub, techno, and click sensibilities. While the indierock is still apparent, this is the sound that characterised Mikkel’s music today.
Things kicked off in 2000, with the release a 7-inch on the label Hal9000, that topped the magazine de:bug’s monthly chart (no. 42). Afterwards came an appearance on the net label datamusik, and a series of 12" on the Danish label Echocord.
Mikkel developed and refined his sound, and also started issuing work to German label Kompakt. So far this has thrown off three 12’ inches. These works still continuing click-aesthetic and dub-influence, but take a slightly different path, and go from shuffle techno to slow melodic 4/4-based tracks. Around 2010 his sound has showed an inspiration from a more detroitbased sound, as heard on his "pamon 403" EP on the label Echocord.