Michael Smith (9)
Michael Smith (9)
Based in the Washington D.C. - Baltimore area for most of his 40-year career, Smith played with many jazz greats including David Liebman, Herbie Hancock, John Abercrombie, Randy Brecker, Tommy Flanagan, Billy Eckstine, Astrud Gilberto, Freddie Hubbard, Herb Ellis, and Milt Jackson.
He grew up in Meadville, Pennsylvania where his father exposed him to jazz at an early age. At age 8, Smith began taking drum lessons from local jazz drummer, Cootie Harris. His father and Harris took young Smith to local jam sessions throughout Northwestern Pennsylvania.
Smith's early influences included drummers Art Blakey and "Philly" Joe Jones. Inspired by the playing of young prodigy Anthony Williams, Smith developed his own style using polyrhythms, metric modulation, and intricate cymbal work that would define his playing for the rest of his career.
As a student at Youngstown State University from 1964 to 1966, Smith played gigs in and around Youngstown and Pittsburgh, most notably with pianists Gene Rush (2) and Harold Danko, and cellist Abdul Wadud. He recorded a demo tape with Danko and Wadud that was submitted to Down Beat magazine as a contest entry.
In 1967, Smith transferred to Howard University in Washington D.C. where he began his playing career in earnest. He was tapped to play with jazz pianist Bobby Timmons at the famed The Bohemian Caverns jazz club.
He soon got the attention of other well-known jazz musicians, including vibraphonist Gary Burton. Burton asked him to join his ensemble on tour, but Smith declined due to fear of being drafted and sent to Vietnam. Smith dropped out of Howard in 1968, was immediately drafted, then classified as 4-F due to a history of migraine headaches.
He joined his friend, bassist Terry Plumeri in the group, Love, Cry, Want, a free-improvisation group with jazz, blues, and rock influences. Smith eventually recorded with Plumeri on two albums, He Who Lives In Many Places (1971) featuring Herbie Hancock and John Abercrombie, and Water Garden (1978) (formerly titled Ongoing) with Abercrombie, Ralph Towner, and the National Symphony String Quartet. In 2007, these two albums were re-issued on CD by GMMC Records.
Smith helped form the ambient music group, The Entourage Music & Theatre ENsemble with Joe Clark (2), Rusti Clark, and Wall Matthews. This group made two recordings for Folkways Records and performed in theaters in combination with dance ensembles. In 2003, the electronic music artist Four Tet sampled, without permission, the Entourage composition, Neptune Rising, and used it as the basis for the hit single, She Moves She. Smith (and Matthews) later received a royalty payment from Four Tet for the use of the copyrighted material.
Smith toured nationally with Roberta Flack from 1971 to 1972, but found the rigors of touring to be exhausting. He left Flack's band and returned to his home base in Washington D.C. where he performed and recorded with local jazz musicians. The Washington Post included Smith in its 1974 Who's Who of D.C. artists and musicians.
In 1977, Smith traveled to Germany to record with pianist Steve Kuhn, bassist Harvie Swartz, and saxophonist Steve Slagle. The resulting recording was the critically successful LP, Steve Kuhn And Ecstasy - Motility on the ECM Records label. In 1984, he recorded with pianist/bassist Don Thompson (2) on his Juno Award-winning LP, A Beautiful Friendship. He toured Europe and appeared with pianist Adam Makowicz at the North Sea Jazz Festival in 1986 and 1987 playing to large appreciative crowds.
During the 1980's, Smith was the go-to drummer for saxophonist David Liebman and singer/song writer Mose Allison whenever they came to Washington.
From 1987 to 2005, Smith continued to play jazz clubs and record with local jazz musicians, most notably in a trio with pianist Dave Kane (2) and bassist Drew Gress.
He was diagnosed with prostate cancer in late 2003. His last recording was with Dave Kane, Drew Gress, and Dave Liebman on Kane's CD, Grey Matters (2005). Although suffering from walking pneumonia and severe bone pain, his performance during this session was not noticeably affected. The effects of prostate cancer eventually sidelined Smith in November 2005 and he died on January 2, 2006. A tribute to Smith was held at the renowned jazz club, Blues Alley on January 10, 2006, an event that was packed with most of the top musicians from the DC area.
From wikipedia - slightly altered to match the links