Gust Burns makes work that is woven through several major fields including experimental composition, jazz, contemporary art practices, black studies, marx and post-marxism, art-critical theory, and musicology.
With a history as an improvising pianist, he makes music by utilizing multiple procedures; problematizing divisions between performance, score, recording, and text - work that intertwines the conceptual and sonic, critical and affective.
Two ways of thinking about the project: to uncover listening as social-historically constructed assemblage, and to elaborate and rehearse ways of being together (playing and hearing music).
With a history as an improvising pianist, he makes music by utilizing multiple procedures; problematizing divisions between performance, score, recording, and text - work that intertwines the conceptual and sonic, critical and affective.
Two ways of thinking about the project: to uncover listening as social-historically constructed assemblage, and to elaborate and rehearse ways of being together (playing and hearing music).
