Profile:
A rock band formed in Leeds, UK, in 1980, by singer Andrew Eldritch and guitarist Gary Marx. Eldritch is the only surviving member of the original line-up. The band was notoriously different on each of their three studio albums, from media dubbed 'goth' to 'keyboards' to 'American rock'. The band is known for being one of the leaders of the '80s goth music scene, however they deny any association with goth, and consider themselves first and foremost a rock band. Their influences include Leonard Cohen, The Stooges, Suicide and Motörhead.

The bands first single, 'The Damage Done', was released in 1980 on the bands label - Merciful Release. It marked the only time where Eldritch played drums. He additionally contributed vocals, while Marx played guitars and also contributed vocals.

By 1981, Eldritch's drumming was replaced so he could focus on his vocal work. His replacement was a progression of drum machines all known as Doktor Avalanche. 1981 also saw the addition of Craig Adams on bass and by the end of the year, Ben Gunn as a second guitarist.

Through 1982-1984, the group released a series of singles, but saw the departure of guitarist Gunn by 1983. Gunn stated it was personal conflicts with Eldritch which caused him to leave. He later went on to form Flame On Records which he would sign Anabas (later named Annabas) too. Since then, he has disappeared from the music industry. He was replaced by previous Dead Or Alive guitarist Wayne Hussey in 1984.

The Black October UK tour (October–November 1984) confirmed the underground cult status of the band. However, the growing alienation between Eldritch and the rest of the group was getting out of hand during the recording of the 1985 debut album, 'First And Last And Always'. Eldritch's deteriorating health and psychological problems worsened the situation. Following the release of First and Last and Always, produced by David M. Allen (producer of albums such as The Cure's Disintegration), Marx split from the band in the middle of a supporting tour, citing inability to continue working with Eldritch. The Sisters of Mercy completed the tour as a three-piece act, ending with the Royal Albert Hall concert, 'Wake (In Concert At The Royal Albert Hall)', on 18th June 1985.

Marx would go on to form Ghost Dance with Skeletal Family singer Anne-Marie Hurst and later start a small solo career.

Eldritch fell out with Adams and Hussey when they began working on a follow-up album and the band split. In 1986, Adams and Hussey started touring as 'The Sisterhood.' To stop them using the name, as it was too similar to The Sisters of Mercy, Eldritch recorded 'Gift' as 'The Sisterhood' with the help of collaborators Alan Vega (Suicide), Lucas Fox, Patricia Morrison (The Gun Club), James Ray (James Rays Gangwar) and Doktor Avalanche. This stopped Adams and Hussey from using the name and so they became The Mission instead.

1987 saw the return of The Sisters with the second album, 'Floodland'. It marked a shift away from guitars-based rock towards keyboard-oriented explorations as pioneered in Gift.The album was produced by Eldritch and Larry Alexander, with contributions from Jim Steinman on two songs. Bass player, Patricia Morrison subsequently became a member of the band for the release of the album, although it is claimed by Eldritch she didn't contribute to the album whatsoever. She was effectively a poster girl for the band. This era of the band did not perform live, but did do a number of playback performances and interviews on music TV shows. It also saw an increase of the groups popularity. Morrison claims she did contribute to the recordings of the album and with many disputes, it ended with her leaving the band shortly after unknown German guitarist Andreas Bruhn joined in 1989.

Eldritch assembled a new group to record their third and, so far, final album, 'Vision Thing', released in 1990 – first recruiting Bruhn on guitars in '89, and then Tony James (formerly of Sigue Sigue Sputnik and Generation X) on bass in '89, and lastly Tim Bricheno (All About Eve) on guitars in '90. The album made a return to guitars-based rock but with a heavier sound and a media dubbed 'American rock sound'. Jim Steinman made a return and co-produced 'More' with Eldritch. The album also featured session guitarist John Perry and backing vocals by Maggie Reilly. The album was designed as an assault on USA policies. "The vision thing" - George H. W. Bush, being an example.

The band launched a 1990-1991 world-tour to promote the album. This would be the first time the band performed live since 1985. In 1991 they organised a controversial double-headlining tour of North America with Public Enemy, and Gang Of Four, Warrior Soul and Young Black Teenagers as support. It was possibly envisioned as an alternative to Lollapalooza, as that was the first year it began. The tour was booked into large suburban venues away from American inner-city neighbourhoods and was under-advertised, mainly because of promoters' fears of clashes between Sisters fans and Public Enemy fans. It is claimed many cities would not allow them to perform because of Public Enemy's notorious reputation. The poor promotion and distant venues resulted in disappointing ticket sales, and the tour was cancelled halfway through. EastWest, The Sisters' label at the time gave virtually no support. A sold-out arena tour of America could have catapulted The Sisters to the top ranks of American music sales; the cancellation thus resulted in the common perception that The Sisters' relative obscurity in the American marketplace after Vision Thing was at least partly due to the inherent racism of concert promoters. The end of 1991 saw the departure of Tony James so he could work on his solo career; bass duties were then transferred to Doktor Avalanche.

The USA tour fiasco did not help the already strained relationship between Eldritch and the Sisters' new record company EastWest, a WEA subsidiary. The conflicts with WEA led to a termination of the band's USA record distribution, so the following records of the group would be available in the USA as imports only. However, under the insistence of the record company the band re-recorded their early single 'Temple Of Love (1992)' (with Ofra Haza on additional vocals) to promote the compilation album of their early independently released singles, entitled 'Some Girls Wander By Mistake' (1992). Tim Bricheno left at the end of 1992 and started working on his new project XC-NN.

Bricheno's replacement was guitarist Adam Pearson, who joined in 1993. Pearson was the only guitarist on the 'Under The Gun' single, which also featured Terri Nunn of Berlin on backing vocals. Although Bruhn was in the band during the recording and release of the single, he did not appear on it. He would leave at the end of the year to launch his solo career. The 'Under The Gun' single was recorded to promote the greatest hits compilation, 'Greatest Hits Volume One (A Slight Case Of Overbombing)' (1993).

1993 was the last year the band released anything on an official record label; there is more to tell.

Following the last concerts in December 1993, The Sisters of Mercy went into what Andrew Eldritch called a "strike against EastWest". He refused to release any more new material.

While issues with EastWest were going on and a solution pending, Andrew Eldritch remixed two songs for the German group Die Krupps in 1995 and appeared on the Sarah Brightman single 'How Can Heaven Love Me' and 'A Question Of Honour'. Behind the scenes, Eldritch and Gary Marx were in contact again, and Marx started working on some new Sisters songs. He sent these tracks to Eldritch, but after Eldritch backed out, Marx released the songs himself as his second solo album, 'Nineteen Ninety Five And Nowhere' - the title alluding to where these songs went nowhere with Eldritch in 1995.

The Sisters of Mercy played several festival gigs together with the Sex Pistols in the summer of 1996. This was the first time the band performed since 1993. Guitarist Chris Sheehan, also known as Chris Starling, had joined the band for the tour.

The contract with EastWest was terminated in 1997 after the company agreed to accept material recorded under the name SSV, instead of the two albums for which the Sisters of Mercy had contractual obligations. EastWest agreed to accept the material (techno-like droning featuring mumbling vocals by Andrew Eldritch, without drums) without listening to it first. The recordings were never officially released and are circulated only through pirate MP3s. The album was intended to irritate and bore, according to Eldritch. The band failed to secure a new contract with any label, likely due to their history with EastWest, and refuse to release new material independently on Merciful Release. According to rumours, Eldritch's starting negotiating position is $3 million USD for 3 albums. 1997 saw the addition of guitarist Mike Varjak.

Mike Varjak left the group in 1999 and was replaced by now full time member Chris Sheehan in 2000. He also departed, leaving in 2003. Sheehan was replaced by current guitarist, Chris Catalyst (Eureka Machines, Ugly Kid Joe) at the start of 2005. By the end of 2005, Adam Pearson, a longtime band member since 1993, left and joined MC5. Catalyst would take over the role of lead guitar. 2006 saw the start of the longest and most stable line-up yet, with the addition of guitarist Ben Christo (Night By Night, Diamond Black).

There are a total of 12 'new' songs, written between 1993 and 2009 which are unreleased, however Far Parade has never been performed live. These were written by Eldritch, Pearson, Sheehan, Varjak and Catalyst.

Arms
Come Together
Crash And Burn
Far Parade
I Have Slept With All The Girls In Berlin
Romeo Down
Still
Summer
Top Nite Out
War On Drugs
We Are The Same, Susanne
Will I Dream?

In 2019, four new compositions were debuted live along with a slightly updated lineup, Dylan Smith replacing Chris Catalyst on guitar duties:

Kickline (Christo/Eldritch/Smith)
Show Me On The Doll (Christo/Eldritch/Smith)
Better Reptile (Christo/Eldritch/Smith)
Instrumental

Today, the band still perform live shows around the world, usually in Europe, and perform new songs, re-worked classics, and covers.
Sites:
Members:
Variations:
The Sisters Of Mercy - They Shall Not Pass album art Various Body Electric and 1 more… Various - They Shall Not Pass (Album, Comp) Abstract Sounds UK 1985 Sell This Version
FC-146 The Sisters Of Mercy - Nu-Wave Vol. 1 album art Various Walk Away Various - Nu-Wave Vol. 1(LP, Comp) Warner Bros. Records FC-146 Philippines 1986 Sell This Version
The Sisters Of Mercy - The Hits Album 7 album art Various This Corrosion Various - The Hits Album 7 (Comp) CBS, BMG, WEA UK 1987 Sell This Version
The Sisters Of Mercy - WEA Star Galerie album art Various This Corrosion Various - WEA Star Galerie (Comp) WEA Germany 1987 Sell This Version
none The Sisters Of Mercy - WEA New Releases No 1 album art Various The Corrosion (as The Sister Of Mercy) Various - WEA New Releases No 1(Cass, Comp, Promo) WEA none UK 1987 Sell This Version
7489111 The Sisters Of Mercy - Jackpot 87 album art Various This Corrosion Various - Jackpot 87(2xLP, Comp) EMI-VALENTIM DE CARVALHO 7489111 Portugal 1987 Sell This Version
24 1241-1 The Sisters Of Mercy - Freeway Double album art Various This Corrosion Various - Freeway Double(2xLP, Comp) Wea 24 1241-1 Italy 1987 Sell This Version
none The Sisters Of Mercy - Six Disques Bleu album art Various Body Electric and 1 more… Various - Six Disques Bleu(6xLP, Album, Comp, Ltd, Blu + Box) Abstract Records none UK 1987 Sell This Version
The Sisters Of Mercy - Shock Vanguarda 88 Tutti Frutti album art Various This Corrosion Various - Shock Vanguarda 88 Tutti Frutti (Comp) WEA Brazil 1988 Sell This Version
The Sisters Of Mercy - Play This! (The Best New Music On Elektra) album art Various This Corrosion (Edit) and 1 more… Various - Play This! (The Best New Music On Elektra) (Comp) Elektra US 1988 Sell This Version
The Sisters Of Mercy - The Hits Album 8 album art Various Lucretia My Reflection Various - The Hits Album 8 (Comp, Album) WEA Records Ltd., CBS, BMG Records (UK) Ltd. UK 1988 Sell This Version
M5 FC-164 The Sisters Of Mercy - The Best Of New Music 2 album art Various Lucrecia My Reflection Various - The Best Of New Music 2(Cass, Comp) WEA Records M5 FC-164 Philippines 1988 Sell This Version
none The Sisters Of Mercy - KROQ - 106.7 FM Alternative CD Sampler #2 Spring '88 album art Various Dominion (Remix) Various - KROQ - 106.7 FM Alternative CD Sampler #2 Spring '88(CD, Album, Comp, Promo) The Hard Report none US 1988 Sell This Version
WEA-PC-2 The Sisters Of Mercy - Prime Cuts From Warner/Elektra/Atlantic album art Various Dominion (as Sisters Of Mercy) Various - Prime Cuts From Warner/Elektra/Atlantic(Cass, Comp, Promo) WEA WEA-PC-2 US 1988 Sell This Version
6WP.0023 The Sisters Of Mercy - Promo Disco Nº 20 - Internacional " Tutti Frutti 88" album art Various This Corrosion Various - Promo Disco Nº 20 - Internacional " Tutti Frutti 88"(LP, Comp, Promo) WEA 6WP.0023 Brazil 1988 Sell This Version
6WP.0045 The Sisters Of Mercy - Tutti Frutti 88 - Promo Nº 42 - Disco 03 album art Various Lucretia My Reflection (as Sisters Of Mercy) Various - Tutti Frutti 88 - Promo Nº 42 - Disco 03(12", Comp, Promo) WEA 6WP.0045 Brazil 1988 Sell This Version
PRO 495 The Sisters Of Mercy - WEA News Info-Cassette 1/1988 album art Various Dominion Various - WEA News Info-Cassette 1/1988(Cass, Comp, Promo) WEA PRO 495 Germany 1988 Sell This Version
COMP C1 The Sisters Of Mercy - The Hit Pack album art Various More (as Sisters Of Mercy) Various - The Hit Pack(Cass, Comp) CBS COMP C1 UK 1990 Sell This Version
PROC 90070 The Sisters Of Mercy - WEA (Volume 70) October 1990 album art Various More (Edit) Various - WEA (Volume 70) October 1990(CD, Comp, Promo) WEA PROC 90070 Canada 1990 Sell This Version
none The Sisters Of Mercy - FMQB - Super Sampler  Vol. 4, #10 album art Various More (Edit) Various - FMQB - Super Sampler Vol. 4, #10(Cass, Comp, Promo) Friday Morning Quarterback Album Report Inc. none US 1990 Sell This Version
CMJ 123090 CRN, none The Sisters Of Mercy - The TDK New Music Report: On The CMJ Radio Network Show #44 album art Various Doctor Jeep Various - The TDK New Music Report: On The CMJ Radio Network Show #44(CD, Comp, Promo) College Media, Inc., Neer Perfect Productions CMJ 123090 CRN, none US 1990 Sell This Version
ROL 90-43 The Sisters Of Mercy - Rock Over London AOR Show #90-43 album art Various More Various - Rock Over London AOR Show #90-43(CD, Comp, Transcription) Rock Over London ROL 90-43 UK 1990 Sell This Version
Pro 586 The Sisters Of Mercy - Das Millionending album art Various More Various - Das Millionending(Cass, Comp, Promo) WEA Pro 586 Germany 1990 Sell This Version
ROL 90-47 The Sisters Of Mercy - Rock Over London AOR Show #90-47 album art Various Detonation Boulevard Various - Rock Over London AOR Show #90-47(CD, Comp, Transcription) Rock Over London ROL 90-47 UK 1990 Sell This Version
CD TUNE UP 8 The Sisters Of Mercy - Expand-O CD Tune Up 8 album art Various More Various - Expand-O CD Tune Up 8(CD, Comp, Promo) The Album Network CD TUNE UP 8 US 1990 Sell This Version

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laughing-gor

laughing-gor

September 18, 2015
edited over 4 years ago
Way back in the mid-80s, I was a punk/metal kid with an increasingly Goth-influenced image. Don't laugh :D

I bought almost everything they did until "This Corrosion", but it's the early 12"s which really did it for me - these were notable for probably being the first records I had ever bought which featured a drum machine (I was mostly into metal and punk until I heard "Alice").

Now, after decades of techno-party raving, virtually everything I buy features at least a TR-808 or a TR-909. How times change... :)

Plenty of classic tunes on those early records, but how they got away with ripping off The Velvets' "Venus In Furs" on "Valentine" is beyond me :)
Halo-rez

Halo-rez

April 1, 2015
Isn't there a promo 7" for "Black Planet"? anyone?
Ron242

Ron242

January 26, 2008
In the early and mid 80ties when new wave was at its peak The Sisters Of Mercy were amongst the first to use drum machines instead of drums. Blasphemous so they were told.
However their music couldn't surpass those who disparate shouted that these productions should not be released to market. Gladly the masses found it highly enjoyable. The people are never wrong.
The Sisters Of Mercy managed to compose friendly yet haunting music of great class. Folk of all classes danced happily around to underground hits such as 'Alice', 'Temple Of Love' and 'This Corrosion'. Every release was a joy, talked about amongst friends and highly sought after.
Crijevo

Crijevo

May 10, 2007
edited over 12 years ago
Sadly (and wilfully), the image of SOM seems now a dated frozen 'dark' picture, featuring Eldtritch in his typical 'goth' pose (term 'goth' he insists to exclude nowadays)... Hordes of their fans still live out this same frozen frame of 'Floodland' era - ironically, whatever their quailities might seem now, a group once sounding promising and then dropping bollocks altogether, layed their darkest eggs in that famous early period when 'goth' was less obvious in favour of Suicide and The Stooges flavour - 'Some Girls Wander By Mistake' is by far their most sincere body of work. Personally I was never that much of a fan of Sisters' but this one is worth paying sencere respect.

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