Simon Davey
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Simon Davey
Real Name:
Simon Davey
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Mastering engineer at The Exchange, London.
Has been working at The Exchange since its opening in 1987, when he joined as a trainee mastering engineer. From May 2015 runs his own studio The Exchange Vinyl
Can be often found credited as "Simon-The Exchange" in the run-out grooves of vinyl records.
Has been working at The Exchange since its opening in 1987, when he joined as a trainee mastering engineer. From May 2015 runs his own studio The Exchange Vinyl
Can be often found credited as "Simon-The Exchange" in the run-out grooves of vinyl records.
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Simon Davey
(S.D), Cаймoн Дэви, Davey, Nomis, S. D., S. Davey, S.D, S.D., S·D, Science (19), SD, Si, Simon, Simon 's, Simon "Early Bird", Simon "Hoover Power" Davey, Simon "New Shoos" Davey, Simon "Night Nurse" Davey, SIMON "NORMAL TEA" DAVEY, Simon "Redface" Davey, Simon "Science", Simon "Science" Davey, Simon D, Simon D., Simon The Exchange, Simon The Exchange Vinyl, Simon-The Exchange, Simon., Simon's, Simon*, Simons, Саймон Деви, サイモン
Marketplace 50,959 For Sale
Simon Davey Discography
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Reviews Show All 5 Reviews
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tangee
April 12, 2016
edited about 1 year ago
Simon-The Exchange etched into the runout grooves of any piece of vinyl equals high quality sound, ive never heard a shitty piece of wax Mastered by this man, goes without saying this chap is very talented, another person to thank for giving us the sound quality to appreciate the music we were and still are listening to, as a footnote on this release https://www.discogs.com/Foul-Play-Volume-III-Remixes/release/7726993 on the Open Your Mind (Tango Remix) side in the run out groove is inscribed "It Still Rocks!" Simon isn't wrong either! Cheers Matey!
Dp-red
October 25, 2014
just got a vinyl ! VRS021
Pacman--the upbeats remix
rocket launcher vip
Im from portugal!! big up
Pacman--the upbeats remix
rocket launcher vip
Im from portugal!! big up
ultrasound
December 29, 2007
Some 'low cut' is essential in most mastering cases, even with bass-heavy music like drum & bass. However removing frequencies around the range of 60Hz, for instance from drum & bass, will alter the character of the sound even if those tones are inaudible to the human ear. In audio, it's not just the tone that you're focusing on that's affecting you. It's also the undertones: the harmonics in the resonance. And don't forget non-auditory perception. (For instance, when you feel, rather than hear the sub-bass.) So with drum & bass, breaks, electro etc, the trick is to lose as little bass as possible together with all the usual mastering tasks like clarification, compression, EQ etc. Some mastering engineers go by the book and cut. Others learn a way round the problem of 'too much bass'. Time to big up the British mastering engineers like 'Simon@The Exchange' who helped to make jungle, drum & bass and other UK-originated styles of music, what they are.
olive_sell_all
September 12, 2016