Michel Chion ‎– Dix-Sept Minutes

Metamkine ‎– MKCD032
CD, Mini


Unternehmen usw.



Musique concrète realised in 2000. Commissioned by the Group de Recherches Musicales de l'INA and realised in its studios.
Dedicated to Lionel Marchetti.

Packaged in a gatefold card sleeve.

Barcode und andere Identifikationsmerkmale

  • Rights Society: SACEM SACD SDRM SCAM
  • Matrix / Runout: Sony DADC A0100414009-0101 14 A1
  • Mastering SID Code: IFPI L554
  • Mould SID Code: IFPI 94X5



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11. April 2005
geändert over 14 years ago
Michel Chion's third offering for Metamkine's series of 3" CDs, "Cinéma Pour l'Oreille," is also one of his most enigmatic compositions. Dix-Sept Minutes (Seventeen Minutes) is a work of musique concréte (fixed sounds as composition), but often appears to be a live electro-acoustic improvisation -- and a badly recorded one. It's all illusion. After a spoken presentation of the name of the artist and title of the piece (as if in concert), listeners are presented with a strange collage of disparate sounds, from battery-powered toys to vocal clips, all mixed over the background noise of equipment (film projector? tape deck?). The fact that the piece is dedicated to Lionel Marchetti makes things even more puzzling. Marchetti, who wrote a marvelous book about Chion's music, is one of the leading figures in live electro-acoustics. In fact, this piece often sounds like a cross between Marchetti's live work with Jerome Noetinger and his less-academic musique concréte (Knud, Un Nom de Serpent). So is this a tribute from the master to the disciple, an embrace of new forms of musique concréte or a skillful construction of false "real time"? In this reviewer's opinion, good avant-garde music should give birth to questions. Dix-Sept Minutes does.